Tableaux Dassemblages by Jean Dubuffet (11 results)

Agrafé. Condition: Bon. Dubuffet (illustrator). Ed. originale. Catalogue de l'exposition de Jean Dubuffet à la Galerie Rive Droite du 30 avril au 23 mai 1957. Textes de G. Limbour et de Dubuffet. Liste des oeuvres exposées et 3 hors-texte protégées par des serpentes.

Couverture souple. Condition: Bon. Jean DUBUFFET TABLEAUX D'ASSEMBLAGES Au lieu de bottes de sept lieues, ces jardins Rive droite 82, Fg St-Honoré Anj.02-28 30 avril-23 mai 1957 In-4(21 x 27 cm), broché, 12 pages, deux coups de tampon illustré de 3 reproductions de DUBUFFET, avec serpentes, imprimées en phototypie par Daniel Jacomet Etat : couverture passée, ouvarge solide Poids : 100g.

Condition: Sehr gut. Ca. 30 S.; farbig illustriert, 4°; kart. Sehr gutes Ex. - "Das Material ist eine Sprache" - Dubuffets Landschaften 1949-1958: Andreas Franzke; Positionen einer Gegenkultur: Jean Dubuffet 1951. // Abbildungen: La vie a la campagne 1949; Paysage noir avec joueur de fifre 1949; 4 octobre 1952; La lande joyeuse 1953; Texturologie VI 1957 // u.a. -- Jean Philippe Arthur Dubuffet (* 31. Juli 1901 in Le Havre; 12. Mai 1985 in Paris) war ein französischer Maler, Bildhauer, Collage- und Aktionskünstler. Dubuffet war ein Hauptvertreter der Art brut und zählt zu den prominentesten Vertretern der französischen Nachkriegskunst. Sprache: Deutsch Gewicht in Gramm: 550 Ausstellung Berlin 30. April - 3. Juli 2010.

In 4, cm 21 x 27, pp. (12) con 3 illustrazioni nel testo in b/n e 1 tavola fuori testo a colori. Brossura editoriale con macchie d'umido e foxing. FRA.

Genève, Weber éditeur, 1969. In-4 broché, couverture rempliée illustrée, 131 pages. Illustrations en noir et en couleurs.

Couverture souple. Condition: Comme neuf. 2ème Édition. Paris 1969. -- 1 Volume/1. -- Fascicule XII . Broché cousu. Couverture rempliée illustrée . Format étroit 32,5 x 20,5 cm ( 680 gr ) . ----- 131 pages avec 159 reproductions dont 5 planches couleurs . **********.

paperback. Condition: Fine. Elaboré par Max Loreau. Textes: Extrait de "Memoire sur le developpement de mes travaux" (par Jean Dubuffet), Extrait de "Le recensement universel, Desert et peuplements" (par G. Limbour), Extrait de "Nouvelles de cet été ou les Mysteres de Vence" (par Alexandre Vialatte), Extrait de "Jean Dubuffet à la limite de l'humour" (par Georges Ribemont-Dessaignes) - Extraits de presse - Bibliographie - Expositions - Table des illustations / A cura di Max Loreau. Testi di: Jean Dubuffet ( Estratto da Memoire sur le developpement de mes travaux), Geroges Limbour (Estratto da Le recensement universel, Desert et peuplements), Alexandre Vialatte (Estatto da Nouvelles de cet été ou les Mysteres de Vence) e Georges Ribemont-Dessaignes (estratto da ean Dubuffet à la limite de l'humour) - Estratti dalla stampa - Bibliografia - Esposizioni - Indice delle illustrazioni.  Con 159 illustrazioni con note, in bianco e nero e alcune a colori Imprimé sur les presses des Imprimeries Reunies à Lausanne / Stampato sulle macchine tipografiche delle Imprimeries Reunies a Losanna. Cm 33x21. pp. 132. . Ottimo (Fine). Dorso brunito (Sunned spine). . . Book.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. Galerie Rive Droite, Paris, 1957. 1ª Edición. Catálogo de la exposición. Ilustraciones en blanco y negro. Textos de Georges Limbour y J. Dubuffet (en francés). 27x21. Sin paginar. Rústica editorial con grapas.

Couverture souple. Condition: Bon. 1957, Galerie Rive Droite, Paris. Plaquette in-8, papier parcheminé, agrafée, non paginée. Textes de Georges Limbour et Jean Dubuffet. Liste des 28 peintures et 15 encre de Chine ainsi que trois reproductions en phototypie sous serpentes dont deux pleine page. On joint un carton d'invitation lithographié au vernissage de l'expostion Dubuffet au Cercle Volney (voir lot 48) ainsi qu'une autre petite plaquette d'invitation au vernissage (2 feuillets libres, 8pp. en papier glacé avec repr. n&b) de l'exposition collective de Dubuffet, Wols et Henri Michaux au studio Paul Facchetti. Rares marques du temps. Bonne plaquette. Pliure verticale sur plaquette Paul Facchetti. Bel ensemble.

4°, 16 Bll. mit zahlreichen Abbildungen, Orig.-Klappbroschur. Erste Ausgabe. - Ausstellungskatalog. - Gutes Exemplar.

2 vols. Small folio. (274 x 228 mm + 276 x 238 mm). Typed original letters, manuscrit material in pencil and ink, an original maquette and other printed material (see below) tipped-in to bound leaves, mounted or bound in throughout - see below for further details. Vol. 1: full vari-coloured lizardskin by C. and J.-P. Miguet with their signature in blind, excised rectangular section to front board with onlaid section of morocco with title 'JEAN DUBUFFET' in blind, matching turn-ins, steel grey brushed suede doublures and endpapers, top edge argent, grey wool-lined black calf-backed marbled paper-covered board chemise with argent title 'Correspondence Autour d'une Exposition . &c.' to spine, matching slipcase; vol. 2: full vari-coloured lizardskin by C. and J.-P. Miguet with their signature in blind, excised rectangular section to front board with onlaid section of morocco with title 'JEAN DUBUFFET' in blind, matching turn-ins, steel grey brushed suede doublures and endpapers, top edge argent, grey wool-lined black calf-backed marbled paper-covered board chemise with argent title 'Correspondence Autour d'une Exposition . &c.' to spine, matching slipcase. An extraordinary ensemble of original material, including an extensive series of letters and other manuscripts from Jean Dubuffet, his maquette for the catalogue, the catalogue itself and other material concerning Dubuffet's 1957 exhibition ?Tableaux d?Assemblages? at Galerie Rive Droite. Dubuffet began a series of extraordinary collage works - he termed them ?Assemblages d?Empreintes? - making use of traditinal materials, his own fabricated elements as well as the wings of butterflies after travelling to Savoie with Pierre Bettencourt in 1953. Assemblage, Dubuffet?s own neologism, became central to his practice and over the next few years he created an extraordinary body of work, the ?Tableaux d?Assemblages?, culminating in his eponymous exhibition in 1957. The ?Tableaux d?Assemblages? that grew out of the earlier ?Assemblages d?Empreintes?, featured a dense array of shapes, marks, textures, colours and forms, excised and rearranged, reassembled on the canvas, or creating new shapes and forms on other canvases. The exhibition that resulted, delineated in the material presented here, was held at Jean Larcade?s Galerie Rive Droite; Dubuffet exhibited 30 ?Tableaux d?Assemblages? and 15 ?Assemblages d?Empreintes? ?I envisaged making all sorts of experiments with various textures, patches, marks, etc. on the canvases, then cutting out the parts I liked and assembling them at will. The main attraction of this technique was that it allowed me to mmake my first marks with great freedom and spontaneity, without worrying about spoiling other parts of the picture.? (Jean Dubuffet). The material presented here all relates to Dubuffet?s 1957 exhibition held at Jean Larcade?s Galerie Rive Droite from April 30th to May 23rd. The first volume, is composed largely of the correspondence of Dubuffet to Larcade. It consists of 18 original letters sent from Dubuffet to Larcade, the majority typewritten, either from rue Vaugirard in Paris or from Vence in the Alpes Martitimes, commencing in November 1956. The letters outline Dubuffet?s initial ideas for the exhibition and settle on the dates and over the following months, both before and after the exhibition, discuss the selection of works for the exhibition, its logistics, sales and other related matters. Dubuffet is ultimately happy with the exhibition but deplores the dearth of publicity and makes clear that he believes it repsonsible for the few sales. One of the most significant letters - it is dated in December 1957 - demonstrates Dubuffet?s loyalty to his gallerists Pierre Matisse, Farchetti and Cordier after what must have been a request from Larcade to commit to his gallery exclusively. The same letter also makes explicit Dubuffet?s motivation in selling his paintings: ?Mon problème n'est plus du tout maintenant de vendre mes tableaux, mais de parvenir à en conserver quelques-uns pour moi-même sans trop mécontenter personne.? The volume concludes with a photograph of Dubuffet and Georges Limbour, likely a later printing, showing the pair in 1942 or 1943 and a copy of the final printed catalogue for the exhibition. An additional tranche of letters, lists of paintings, framing requests and other documents, from Dubuffet and from others, are also included, inserted loose. The second volume includes additional material, the majority of it manuscript, including the original maquette by Dubuffet for the exhibition catalogue as well as another example of the final printed catalogue itself. Notes with details of works for framing, instructions to the printers Louis Barnier (Imprimerie Union printed the text of the catalogue) and Daniel Jacomet (the printer of the three illustrations), calculations regarding the printing costs, receipts for payments from Larcade and so on. One of the most compelling documments - and a further indication of the seriousness of Dubuffet in matters of his work and its dissemination - is a four-page list of 93 names (some husband and wife), several with addresses, headed ?Liste de personnes à aviser de l?exposition? The list begins with Mr and MMrs Pierre Matisse and includes many of those most closely associated with Dubuffet personally and artistically, his patrons and collectors, both French and international: Alfonso Ossorio, Henri Michaux, Mr and Mrs Sidney Janis, Georges Limbour, Jean Paulhan, Edith Boissonnas, Lee Miller and Roland Penrose, Charles Ratton, Henri-Pierre Roché, Michel Tapié, Aimé Maeght, Jean L?Anselme, Slavko Kopac, André Martel, Pierre Bettencourt and many others. Dubuffet?s original maquette demonstrates again, if any demonstration were needed, his control of and mastery over all facets of his career. The layout of the maquette, or at least its final version with many excisions and rearrangements fo the detail, matches that of the final printed catalogue al.