La chitarra e la forma-sonata
Marco Riboni
Sold by Libreria Studio Bosazzi, Firenze, FI, Italy
AbeBooks Seller since 11 December 2009
New - Soft cover
Condition: New
Ships from Italy to U.S.A.
Quantity: 1 available
Add to basketSold by Libreria Studio Bosazzi, Firenze, FI, Italy
AbeBooks Seller since 11 December 2009
Condition: New
Quantity: 1 available
Add to basketLIM, 2023. NUOVO. pp. XIII+459 -- SOMMARIO/ARGOMENTO Nell immaginario collettivo la chitarra, come in un quadro di Watteau, sembra sempre destinata ad accompagnare il canto di eleganti gentiluomini per soavi fanciulle in idilliaci paesaggi campestri. In realtà, dalla seconda metà del Settecento sino a Ottocento inoltrato essa si è lentamente costruita una sua chiara posizione nella musica strumentale europea, in particolare con la creazione di un ricco repertorio nell ambito più nobile e importante del periodo classico: la forma-sonata. Messe a fuoco le spinose questioni di classicismo e di stile classico , l autore riassume la storia e la teoria della forma-sonata nelle fonti storiche tra fine 700 e inizio 800, delineando poi le coordinate metodologiche, storiche e analitiche che inquadrano e orientano il lavoro. Nelle due successive parti prima le opere del Settecento e meno note dell Ottocento, poi quelle degli autori più conosciuti del XIX secolo vengono analizzate ben 165 composizioni di 40 autori, frutto delle ricerche nelle biblioteche di tutto il mondo. Viene così rimosso il fastidioso luogo comune circa la presunta assenza della chitarra dal repertorio sonatistico, quasi che una sorta d inadeguatezza culturale ed estetica (anche dei suoi autori) le avesse impedito di affiancarsi a tutti gli altri strumenti. Un libro già imprescindibile per gli studi a venire sul repertorio chitarristico e al contempo utilissimo anche per quelli sulla musica strumentale tra Settecento e Ottocento e sulla fortuna della forma-sonata.
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