Brecht at the Opera
Language: English
Published by University of California Press, 2008
Series: Book 2 of 23 - California Studies in 20th-Century Music
- First Edition
- Hardcover
- Used
Seller: zenosbooks, San Francisco, CA, U.S.A.zenosbooks
AbeBooks seller since March 24, 1997
Condition: Used
£ 27.69
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Add to basketItem description from seller
Berkeley. 2008. University of California Press. 1st American Edition. Very Good in Dustjacket. 9780520254824. California Studies in 20th-Century Music, 9. 304 pages. hardcover. keywords: Music Opera Bertolt Brecht. DESCRIPTION - Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. inventory #35890.
Seller Inventory # z35890
- Title
- Brecht at the Opera
- Author
- Calico, Joy H.
- Publisher
- University of California Press
- Publication year
- 2008
- Condition
- Very Good in Dustjacket
- Dust jacket
- Very Good
- Binding
- hardcover
- Language
- English
- ISBN 10
- 0520254821
- ISBN 13
- 9780520254824
- Edition
- First Edition.
- Series
- Book 2 of 23: California Studies in 20th-Century Music
Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.
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zenosbooks
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