Antiques: The History of an Idea
Language: English
Published by Cornell University Press, Ithaca, NY, 2009
- First Edition
- Hardcover
- Used
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
AbeBooks seller since May 3, 2004
Condition: Used - Fine
£ 26.41
Quantity: 1 available
Add to basketItem description from seller
Coth, xi, 263 pages; 24 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "The notion of retrieving a bit of the past-by owning a material piece of it-has always appealed to humans. Often our most prized possessions are those that have had a long history before they came into our hands. Part of the pleasure we gain from the encounter with antiques stems from the palpable age and the assumed (sometimes imaginary) cultural resonances of the particular object. But precisely what is it about these objects that creates this attraction? What common characteristics do they share and why and how do these traits affect us as they do? In Antiques: The History of an Idea, Leon Rosenstein, a distinguished philosopher who has also been an antiques dealer for more than twenty years, offers a sweeping and lively account of the origin and development of the antique as both a cultural concept and an aesthetic category. He shows that the appeal of antiques is multifaceted: it concerns their value as commodities, their age and historical and cultural associations, their uniqueness, their sensuous and tactile values, their beauty. Exploring how the idea of antiques evolved over time, Rosenstein chronicles the history of antique collecting and connoisseurship. He describes changing conceptions of the past in different epochs as evidenced by preservations, restorations, and renascences; examines shifting attitudes toward foreign cultures as revealed in stylistic borrowings and the importation of artifacts; and investigates varying understandings of and meanings assigned to their traits and functions as historical objects. While relying on the past for his evidence, Rosenstein approaches antiques from an entirely original perspective, setting history within a philosophical framework. He begins by providing a working definition of antiques that distinguishes them from other artifacts in general and, more distinctly, both from works of fine art and from the collectible detritus of popular culture. He then establishes a novel set of criteria for determining when an artifact is an antique: ten traits that an object must possess in order to elicit the aesthetic response that is unique to antiques. Concluding with a provocative discussion of the relation between antiques and civilization, this engaging and thought-provoking book helps explain the enduring appeal of owning a piece of the past." - Publisher. Size: 8vo.…
Seller Inventory # 200533
- Title
- Antiques: The History of an Idea
- Author
- Rosenstein, Leon
- Publisher
- Cornell University Press, Ithaca, NY
- Publication year
- 2009
- Condition
- Fine
- Dust jacket
- Fine
- Book Type
- Collectible
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0801447348
- ISBN 13
- 9780801447341
- Edition
- 1st.
- Seller catalogs
- Aesthetics & Art Criticism, Antiques & Collectibles, Art Market, New Books, XO::Standard, XXX::COLLECTIBLES
The notion of retrieving a bit of the past-by owning a material piece of it-has always appealed to humans. Often our most prized possessions are those that have had a long history before they came into our hands. Part of the pleasure we gain from the encounter with antiques stems from the palpable age and the assumed (sometimes imaginary) cultural resonances of the particular object. But precisely what is it about these objects that creates this attraction? What common characteristics do they share and why and how do these traits affect us as they do?
In Antiques: The History of an Idea, Leon Rosenstein, a distinguished philosopher who has also been an antiques dealer for more than twenty years, offers a sweeping and lively account of the origin and development of the antique as both a cultural concept and an aesthetic category. He shows that the appeal of antiques is multifaceted: it concerns their value as commodities, their age and historical and cultural associations, their uniqueness, their sensuous and tactile values, their beauty. Exploring how the idea of antiques evolved over time, Rosenstein chronicles the history of antique collecting and connoisseurship. He describes changing conceptions of the past in different epochs as evidenced by preservations, restorations, and renascences; examines shifting attitudes toward foreign cultures as revealed in stylistic borrowings and the importation of artifacts; and investigates varying understandings of and meanings assigned to their traits and functions as historical objects.
While relying on the past for his evidence, Rosenstein approaches antiques from an entirely original perspective, setting history within a philosophical framework. He begins by providing a working definition of antiques that distinguishes them from other artifacts in general and, more distinctly, both from works of fine art and from the collectible detritus of popular culture. He then establishes a novel set of criteria for determining when an artifact is an antique: ten traits that an object must possess in order to elicit the aesthetic response that is unique to antiques. Concluding with a provocative discussion of the relation between antiques and civilization, this engaging and thought-provoking book helps explain the enduring appeal of owning a piece of the past.
"Synopsis" may belong to another edition of this title.
About the Author
Leon Rosenstein is Emeritus Professor of Philosophy at San Diego State University and past president of the Classical Alliance of the Western States. He has been an antiques dealer since 1985.
"About the title" may belong to another edition of this title.
LEFT COAST BOOKS
Santa Maria, CA, U.S.A.
AbeBooks seller since May 3, 2004
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LEFT COAST BOOKS specialises in ART BOOKS, new & used, offering thousands of titles on painting, sculpture, graphic arts, architecture, design, photography, film, video & performance art. *** Simon Taylor, the business owner, was a NYC-based art critic and museum curator, who worked as Archivist for Dover Publications before launching Left Coast Books in 2003.
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LEFT COAST BOOKS
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LEFT COAST BOOKS
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