Shinjuku by Daido Moriyama, First Edition (16 results)

Trade Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Hatje Cantz, 2005. Folio. Book is very good with bump to bottom of spine. A lovely copy of this book of black and white photographs from Daido Moriyama. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Condition: Near Fine. 1st trade edition. 1st trade paperback edition. A NEar Fine copy. Folio, 124 pp., chiefly illustrated with b&w photographs. Bound in glossy stiff b&w photo-illustrated wraps. Tips lightly curled.

First Edition. Softcover. First Edition. Text in English and German. Fine in perfect-bound wrappers.

Paperback. Condition: Fine. First Paperback Edition. 4to. pp 292. Large format paperback. Tokyo Opera City Art Gallery Catalogue, No. 24. Text in Japanese and English. Copiously illustrated in colour and black and white throughout. ISBN: 4582277578 Fine in wraparound band.

Softcover. Condition: Very good. Dust Jacket Condition: Very good. Some edgewear.

Soft Cover. Condition: Near Fine. Dust Jacket Condition: Near Fine Plus. First Edition. softcover in dust jacket., tiny nick to top corner of last 12 pages. a few preliminary sheets have very faint darkening to some margins. negligible impact, no odor, not from tobacco. no other flaws or wear. clean. no markings. no bumps, tears, creases. strong sewn binding.; parallel text japanese/english., just over 300pp., illustrated throughout in color and b/w. texts by various contributors. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A fine clean tight unmarked copy in fine dust jacket and printed slipcase, with folded illustrated insert laid in as issued. Signed by Daido, one of 500 signed copies of this the second printing of the first edition. Signed by Author(s).

Softcover. Condition: Very good + to fine condition. First edition. Signed Daido Moriyama in Japanese and Daido on free endpaper. Quarto. 292 (12)pp. Original white wraps with black lettering on cover and spine, in white dustjacket and photo-illustrated Obi covering three quarters of dustjacket. Publication accompanying the exhibition "Moriyama : Shinjuku : Araki" from January 15 to March 21, 2005, at the Tokyo Opera City Art Gallery, curated by Hiromi Kitazawa. Contains a conversation between Daido Moriyama and Nobuyoshi Araki and contributions by Motoaki Hori, Jerome Sans, Hiromi Kitazawa, and an interview with Araki on Moriyama by Herve Chandes. Illustrated with striking color and b/w photographs of the Tokyo subcenter Shinjuku. Texts in Japanese and English. Dustjackets with very light wear.

First edition. Softcover. Printed in an edition of only 500 copies. A collection of over 300 full bleed black and white images by Moriyama. A fine copy in wrappers in a very near fine dust jacket with some very minor wear and in a very near fine printed cardboard slipcase with a laid in folded illustrated text sheet in English and Japanese. Signed by Moriyama on the front free endpaper with his characteristic silver ink. A very nice copy.

Soft Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition - Limited. softcover in dust jacket in slipcase, with folded, illustrated text by moriyame in english and japanese, laid-in., no flaws or wear. clean. no markings. no bumps, tears, creases. tight binding. a pristine copy.; first printing. one of 500 unnumbered copies. signed, daido, in silver pen on first page.; unpaginated. illustrated throughout with moriyama's b/w photos of the shinjuku district. Size: 4to - over 9¾" - 12" tall. Signed by the Photographer.

Paperback. SIGNED. First edition, first printing. Fine paperback in Fine dust jacket and publisher's printed slipcase. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 608 pages; 608 b&w photographic plates, printed full-bleed; 7.25 x 10 inches. From an edition of 500. SIGNED BY MORIYAMA. Laid-in is a 14 x 20 inch, folded broadsheet with text by Moriyama in English and Japanese, and 14 additional b&w photos. Out of Print. A fantastic production with wonderful work. Included on a number of "Best Photography Books of 2002" lists.

Softcover. Condition: Fine condition. First edition. 1/500. Signed in silver by Moriyama in English and Japanese on first photographic plate. Original photo-illustrated wraps in photo-illustrated dustjacket with pink lettering on cover and spine, housed in gray cardboard slipcase with pink lettering. With accordeon-fold, photo-illustrated bilingual prospectus laid in. This monograph shot in Tokyo's Shinjuku district is one of the photographer's most famous. From a limited edition of 500 copies.

Softcover. Condition: In fine condition. First edition, first printing. 1/500. Signed in silver by Moriyama in English and Japanese on first photographic plate. Original photo-illustrated wraps in photo-illustrated dustjacket with pink lettering on cover and spine, housed in gray cardboard slipcase with pink lettering. With accordeon-fold, photo-illustrated bilingual prospectus laid in. This monograph shot in Tokyo's shinjuku district is one of the photographer's most famous. From a limited edition of 500 copies.

First edition of 500 signed copies signed in silver; design by Naomichi Kawahata; 8vo (247 x 182 mm, 9¾ x 7¼ in); black-and-white photographs; self-endpapers, photo-illustrated perfect-bound wrappers, text in pink, photo-illustrated dust-jacket, text in pink, machine-folded leaflet with text in English and Japanese laid in, publisher's cardboard slipcase, titles stamped on spine and front in pink, minor toning, fine in a near-fine dust-jacket; [608]pp. Moriyama has been photographing in Shinjuku since the 1960s. In the accompanying text, he writes, 'At night, camera in hand, when I walk from Kabukicho to Kuyakusho Street, and then walk along Okubo Street to Shinokubo Station, every once in awhile I get a chill up my spine. Without anything in particular happening, I sense myself flinching somewhere. Under neon or other lights, in the darkness of the back streets, people become shadows and look as if they are squirming. The cells of my body slightly buzz with tension, and I sense the air around me like a sudden storm. I tell myself that if you're a cameraman, there is no choice but to shoot in Shinjuku. This is because this is none other than Shinjuku itself, the great skid row.'.