Text Romantic Irony Example by Garber Frederick (16 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. First Edition. Cloth covered boards with slightly bumped spine ends and trace wear. DJ has mild soil and edgewear, and a 1/2'' tear at top edge. Binding sound, text clean. No previous owner names, stickers or stamps. ; 8vo 8" - 9" tall; 344 pages. …

Hardback. Condition: Fine. Dust Jacket Condition: Very Good.

Hardcover. Condition: As New. Dust Jacket Included. Hardback w/ jacket; unmarked; appears unread.

Hardcover. Condition: As New. Dust Jacket Condition: Almost Like New. First Printing. Book is a clean tight unmarked copy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. (1988). First edition, first printing. Fine in a fine dust jacket. Octavo. 322 pages; Select Bibliography and an index.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing. Fine in green over black linen with gilt titles and rules to a black panel to the spine, green-and-white headband and tail-band; in a fine dust jacket. Garber, a professor of comparative literature, assimilates Byron into the world of contemporary sensibility and thinking, in this detailed study. Octavo; 323 pages; select bibliography; index. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Includes dust jacket. . NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

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XV, 322 S., 1 Bl. 8° (22 x 14,5 cm). Original-Leinwand mit Schutzumschlag (publisher's cloth with dust jacket). Neuwertig. - As new. Gewicht (Gramm): 580.

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Hardcover. Condition: Brand New. 340 pages. 9.00x6.00x0.81 inches. In Stock.

Taschenbuch. Condition: Neu. Self, Text, and Romantic Irony | The Example of Byron | Frederick Garber | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2014 | Princeton University Press | EAN 9780691600321 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other.Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.…

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other.Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.…