Scelta Dalcuni Miracoli Grazie Santissima by Lottini Giovanni Angelo (13 results)

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. SUPER FAST SHIPPING.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Paperback. Condition: New. Print on Demand. This book explores the miraculous history and enduring cultural significance of the Nunziata, a revered religious icon in Florence, Italy. Through detailed accounts of extraordinary events witnessed by believers, the author provides a glimpse into the profunda devotion surrounding this sacred image. Set against the backdrop of Florence's rich artistic and religious heritage, the book delves into the interconnectedness between art, faith, and miracles. The author examines the Nunziata's role as a source of solace, inspiration, and divine intervention in the lives of countless individuals. The book's central theme revolves around the power of faith to transform adversity into hope and healing. Drawing from a tapestry of personal narratives, the author illustrates how the intercession of the Nunziata has brought comfort, deliverance, and profound spiritual growth to those who have sought her favor. Ultimately, this book invites readers to ponder the enduring significance of the Nunziata as a symbol of hope, resilience, and the transcendent power of belief. Through its exploration of the miraculous and the profound, the book offers a rich and nuanced understanding of the role of faith in shaping human experience and strengthening communities. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Copertina rigida. Condition: ottime. Prima edizione. Prima edizione. Cm.18,7x12,2. Pg.(10), 254, (14). Buona legatura moderna in piena pelle rossa, con titoli in oro al dorso a sei scomparti. Tagli in oro e fogli di guardia marmorizzati. Dentellatura in oro alle unghie. Ricco frontespizio calcografico, con quattro putti a sorreggere lo specchio con il titolo, da bozzetto di Matteo Rosselli. Oltre al frontespizio, l'Opera è adorna di 40 incisioni a bulino su rame, in gran parte opera di Jacques Callot, che le realizzò durante il suo soggiorno fiorentino, su disegni di vari artisti: 19 sono dello stesso Rosselli, quattro di Antonio Tempesta, sei di Donato Arsenio Mascagni, due di Antonio dalle Pomarance, uno di Fabrizio Boschi ed uno di Jean Bilivert, mentre otto non presentano alcuna firma. Diciotto di tali tavole hanno il verso bianco, e tutte riportano in basso a destra il numero del capitolo di riferimento. Minimi, vecchi restauri cartacei al piede di alcune tavole, senza alcuna perdita di testo. Capilettera e cartigli decorativi. Margini accettabili e fresca impressione, in condizioni di conservazione inusuali. Assai rara edizione originale di un'opera, dedicata a Cristina di Lorena, figlia di Carlo III e vedova del Granduca di Toscana Ferdinando dei Medici, che si propone di descrivere i miracoli attribuiti alla intercessione dell'immagine mariana del XIII secolo conservata presso la Chiesa dell'Annunziata in Firenze. Ne è autore l'oratore servita Giovanni Angelo Lottini (Firenze, 1549-1629), che fu anche poeta e si dilettò di scultura. Allievo di Angelo Maria Montorsoli, che fu poi Custode Generale dell'Ordine dei Servi di Maria, lasciò alcuni manoscritti inediti e svariati testi pubblicati, tra cui sono da ricordare, oltre al presente testo, una "Orazione funebre. in morte della Ser.ma Giovanna d'Austria, Granduchessa di Toscana" (Firenze, Marescotti, 1578); "Esposizione della canzone del Petrarca: Vergine bella, etc." (Venezia, De Franceschi, 1595); "La Niobe, Tragedia" (Venezia, 1595); oltre a dodici sacre rappresentazioni in versi. Lo straordinario apparato iconografico si deve alle cure di Jacques Callot (Nancy, 1592-1635), e di un gruppo di artisti fiorentini, Antonio Tempesta (Firenze,1555-1630), Matteo Rosselli (Firenze, 1578-1650), Donato Arsenio Mascagni (Firenze, 1579-1637), Antonio Circignano (Pomarance, 1560-1620), Fabrizio Boschi (Firenze, 1572-1642) e Giovanni Bilivert (Firenze, 1585-1644). L'Opera venne ristampata nel 1636. > Brunet, II, 1181, "Ouvrage recherché à cause des 41 gravures (y compris le frontispice sans n°) dont il est orné. Ces planches, gravées pour la plupart par Jacques Callot, qui n'y est pas nommé, sont numérotées par des chiffres impairs de 1 à 79, qui se rapportent au 79 chapitres du texte". Cicognara, 2060, "Le 41 tavole, compreso il titolo, sono di Gio. Callot e rarissime a trovarsi di sì bella conservazione". Vinciana, 4618, "Opera pregevole per le tavole". Mariette, "Abecedario .", 36, "La date de 1619 est celle de l'édition du livre; mais il y a grande apparence qu'il y avait déjà quelques années que Callot avait gravé les planches. Elles sont gravées au burin, d'une manière fort finie". Gamba, 1968. Lozzi, 1859; Moreni, I, 527 e II, 513, "Gli amatori fanno a ragione gran conto della suddetta prima edizione a motivo della maggior freschezza dei rami". Parenti, 317. Graesse, IV, 265 . 500 gr.

Condition: Molto buono. (Unito:) BONFRIZIERI, Placido Maria. Giunta di Numero Venti Miracoli Operati da Dio a prò de' Fedeli, mediante l'Intercessione della Santissima Vergine Annunziata di Firenze Da aggiugnersi alli Ottanta sopra descritti dal P.M. Angiolo Lottini. Prima opera: [In Firenze, appresso Pietro Cecconcelli alle Stelle Medicee, 1619]. In 4to (mm. 202x138), pp. (8)-254-(14), il frontespizio calcografico è qui nella variante "B" citata da SBN, ovvero privo di data e di indicazioni editoriali, con tracce di abrasione sulla lastra, testatine finalini e iniziali xilogr., tavole calcografiche 41 nel testo (la prima, non numerata, raffigura l'Annunciazione - le altre numerate solo dispari 1-79). Seconda opera: In Firenze, per Domenico Ambrogio Verdi, 1727, pp. xiv-66-[2]. Bella legatura ottocentesca in pieno marocchino rosso decorato a secco e in oro, unghiature e dentelles dorate, tagli dorati. Qualche macchietta e abrasione alla legatura, qualche pallida macchia e altre trascurabili tracce del tempo alla prima opera, ma nel complesso esemplare molto buono riccamente illustrato da una galleria di tavole, che riproducono un affresco e 39 quadri conservati nella SS. Nunziata di Firenze, incise da Jacques Callot e sottoscritte da Matteo Rosselli, Arsenio Mascagni, Antonio Pomarancio (Circignani), Fabrizio Boschi, Giovanni Bilivert, Antonio Tempestini (Tempesta). Tutte le scene raffigurano miracoli in interni ed esterni operati tramite l'intercessione della Santissima Nunziata di Firenze, con senso della prospettiva e attenzione ai dettagli. Rarissimo completamento del Lottini. Lozzi 1859 pag. 313. Cicognara 2060.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1619 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 275 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 275 Language: Italian.

Leather Bound. Condition: New. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2019, utilizing the invaluable guidance of the original edition published many years ago in 1619. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 282, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 282.

Leather Bound. Condition: New. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1636. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 296, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 296.

LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 292. A perfect gift for your loved ones. Reprinted from 1636 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian Pages: 292.

In Firenze, nella Stamperia de Landini, 1636, in-4, legatura novecentesca che riutilizza la pelle dei piatti della legatura seicentesca, inquadrati da una serie di filetti a secco con immagine della Vergine con bambino, impressa in oro entro ovale raggiato al centro dei campi, dorso a 4 nervi (il dorso è moderno), [8], 254, [14]. Con frontepizio calcografico (fuori fascicolazione) e 40 incisioni in rame a piena pagina di Jacques Callot su disegni di Matteo Rosselli, Antonio Tempesta, Arsenio Mascagni, Fabrizio Boschi, Giovanni Bilivert, Antonio Circignano (le incisioni sono comprese nella fascicolazione e numerate con soli numeri dispari da 1 a 79, ma ci sono due errori nella sequenza delle illustrazioni) Seconda edizione di questo libro famoso. Moreni II, 513: "I rami che adornano quest'opera, sono tutti incisi a bulino dal celebre Jacques Callot". Brunet, III, 1181. Lieure vol. I pag. 32. Qualche brunitura, qualche macchia sparsa un paio di strappetti restaurati. Due ex-libris di prestigiosi bibliofili sulla controguardia anteriore: Paolo Rousseau e Loriano Bertini.