He has been compared to Blake, Piranesi, and Escher, and his imaginative architectural drawings have been described as "the find of the century." Outwardly, he was a recluse who had few companions except for his mother and children in the neighborhood; inwardly, he was the creator of fantastic renderings, including an attempt late in life to transcribe a third testament of the Bible. He is A. G. Rizzoli (1896-1981), visionary artist extraordinaire.
The discovery of Rizzoli's Beaux Arts-style drawings in San Francisco came in 1990, when they were brought to the attention of a keen-eyed dealer. Since that time, Rizzoli has acquired a fame that would astonish this shy, conflicted man. Essays about Rizzoli's life, analyses of his work and writings, and sources of his inspiration are presented in this first-ever survey by scholars John Beardsley, Roger Cardinal, and Jo Farb Hernandez.
A. G. Rizzoli: Architect of Magnificent Visions brings together for the first time a dazzling array of works. In addition the book includes a chronology, glossary of terms (for the artist was an acrobatic linguist), and list of pseudonyms and self-referential titles. Today Rizzoli is regarded as one of the most astonishing visionary or outsider artists, with an avid following from California to New York. This book will accompany a major traveling exhibition in the U.S., organized by the San Diego Museum of Art.

Synopsis

For almost 40 years, A.G. Rizzoli (1896-1981) worked as a draughtsman for a San Francisco architect. By night he made intricate coloured ink drawings of his dream city and other architectural visions. Skyscrapers, Gothic cathedrals, the Duomo in Milan - reconfigured and sometimes floodlit Hollywood-style - were intended as architectural stand-ins for people known to the artist. The recent discovery of these drawings has led to comparison with the work of Escher, Piranesi and Blake. They are reproduced in this volume, together with essays on his life, analyses of his work and writings, and notes on his sources of inspiration. The book is published to accompany a two-year travelling exhibition, starting in March 1997 at the San Diego Museum of Art, USA.

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