Wormsley Library Personal Selection by Getty Paul (30 results)

paperback. Condition: Very Good. Sturdy large paperback, some shelf wear, no markings or highlighting within. CC.

Soft cover. Condition: Fine. Priority or international shipping will require extra shipping cost. The catalogue for an exhibition held at The Pierpont Morgan Library. Contents: 106 entries with text and color photos; bib.; index. Scans e-mailed upon request.

Paperback. Condition: Good. No Jacket. Covers show wear and scuffing. All pages intact, binding is sound. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.

paperback. Condition: Very Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Near Fine. 1st Edition. Stiff color pictorial wraps, perfect bound. Catalogue to accompany 1999 exhibition at Pierpont Morgan Library, New York. Slight shelf wear, two creases along a firm binding showing a slight lean. Clean, unmarked interior. xii,278 pp., w/ 106 selections, each illus. by at least one color plate, and occasionally several, accompanied by extensive commentary. Size: 4to - over 9¾" - 12" tall. Book.

paperback. Condition: Good. . Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Soft cover. Condition: Good. Softcover catalog of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. Ex-library copy with "withdrawn" stamp. Has a few of the usual library markings. 278 pages: color illustrations, facsimiles, portrait.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condition: Very Good. Very clean tight copy. Heavy to ship.

Paperback. Condition: Very Good. 0875981275. Pierpont Morgan Library 2000, bright clean copy, no markings, Professional booksellers since 1981.

Soft cover. Condition: Very Good. 1st Edition. Book is in good condition. 278pp with colour photographs and illustrations.

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 3 Kg.

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 3 Kg.

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 1 Kg.

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 1 Kg.

Softcover. Condition: Fine. xii, 278 p.

Condition: New. Satisfaction Guaranteed or your money back.

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Slightly rubbed, otherwise Very Good.

2nd edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description: xii, 303 p. : col. ill., facsims., port. ; 30 cm. Notes: "Published for the Wormsley Library by Maggs Bros. Ltd. London in co-operation with The Morgan Library & Museum New York 2007". Includes bibliography (258-268) and index. Subjects: Getty, Paul Sir 1932- Library Exhibitions; Wormsley Library Exhibitions; Bible Manuscripts Exhibitions; Illumination of books and manuscripts Exhibitions; Rare books England Exhibitions; Bookbinding Exhibitions. 3 Kg.

Condition: Very Good. 1999. Paperback. Folio.Good clean copy. First edition. . . . . Books ship from the US and Ireland.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: Very Good. 1999. Paperback. Folio.Good clean copy. First edition. . . . .

2nd edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description: xii, 303 p. : col. ill., facsims., port. ; 30 cm. Notes: "Published for the Wormsley Library by Maggs Bros. Ltd. London in co-operation with The Morgan Library & Museum New York 2007". Includes bibliography (258-268) and index. Subjects: Getty, Paul Sir 1932- Library Exhibitions; Wormsley Library Exhibitions; Bible Manuscripts Exhibitions; Illumination of books and manuscripts Exhibitions; Rare books England Exhibitions; Bookbinding Exhibitions. 1 Kg.

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Near Fine.

273 pp including index, quarto, pictorial end-papers, coloured plates and illustrations, fine copy in illustrated, limp wrappers. . Excellent catalogue.

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Very Good.

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Fine.

The Wormsley Library/ Maggs Bros, London 1999. 4to. 278 pages. Richly illustrated in colours. Original soft cover. near fine. * Magnificent catalogue on the magnificent collection containing manuscripts and books from the 7th century and onwards.

Soft cover. Condition: Very Good. No Jacket. GETTY, Sir Paul, K.B.E. [a Personal Selection by] [278] pp. Published for the Wormsley Library by Maggs Bros. in co-operation with The Morgan Library & Museum, New York 1999 11 1/2" x 8" 113 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times.".