Despite its nearly hundred years of history, magic realism still remains one of the most elusive literary phenomena. Commonly associated with Latin America or postcolonial literatures, it is an international trend; often defined as a form of political or ideological rebellion, it is an artistic form devoid of any given political agenda. The study argues that magic realism can be defined in terms of its poetics rather than politics, and treats magic realism as a specific case of genre contamination, systematising its different forms according to the employed conventions. Analysing specific aspects of text construction such as the spatio-temporal setting, characters, plot arrangements and narration, it distinguishes two main types of magic realism, the 'mythical' and the 'fairy-tale' one, and a number of variants employing such forms as the grotesque or the dream which constitute the spectrum of magic realist fiction.
The types of magic realism discussed in the study are illustrated with analyses of contemporary British fiction. Yet, since the typology presented is based on generic rather than culture-specific criteria, it may be applied to other literatures as well.
Dr Barbara Klonowska is an assistant professor in the Institute of English at the Catholic University of Lublin, Poland. She teaches British Literature and has published articles on contemporary British fiction.