ALEXANDRIAN COSMOPOLITANISM: AN ARCHIVE.
Language: English
Published by Fordham University Press, New York, 2013
- First Edition
- Hardcover
- Used
Seller: Any Amount of Books, London, United KingdomAny Amount of Books
AbeBooks seller since October 14, 2002
Condition: Used
£ 30.00
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8vo. Pp: xviii, 459. First Edition First Printing. Publisher's black and blue illustrated dust jacket with white lettering and colour illustration to front. Publisher's black boards lettered in silver at spine. Black and white illustrations. ISBN: 9780823251766 Very good plus in very good plus dust jacket. Some very faint spotting to fore edge of text block.
Seller Inventory # C72652
- Title
- ALEXANDRIAN COSMOPOLITANISM: AN ARCHIVE.
- Author
- HALIM, Hala.
- Publisher
- Fordham University Press, New York
- Publication year
- 2013
- Dust jacket
- Dust Jacket Included
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0823251764
- ISBN 13
- 9780823251766
- Edition
- 1st Edition
Interrogating how Alexandria became enshrined as the exemplary cosmopolitan space in the Middle East, this book mounts a radical critique of Eurocentric conceptions of cosmopolitanism. The dominant account of Alexandrian cosmopolitanism elevates things European in the city’s culture and simultaneously places things Egyptian under the sign of decline. The book goes beyond this civilization/barbarism binary to trace other modes of intercultural solidarity.
Halim presents a comparative study of literary representations, addressing poetry, fiction, guidebooks, and operettas, among other genres. She reappraises three writers―C. P. Cavafy, E. M. Forster, and Lawrence Durrell―who she maintains have been cast as the canon of Alexandria. Attending to issues of genre, gender, ethnicity, and class, she refutes the view that these writers’ representations are largely congruent and uncovers a variety of positions ranging from Orientalist to anticolonial. The book then turns to Bernard de Zogheb, a virtually unpublished writer, and elicits his camp parodies of elite Levantine mores in operettas, one of which centers on Cavafy. Drawing on Arabic critical and historical texts, as well as contemporary writers’ and filmmakers’ engagement with the canonical triumvirate, Halim orchestrates an Egyptian dialogue with the
European representations.
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Any Amount of Books
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