Structure Appearance by Goodman Nelson (32 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Missing. First Edition. No DJ, otherwise a very good hardcover copy, from a private home collection. Binding is tight, sturdy, and square. Previous owner's name and stamp on front endpaper, otherwise text very good. 1st printing, 1951. xv, 315pp. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Trade Paperback. Condition: Very Good. 8vo. - over 7¾ in. - 9¾ in., 285pp. Mild shelfwear, tight binding, inteiror text clean. Very Good copy.

Paperback. Condition: Good. No Jacket. Revised edition. Shelf and handling wear to cover and binding, with general signs of previous use. Covers show wear and scuffing. Previous owner's name on front endpaper. All pages are intact and otherwise unmarked, binding is sound. Secure packaging for safe delivery.

Soft cover. Condition: Good. 3rd Edition. Paperback. Clean pages, sound binding. Previous owner's signature on front flyleaf.

brossura paperback. Condition: Molto buono (Very Good). 1977. Copertina editoriale in brossura pieghevole. 348 p.; 24 cmE.42. Book.

cloth, 8vo xv+315 pp. constructional definition; extralogical bases'foundations of a realistic system; order, measure and time; topology of quality; time and eternity; good condition (clean, no annotations.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: Very Good. A few faint scratches, small dent to bottom left corner of spine. Otherwise in excellent shape -- tight, square binding, with clean pages.

Condition: New. In.

Condition: New. In.

Condition: New.

Gebunden. Condition: New.

Condition: Gut. Zustand: Gut | Seiten: 348 | Sprache: Englisch | Produktart: Bücher | With this third edition of Nelson Goodman's The Structure of Appear­ ance, we are pleased to make available once more one of the most in­ fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also suggests how The Structure of Appearance introduces issues which Goodman later continues in his essays and in the Languages of Art. There remains the task of understanding Good­ man's project as a whole; to see the deep continuities of his thought, as it ranges from logic to epistemology, to science and art; to see it therefore as a complex yet coherent theory of human cognition and practice. What we can only hope to suggest, in this note, is the b. road Significance of Goodman's apparently technical work for philosophers, scientists and humanists. One may say of Nelson Goodman that his bite is worse than his bark. Behind what appears as a cool and methodical analysis of the conditions of the construction of systems, there lurks a radical and disturbing thesis: that the world is, in itself, no more one way than another, nor are we. It depends on the ways in which we take it, and on what we do.

Condition: New. pp. 348.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also suggests how The Structure of Appearance introduces issues which Goodman later continues in his essays and in the Languages of Art. There remains the task of understanding Good man's project as a whole; to see the deep continuities of his thought, as it ranges from logic to epistemology, to science and art; to see it therefore as a complex yet coherent theory of human cognition and practice. What we can only hope to suggest, in this note, is the b. road Significance of Goodman's apparently technical work for philosophers, scientists and humanists. One may say of Nelson Goodman that his bite is worse than his bark. Behind what appears as a cool and methodical analysis of the conditions of the construction of systems, there lurks a radical and disturbing thesis: that the world is, in itself, no more one way than another, nor are we. It depends on the ways in which we take it, and on what we do.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also suggests how The Structure of Appearance introduces issues which Goodman later continues in his essays and in the Languages of Art. There remains the task of understanding Good man's project as a whole; to see the deep continuities of his thought, as it ranges from logic to epistemology, to science and art; to see it therefore as a complex yet coherent theory of human cognition and practice. What we can only hope to suggest, in this note, is the b. road Significance of Goodman's apparently technical work for philosophers, scientists and humanists. One may say of Nelson Goodman that his bite is worse than his bark. Behind what appears as a cool and methodical analysis of the conditions of the construction of systems, there lurks a radical and disturbing thesis: that the world is, in itself, no more one way than another, nor are we. It depends on the ways in which we take it, and on what we do.

Condition: Gut. SECOND edition. XIX, 392 pages. Index. Nur der Umschlag mit leichten Gebrauchsspuren, der Vorsatz sauber entfernt. Sonst SEHR gutes Exemplar. ( we have a lot of books on PHYSICS and MATHEMATICS and PHILOSOPHY on stock in EXCELLENT shape) Sprache: Englisch Gewicht in Gramm: 505 Originalhalbleinen mit Originalumschlag.22cm.

8°, XV, 315 S., 1 Bl., ZUSTAND 1. Original-Leinenband mit geprägtem Rückentitel.

Hardcover. Condition: Very good +. Dust Jacket Condition: Fair. First Edition. xv, 315 p. 22 cm. Grey cloth in mylar-covered dustjacket. Jacket has chips and tears in edges, esp. top front near spine and spine tail. Large tear through rear panel. Dampstains to interior of jacket spine. Crease in spine cloth near tail.

fester Einband. XV, 315 S. Ln. *einige Bleistiftanstr. im Blattrand*. Sprache: Deutsch.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!

Soft cover. Condition: Near Fine. Near Fine trade paperback. Previous owner's ink signature inside front cover. A clean, attractive copy of this scarce title.

weicher Einband. L, 285 S., Reg. Br. *sehr gutes Expl.**. Sprache: Englisch.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First edition. 8vo. [6], vii-xv, [3], 3-315, [5] pp. Grey cloth with white lettering on the spine. Illustrated with a few in-text diagrams. Hempel, Carl, "Reflections on Nelson Goodman's: The Structure of Appearance". SEP, "Nelson Goodman". Stanford Encyclopedia of Philosophy states that this work is a heavily revised version of Goodman's dissertation. Hempel summarizes Goodman's wide-ranging thesis as "a conceptual framework which will make it possible to state and to examine with lucidity and rigor certain basic issues in the theory of knowledge". Goodman here seeks to establish a system of analysis to describe and understand visual phenomena, but his system can be used to understand phenomena of the other senses as well. Uncommon in the first edition, this is an early and foundational work in Goodman's philosophy, and a valuable contribution to epistemology. Light pencil annotation (one ink annotation) in the textblock; jacket is corner-clipped with a chip to its spine panel.

Cloth. Condition: Very Good. D.Reidel Publishing, Holland, (1977). The third edition with an introduction by Geoffrey Hellman. Volume 53, Boston Studies in the Philosophy of Science. Volume 107, Synthese Library. Dark blue cloth, no dust jacket. Previous owner's name on fep, otherwise condition is very good.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also suggests how The Structure of Appearance introduces issues which Goodman later continues in his essays and in the Languages of Art. There remains the task of understanding Good man's project as a whole; to see the deep continuities of his thought, as it ranges from logic to epistemology, to science and art; to see it therefore as a complex yet coherent theory of human cognition and practice. What we can only hope to suggest, in this note, is the b. road Significance of Goodman's apparently technical work for philosophers, scientists and humanists. One may say of Nelson Goodman that his bite is worse than his bark. Behind what appears as a cool and methodical analysis of the conditions of the construction of systems, there lurks a radical and disturbing thesis: that the world is, in itself, no more one way than another, nor are we. It depends on the ways in which we take it, and on what we do. 348 pp. Englisch.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also suggests how The Structure of Appearance introduces issues which Goodman later continues in his essays and in the Languages of Art. There remains the task of understanding Good man's project as a whole; to see the deep continuities of his thought, as it ranges from logic to epistemology, to science and art; to see it therefore as a complex yet coherent theory of human cognition and practice. What we can only hope to suggest, in this note, is the b. road Significance of Goodman's apparently technical work for philosophers, scientists and humanists. One may say of Nelson Goodman that his bite is worse than his bark. Behind what appears as a cool and methodical analysis of the conditions of the construction of systems, there lurks a radical and disturbing thesis: that the world is, in itself, no more one way than another, nor are we. It depends on the ways in which we take it, and on what we do. 348 pp. Englisch.

Condition: New. Print on Demand pp. 348 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also suggests how The Structure of Appearance introduces issues which Goodman later continues in his essays and in the Languages of Art. There remains the task of understanding Good man's project as a whole; to see the deep continuities of his thought, as it ranges from logic to epistemology, to science and art; to see it therefore as a complex yet coherent theory of human cognition and practice. What we can only hope to suggest, in this note, is the b. road Significance of Goodman's apparently technical work for philosophers, scientists and humanists. One may say of Nelson Goodman that his bite is worse than his bark. Behind what appears as a cool and methodical analysis of the conditions of the construction of systems, there lurks a radical and disturbing thesis: that the world is, in itself, no more one way than another, nor are we. It depends on the ways in which we take it, and on what we do.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 348 pp. Englisch.