Published by Oxford University Press, Incorporated, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
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Published by Oxford University Press, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
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Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Oxford University Press, Incorporated, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
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Published by Oxford University Press (edition 1), 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
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Published by Oxford University Press, USA, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
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Add to basketPaperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.84.
Published by Oxford University Press, 2001
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: Barnaby, Oxford, United Kingdom
Softcover. Condition: Good. Cover shows moderate signs of use, and superficial marks and bumps. Contents clean and bright, with uncreased pages. Otherwise, in good overall condition. Publisher's note: Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created. Size: 23.1 x 15.5 x 1.3 cm. 207 pp. Shipped Weight: Under 500 grams. Category: Art & Design; Painting -- Netherlands; Camera obscuras -- Netherlands; Optics and art; Camera obscuras; Painting -- Technique; Optical instruments; Optical art; Optics in art; Painting -- 17th-18th centuries -- Netherlands; pinhole photography; camera obscuras; Camera obscura; Painting -- 17th century -- Netherlands; Camera obscuras -- History; Art and science; PAINTING; PAINTERS; NETHERLANDS; Art and photography -- Netherlands -- 17th century -- History; Camera obscuras -- Netherlands -- 17th century -- History; Visual perception; Painting Dutch; Painting Modern; Dutch seventeenth century painting; Camera obscura - History; Netherlands Painting; ISBN: 0192803026. ISBN/EAN: 9780192803023. Add. Inventory No: 250601CC2320.
Published by Oxford University Press, Incorporated, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: Better World Books, Mishawaka, IN, U.S.A.
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Published by Oxford University Press, Incorporated, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
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paperback. Condition: Very Good.
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First Edition
Card Covers. Condition: Very Good. First Edition. Light crease to top front corner of cover. ; 9.06 X 6.06 X 0.55 inches; 207 pages.
Published by Oxford University Press, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: Hugh Hardinge Books, Cambridge, United Kingdom
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Some scoring to laminate of jacket. No other faults.
Published by Oxford University Press, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 390.
Published by Oxford University Press, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: SN Books Ltd, Thetford, United Kingdom
hardcover. Condition: Very Good. Orders shipped daily from the UK. Professional seller.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 222 pages. 9.00x6.00x0.50 inches. In Stock.
Published by Oxford Paperbacks, UK, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: Anytime Books, London, United Kingdom
Soft cover. Condition: As New. How Vermeer probably used optical aids. pp.xiv.207. Illus.
Published by Oxford University Press, 2001
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: Frabjous Books, Calgary, AB, Canada
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Add to basketSoft cover. Condition: Very Good. xiv, 207 pp. How the artist "used the camera obscura as an aid to painting." 72 b&w illustrations, 8 pages colour plates. Bright clean copy. Covers have some light shelf wear.
Published by Oxford University Press, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
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Published by Oxford University Press, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
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Published by Oxford University Press 2001, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: Chichester Gallery, Chichester, United Kingdom
Hardback. D/w.Near fine.
Published by 1st edit., Oxford University Press, 2001. In d.w. Press cuttings and Reyntiens's typescripts of his review (for ?Oldie) enclosed. From the library of Patrick Reyntiens O.B.E. [1925-2021] stained glass artist., 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: R.G. Watkins Books and Prints, Ilminster, SOMER, United Kingdom
72 illus., appendices, index; xvi+207pp. orig. cloth,
Published by Oxford University Press, United Kingdom, Oxford, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photographic camera, which projected an accurate image for artists to trace. However, it is Steadman's meticulous reconstruction of the artist's studio, complete with a camera obscura, which provides exciting new evidence to support the view that Vermeer did indeed use the camera. These findings do not challenge Vermeer's genius but show how, like many artists, he experimented with new technology to develop his style and choice of subject matter. The combination of detailed research and a wide range of contemporary illustrations offers a fascinating glimpse into a time of great scientific and cultural innovation and achievement in Europe. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Oxford University Press, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: SecondSale, Montgomery, IL, U.S.A.
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Published by Oxford University Press, 2001
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: Voyageur Book Shop, Milwaukee, WI, U.S.A.
First Edition
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Add to basketSoft cover. Condition: Very Good. First Edition. Previous owner's name on the first page. A9.
Published by Oxford University Press, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: Flamingo Books, Menifee, CA, U.S.A.
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Add to baskethardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 2001 Oxford University Press (Oxford, England), 6 1/2 x 9 1/2 inches tall black cloth hardcover in publisher's unclipped dust jacket, silver lettering to spine, copiously illustrated with black-and-white and full color photographs and reproductions of artwork, xiv, 207 pp. plus 8 unnumbered pages of plates. Very slight rubbing to covers. Otherwise, a near fine copy - clean, bright and unmarked - in an only slightly edgeworn dust jacket which is nicely preserved and displayed in a clear archival Brodart sleeve. ~SP37~ [2.0P] Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as 'photographic.' Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura - first described by Leonaro da Vinci - weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects - the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Published by Oxford University Press, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germany
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Add to basketPaperback. Condition: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -Over 100 years of speculation and controversy surround claims that the great seventeenth-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This book is an intellectual detective story, meticulously reconstructing the artist's studio, complete with a camera obscura, providing exciting new evidence to support the view that Vermeer did indeed use the camera.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 222 pp. Englisch.
Published by Oxford Univ Press, Oxford, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: Winged Monkey Books, Arlington, VA, U.S.A.
First Edition
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Add to basketFirst Edition. Very good hardcover in very good price clipped jacket.
Published by Oxford University Press, Oxford, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: Russ States, Oil City, PA, U.S.A.
First Edition
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Add to basketCloth. Condition: Very Good -. Dust Jacket Condition: Very Good -. First Edition. (2001), 207pp, illus., black cloth, light shelfwear to cover, light waterstain to margins of last 20 pgs, slight wrinkling to pgs of last half of book, gift note to front free ep, some rubbing & slight edgewear to dj, contents clean & unmarked.
Published by Oxford Univ. Pr., 2001. [, 2001
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: Reiner Books, Minneapolis, MN, U.S.A.
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Add to basketSoft cover. Condition: Very Good. ] Trade pb, appx 6x9 inches, xiv + 214 pages, VG+ to Near Fine. Sound binding, covers just a hint of previous use, immaculate interior, no names, no writing. Numerous b&w illustrations (diagrams & works of art) + 8-pg section of color. At the rear - Appendices, Notes, Further Reading, Picture Credits, Index. RWR5 Art History Painting Criticism.
Published by Oxford University Press, 2002
ISBN 10: 0192803026 ISBN 13: 9780192803023
Language: English
Seller: Zoom Books East, Glendale Heights, IL, U.S.A.
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Add to basketCondition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
Published by Oxford University Press, 2001
ISBN 10: 0192159674 ISBN 13: 9780192159670
Language: English
Seller: GoldBooks, Denver, CO, U.S.A.
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