The Archivist (First Edition)

Martha Cooley

ISBN 10: 0316158720 / ISBN 13: 9780316158725

Published by Little, Brown (Boston), 1998

About this Item

Little Brown (Boston), 1998. First edition. First printing. Hardbound. Fine in a fine jacket. A tight unread copy. Author's first novel. Note: Long magic-marker remainder line across lower page block. Fiction-SALE.

Seller Inventory # 6834

Bibliographic Details

• Title: The Archivist (First Edition)
• Publisher: Little, Brown (Boston)
• Publication Date: 1998
• Language: English
• ISBN 10: 0316158720
• ISBN 13: 9780316158725
• Binding: Hardcover
• Edition: 1st Edition
• Condition: Fine
• Dust Jacket Condition: Fine

About this title

Synopsis

A battle of wills between Matt, a careful, orderly archivist for a private university, and Roberta, a determined young poet, over a collection of T.S. Eliot's letters, sealed by bequest until 2019, sparks an unusual friendship and reawakens painful memories of the past

Review

Matthias Lane is the proud gatekeeper to countless objects of desire, the greatest among them being T.S. Eliot's letters to Emily Hale. Now in his late 60s and archivist at an unnamed East Coast University, Matthias is--as one of his colleagues tells him--"exceptionally well defended". He's intent on keeping the Hale collection equally remote, and when a young poet first seeks access, Matthias rebuffs her with little difficulty. Still, Roberta Spire does remind him of his wife, Judith, who had also written poetry but had committed suicide 20 years earlier. And he is much taken with the student's self-possession: "Pleading never works with me," he concedes, "but authentic and angry self-interest does."

Betrayal figures heavily in The Archivist. For starters, Roberta feels betrayed by her parents, German Jews who had spent the second world war in hiding and emigrated to the U.S. soon after, reinventing themselves as Christians. She has only recently discovered her Jewish background. The irony is that Matthias's wife, also an Eliot adept, had felt similarly violated by a false version of her own past and destroyed when confronted with the realities of the Holocaust. No wonder Roberta sees the Hale letters as a Holy Grail, the key to her questions about religious conversion and identity.

What holds this exceptionally ambitious and layered first novel together is the love all three main characters have for the pleasures of the text and the knowledge they share that time is, as Eliot writes, both preserver and destroyer. Eliot, after all, had wanted Emily Hale to destroy his letters (and in reality they are sealed until 2020, safe at Princeton University). Martha Cooley is deeply concerned, as are her characters, with questions of conscience, privacy, action and inaction, and security--personal and scholarly. If there is one parallel too many in this impressive work, perhaps that is more like life than some of us care to admit. --Kerry Fried