The Summer 2000 issue of Aperture magazine, No. 160, with: a portfolio of Daguerreotypes of nudes by Chuck Close; a portfolio of images by Bert Teunissen; "W. Eugene Smith's Controversial Minamata Photograph," by Michael L. Sand; "Benetton's We, on Death Row Campaign" by Barbara Ehrenreich; Diana C. Stoll on Jean-Francois Leroy and the Perpignan Festival of Photojournalism; essay by Charles Bowden; additional photographs by Letizia Battaglia, Eikoh Hosoe, Mary Ellen Mark, Eugene Richards, Lise Sarfati, and Andy Warhol; and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with a touch of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

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Bibliographic Details

Title

Aperture Magazine No. 160, Summer 2000

Publisher

Aperture Foundation, New York

Publication Date

2000

Language

English

ISBN 10

0893819255

ISBN 13

9780893819255

Binding

Paperback

Edition

1st Edition

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Photography

About this title

Synopsis

Aperture 160
Summer 2000

In this, the second issue of the new Aperture, the dynamic format of the magazine is employed to explore the different ways in which our right to see is mediated.

Issue 160 includes a striking collection of images selected from the Perpignan festival of photojournalism, a discussion among members of the photographic community on W.Eugene Smith’s controversial Minamata photograph, Lyle Rexer on Chuck Close’s daguerreotypes, Roselee Goldberg on Laurie Anderson’s rhythmic eye, Edward Leffingwell on Michael Tracy’s rites of passage, Bert Teunissen’s domestic landscapes and more.

Photographers:
Letizia Battaglia, Chuck Close, Eikoh Hosoe, Mary Ellen Mark, Eugene Richards, Lise Sarfati, Andy Warhol

"About this title" may belong to another edition of this title.

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