THE CULTURE OF SENTIMENT: RACE, GENDER, AND SENTIMENTALITY IN NINETEENTH-CENTURY AMERICA

SAMUEL, Shirley [Ed.].

ISBN 10: 0195063546 / ISBN 13: 9780195063547

Published by Oxford University Press, New York, 1992

About this Item

8vo. Pp: viii, 349. First edition. Orange, black and white illustrated dust jacket. Black boards with orange lettering. Illustrated throughout in black and white.ISBN: 0195063546 A very good plus copy with faint marks to top and fore edge. As new boards. Very good plus dust jacket with lightly creased top edge.

Seller Inventory # C69164

Bibliographic Details

• Title: THE CULTURE OF SENTIMENT: RACE, GENDER, AND SENTIMENTALITY IN NINETEENTH-CENTURY AMERICA
• Publisher: Oxford University Press, New York
• Publication Date: 1992
• Language: English
• ISBN 10: 0195063546
• ISBN 13: 9780195063547
• Binding: Hardcover
• Edition: 1st Edition
• Dust Jacket Condition: Dust Jacket Included

About this title

Synopsis

This collection of critical essays develops the study of nineteenth-century sentimentality by examining it in light of the so-called `women's culture' and of issues of race.

From the Back Cover

In this important new collection, leading scholars in nineteenth-century American culture re-examine the vexed subject of sentimentality. These essays draw upon a range of interdisciplinary approaches to situate sentimentality in terms of "women's culture" and issues of race, before and after the Civil War. Moving beyond the canonical debates about sentimentality, the collection makes visible the particular racial and gendered forms that define the aesthetics and politics of the American culture of sentiment. The contributors use evidence from American cultural history, American studies, and literary criticism, to examine the process by which nineteenth-century American culture was both produced and contested. They present incisive readings of scenes like an antebellum murder trial, the erotic attention audiences paid to the statues of Hiram Powers, and the engravings of Godey's Ladies Book. In addition, they use the writings of Harriet Jacobs, Mark Twain, James Fenimore Cooper, Pauline Hopkins, W.E.B. DuBois, and Harriet Beecher Stowe, to question the political fables immanent in this literature. More generally, they portray nineteenth-century American sentimentality as a national project - a project about imagining the nation's bodies and the national body. With essays by Lauren Berlant, Ann Fabian, Susan Gillman, Karen Halttunen, Carolyn L. Karcher, Joy Kasson, Amy Schrager Lang, Isabelle Lehuu, Harryette Mullen, Dana Nelson, Lora Romero, Shirley Samuels, Karen Sanchez-Eppler, Lynn Wardley, and Laura Wexler, The Culture of Sentiment significantly reorients the field of nineteenth-century American literature, art, culture, and history. It will be of keen interest to those concernedwith women's studies, American studies, cultural studies, African-American studies, and American history and literature.