Anachronic Renaissance
Nagel, Alexander; Wood, Christopher S.
Language: English
Published by Zone Books (distributed by MIT Press), 2010
Series: Book 18 of 19 - Zone Books
- First Edition
- Hardcover
- Used
Seller: South Congress Books, Austin, TX, U.S.A.South Congress Books
AbeBooks seller since May 20, 2005
Condition: Used - Near fine
£ 38.85
Quantity: 1 available
Add to basketItem description from seller
Near Fine hard cover first edition in like jacket. Minimal shelf wear; bar code sticker on back cover. Black-and-white illustrations, 456 pages.
Seller Inventory # 007378
- Title
- Anachronic Renaissance
- Author
- Nagel, Alexander; Wood, Christopher S.
- Publisher
- Zone Books (distributed by MIT Press)
- Publication year
- 2010
- Condition
- Near Fine
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 193540802X
- ISBN 13
- 9781935408024
- Edition
- 1st Edition
- Dimensions
- 4to - over 9¾ - 12" tall
- Series
- Book 18 of 19: Zone Books
- Seller catalogs
- Art History, Philosophy
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts.
In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists―a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
"Synopsis" may belong to another edition of this title.
About the Author
Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).
"About the title" may belong to another edition of this title.
South Congress Books
Austin, TX, U.S.A.
AbeBooks seller since May 20, 2005
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