Simoda Japan (37 results)

no binding. Condition: very good. Shimoda Bay, also known as Shimoda Bay Area or Shimoda Port, is a bay located in Shimoda City, Shizuoka Prefecture, Japan. It is situated on the southern coast of the Izu Peninsula, facing the Pacific Ocean. Image Size: 4 1/4 x 4 1/2 ins. Overall Size including text and borders : 10 1/2 x 7 Ins . CONDITION: Intext map with text on the back. Clear and sharp with beautiful detail. As scanned. This beautiful print would look great matted and framed. Or an art supply store can provide you with a selection of frames for old art treasures. NOTE THE FOLLOWING BEFORE YOU PURCHASE: This is a GENUINE ANTIQUE VINTAGE 1880s PRINT. It is NOT a modern reproduction, ie. a laser scan, photocopy etc. It is the original from the antique or vintage atlas or book publication. This print was published on the date mentioned, or circa of the date mentioned at the top of the page. The print I have for sale, like many antique vintage prints and maps that you see online, originate from an antique vintage book or atlas publication. The publication may not always be known. If you have any questions, emails are welcome.…

Condition: Fine. RUA16802413.

Condition: Fine. RUA10725383.

16 : 21 cm. Engraved plate. Nice view of Simoda. - Browned.

Veduta animata di Shimoda nella Prefettura di Shizuoka in Giappone del 1850 circa Data: 1850 circa Atlante: Meyer s Universum 1838-1860 circa Tecnica: incisione su acciaio Dimensione del foglio: 16x23 cm (6.3x9.1 inches) Dimensione dell'incisione: 11x16 cm (4.3x6.3 inches) Conditzioni: Buone. Rare fioriture e lievi usure.Beautiful animated view of Shimoda in Shizuoka prefecture in Japan of 1850 circa. Date: 1850 circa Atlas: Meyer s Universum 1838-1860 circa Technique: Steel etching Leaf Dimension: 16x23 cm (6.3x9.1 inches) Engraving Dimension: 11x16 cm (4.3x6.3 inches) Conditions: Good conditions. Some foxing and worn edge.…

Aus "Meyers Universum", 1860; Bildgröße ca. 16 x 11 cm, Blattgröße ca. 23 x 15 cm. Simoda / Shimoda ist eine japanische Hafenstadt. Auf dem Bild sind typische japanische Häuser und japanische Segelschiffe. (Ein wenig angebräunt, braunfleckig) Sprache: Deutsch Gewicht in Gramm: 900.

Stahlstich b. Bibliogr. Institut, 1862, 11 x 16.

Stahlstich aus BI.

Devotions in the Great Temple Simoda. Colour & sepia lithograph. Description: This is an original antique print from "Narrative of an Expedition of an American Squadron to the China Seas an Japan by Commodore M.C. Perry in order of the United States Navy". This lithograph was printed in 1857 after the drawings of W. Heine and E. Brown.Artists and Engravers: Lithographers: Sarony after W. Heine. Napoleon Sarony: born of English parents in Quebec City, Napoleon Sarony learned lithography from his father and emigrated to New York in 1836. There, he worked as an apprentice for several lithographers, including Nathaniel Currier. In 1846 Sarony opened a lithographic business in partnership with Henry Major. The company went through a number of alterations in names and partnerships. Until 1853, it was called 'Sarony and Major'. From 1853 to 1857 it was'Sarony & Company'. From 1857 to 1864, the company name was expanded to, 'Sarony, Major & Knapp'. Later, the company would assume the title of the 'American Lithographic Company', and became the largest such business in North America. This item by Sarony after W. Heine and Walke. Condition: Excellent. General age-related toning and occasional light staining as visible on image. Please study image carefully. Storage location: A98-07 The overall size is ca. 11 x 8 inch. The image size is ca. 9 x 6 inch. The overall size is ca. 29 x 22,5 cm. The image size is ca. 23,5 x 16,5 cm.…

Japanese women Simoda. Colour & sepia lithograph. Description: This is an original antique print from "Narrative of an Expedition of an American Squadron to the China Seas an Japan by Commodore M.C. Perry in order of the United States Navy". This lithograph was printed in 1857 after the drawings of W. Heine and E. Brown.Artists and Engravers: Lithographers: Sinclair after E. Brown jr. Thomas S. Sinclair (ca. 1805-1881): was born around 1805 in the Orkney Islands. He studied lithography in Edinburgh, Scotland and other cities in Europe. By 1833 Sinclair was in Philadelphia where he drew a dancing scene for the firm of Kennedy & Lucas before the company went out of business that same year. Sinclair acquired the press of John Collins in 1838 and started his own firm at 79 South Third Street. Thomas S. Sinclair was among the first Philadelphia lithographers to experiment with color lithography. He made his first tinted lithograph in 1843 and his skill advanced enough in the following years that he won a silver medal for color lithography at the Franklin Institute's exhibition in 1848. Sinclair moved his operation to a building owned by the Public Ledger at101 Chestnut Street (now 311) in 1849. From 1854 to 1859 Sinclair was joined in the firm of Thomas Sinclair & Co. by his brother, William B. Sinclair. Later Sinclair's son would work with his father and the firm's name was changed to Thomas Sinclair & Son. Thomas S. Sinclair died in Philadelphia in 1881. Condition: Fine, some light foxing as visible on scan. Storage location: A98-09 The overall size is ca. 11 x 8 inch. The image size is ca. 9 x 6 inch. The overall size is ca. 29 x 22,5 cm. The image size is ca. 23,5 x 16,5 cm.…

An original rare mid 19th century lithograph measuring approximately 9 x 11 1/2 inches as a complete piece in the condition pictured. Thanks for looking. Peter Bernhard Wilhelm Heine, better known as Wilhelm (or William) Heine (January 30, 1827 in Dresden - October 5, 1885 in L????nitz bei Dresden) was a German-American artist, world traveller and writer.Heine was born in Dresden, the son of Ferdinand Heine, a comedian engaged at the Dresden Court Theatre. His family connections included composer Richard Wagner, whose father had been a family friend.[1]Heine studied at the Royal Academy of Art in Dresden and in the studio of Julius H? bner. Then he continued his artistic studies for three years in Paris. He returned to Dresden getting work as a scene designer for the court theatre and giving painting classes. He fled to New York in 1849, following the suppression of the May Uprising in Dresden in which he participated. In this he was aided by Alexander von Humboldt.He set up his artist studio at 515 Broadway, and soon established his reputation as an artist. After meeting the archaeologist and diplomat, Ephraim George Squier, Heine was invited to accompany him, as an artist, on his consular duties to Central America. Proceeding ahead of Squier, he collected and recorded indigenous plants and animals and compiled notes for future publications. Until Squier arrived, Heine stood in as consul, negotiating a commercial agreement between the Central American countries and the United States, which he delivered to Washington. The record of this expedition was published in 1853 as the Wanderbilder aus Centralamerika. While in Washington, he met President Millard Fillmore and Commodore Matthew Perry, and was selected from among several score of applicants for the post of official artist to the Perry expedition to JapanNominally attached to Perry's expedition as an Acting Master's Mate in the United States Navy, Heine visited Okinawa, the Bonin Islands, Yokohama, Shimoda and Hakodate during 1853 and 1854 (Edo, however, remained closed to the members of the American expedition, and Heine was not to visit the city until 1860, when he returned to Japan as a member of the Prussian Expedition). The sketches he produced of the places he visited and the people he encountered there, together with the daguerreotypes taken by his colleague Eliphalet Brown Jr., formed the basis of a official iconograhy of the American expedition to Japan which remains an important record of the country as it was before the foreigners arrived in force.Upon his return to New York in 1855 he published several books: a collection of prints entitled Graphic Scenes of the Japan Expedition 400 sketches which were included in Perry's official report and his memoirs, Reiss um die Welt nach Japan (Leipzig, 1856). The memoirs were very successful, and were immediately translated into both French and Dutch.Then he published a German translation of the report of the Rodgers Expedition sent by the US government to Japan, China and Okhotsk Seas, under the title Die Expedition in dir Seen von China, Japan und Okhotsk (Leipzig, 1858-9) and Japan und Seine Bewohner (Leipzig, 1860). Here he urged the Prussian government to send more expeditions to Asia before the Americans became established there. This was taken up and while in Berlin he received an invitation to join the Eulenberg Expedition as official artist once again, and was simultaneously given a premium to send back reports for a K??ln newspaper. During this trip he met up with Mikhail Bakunin in Yokohama, who was in the process of returning to Europe, following his escape from Siberia.AmericaOnce back in America he became a Forty-Eighter and took part in the Civil War as engineer captain of the Unionist Army of the Potomac in the American Civil War. When he spent his time surveying and mapping, Heine was Unfortunately arrested and accused of revealing too much information of the Union defense in his drawings. He was honorab. …

An original rare mid 19th century lithograph measuring approximately 9 x 11 1/2 inches as a complete piece in the condition pictured. Thanks for looking. Peter Bernhard Wilhelm Heine, better known as Wilhelm (or William) Heine (January 30, 1827 in Dresden - October 5, 1885 in L????nitz bei Dresden) was a German-American artist, world traveller and writer.Heine was born in Dresden, the son of Ferdinand Heine, a comedian engaged at the Dresden Court Theatre. His family connections included composer Richard Wagner, whose father had been a family friend.[1]Heine studied at the Royal Academy of Art in Dresden and in the studio of Julius H? bner. Then he continued his artistic studies for three years in Paris. He returned to Dresden getting work as a scene designer for the court theatre and giving painting classes. He fled to New York in 1849, following the suppression of the May Uprising in Dresden in which he participated. In this he was aided by Alexander von Humboldt.He set up his artist studio at 515 Broadway, and soon established his reputation as an artist. After meeting the archaeologist and diplomat, Ephraim George Squier, Heine was invited to accompany him, as an artist, on his consular duties to Central America. Proceeding ahead of Squier, he collected and recorded indigenous plants and animals and compiled notes for future publications. Until Squier arrived, Heine stood in as consul, negotiating a commercial agreement between the Central American countries and the United States, which he delivered to Washington. The record of this expedition was published in 1853 as the Wanderbilder aus Centralamerika. While in Washington, he met President Millard Fillmore and Commodore Matthew Perry, and was selected from among several score of applicants for the post of official artist to the Perry expedition to JapanNominally attached to Perry's expedition as an Acting Master's Mate in the United States Navy, Heine visited Okinawa, the Bonin Islands, Yokohama, Shimoda and Hakodate during 1853 and 1854 (Edo, however, remained closed to the members of the American expedition, and Heine was not to visit the city until 1860, when he returned to Japan as a member of the Prussian Expedition). The sketches he produced of the places he visited and the people he encountered there, together with the daguerreotypes taken by his colleague Eliphalet Brown Jr., formed the basis of a official iconograhy of the American expedition to Japan which remains an important record of the country as it was before the foreigners arrived in force.Upon his return to New York in 1855 he published several books: a collection of prints entitled Graphic Scenes of the Japan Expedition 400 sketches which were included in Perry's official report and his memoirs, Reiss um die Welt nach Japan (Leipzig, 1856). The memoirs were very successful, and were immediately translated into both French and Dutch.Then he published a German translation of the report of the Rodgers Expedition sent by the US government to Japan, China and Okhotsk Seas, under the title Die Expedition in dir Seen von China, Japan und Okhotsk (Leipzig, 1858-9) and Japan und Seine Bewohner (Leipzig, 1860). Here he urged the Prussian government to send more expeditions to Asia before the Americans became established there. This was taken up and while in Berlin he received an invitation to join the Eulenberg Expedition as official artist once again, and was simultaneously given a premium to send back reports for a K??ln newspaper. During this trip he met up with Mikhail Bakunin in Yokohama, who was in the process of returning to Europe, following his escape from Siberia.AmericaOnce back in America he became a Forty-Eighter and took part in the Civil War as engineer captain of the Unionist Army of the Potomac in the American Civil War. When he spent his time surveying and mapping, Heine was Unfortunately arrested and accused of revealing too much information of the Union defense in his drawings. He was honorably discharged as "unfit for service." In 1864 he published his major work, a voluminous book on travel in the Orient, Eine Weltreise um die n??rdliche Hemisphare in Verbindung mit der Ostasiatischen Expedition in den Jahren 1860 und 1861 (Leipzig, two volumes). He later, he rejoined the army as colonel holding three different commands. In 1865, he was made a brigadier general but was soon again accused of disobedience. He had a short period as a U.S. clerk to the Paris and Liverpool consulates. After the establishment of the Hohenzollern Empire in Germany in 1871, he returned to Dresden where he wrote his last book about Japan, Japan, Beitr??ge zur Kenntnis des Landes und seiner Bewohner (Berlin, 1873??80). source: wikiOn May-18-12 at 22:52:39 PDT, seller added the following information: FREE! Sellers: Add a FREE map to your listings. FREE! Size Type: Small (Up to 14"). …

Lithographie mit Tonplatte von Sarony nach Brown, 1856, 23 x 16 cm.

Lithographie mit Tonplatte von Sarony nach Heine, 1856, 16 x 23 cm.

Priest in full dress Simoda. Colour & sepia lithograph. Description: This is an original antique print from "Narrative of an Expedition of an American Squadron to the China Seas an Japan by Commodore M.C. Perry in order of the United States Navy". This lithograph was printed in 1857 after the drawings of W. Heine and E. Brown.Artists and Engravers: Lithographers: Sinclair after E. Brown jr. Thomas S. Sinclair (ca. 1805-1881): was born around 1805 in the Orkney Islands. He studied lithography in Edinburgh, Scotland and other cities in Europe. By 1833 Sinclair was in Philadelphia where he drew a dancing scene for the firm of Kennedy & Lucas before the company went out of business that same year. Sinclair acquired the press of John Collins in 1838 and started his own firm at 79 South Third Street. Thomas S. Sinclair was among the first Philadelphia lithographers to experiment with color lithography. He made his first tinted lithograph in 1843 and his skill advanced enough in the following years that he won a silver medal for color lithography at the Franklin Institute's exhibition in 1848. Sinclair moved his operation to a building owned by the Public Ledger at101 Chestnut Street (now 311) in 1849. From 1854 to 1859 Sinclair was joined in the firm of Thomas Sinclair & Co. by his brother, William B. Sinclair. Later Sinclair's son would work with his father and the firm's name was changed to Thomas Sinclair & Son. Thomas S. Sinclair died in Philadelphia in 1881. Condition: Excellent. General age-related toning and occasional light staining as visible on image. Please study image carefully. Storage location: A98-06 The overall size is ca. 11 x 8 inch. The image size is ca. 9 x 6 inch. The overall size is ca. 29 x 22,5 cm. The image size is ca. 23,5 x 16,5 cm.…

Lithographie mit 2 Tonplatten von Duval nach Heine, 1856, 16 x 23 cm.

Lithographie mit Tonplatte von Sarony nach Heine, 1856, 23 x 16 cm.

Lithographie mit Tonplatte von Sarony nach Heine, 1856, 16 x 23 cm.