Robert Breer by Breer Robert (12 results)

Softcover, staple-bound; 12 pages; very good condition; light rubbing to covers; no internal marks; correction sheet laid in. Foreign shipping may be extra.

Condition: Fine. New York. 1973 first edition. Film Culture issue for Spring 1973. Breer articles on pp. 23-72. Fine, no ownership marks.

Condition: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs. vendeur professionnel; envoi soigne en 24/48h.

Softcover, 204 pages; in English and French; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Exhibition catalog for an installation of work by avant-garde film director Robert Breer held at the Galeria Bonino from November 14 to December 9, 1967. The catalog deals with Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a paradethough typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. This catalog ends with a list of Breer's exhibitions between 1926-1967. Near Fine in saddle stapled wrappers, with light rubbing.

Condition: Good. [Exhibition catalogue]. 4to. [10 pp.]. Soft, stapled turquoise and blue wraps with black lettering and white borders. Very good. Black and white plates. Includes artist chronology. Catalogue created to accompany the exhibition "Robert Breer: More Floats", held from November 14 through December 9, 1967 at Galeria Bonino in New York, NY. Scarce. From the Collection of the Art Historian Peter Selz.

Brossura. Condition: ottimo. prima edizione. BREER Robert (Detroit 1926 - Tucson 2011), New York, Galeria Bonino, LTD, 1967, 19,2x25,4 cm., brossura, pp. [12 cover included), cover illustrated in two colors, 7 photographic illustrations in black and white (of which 3 on double page). Exhibition catalog (New York, Galeria Bonino, 14th November - 9th December, 1967).

senza rilegatura. Condition: ottimo. prima edizione. BREER Robert (Detroit 1926 - Tucson 2011) Köln, Galerie Ricke, 1968, 21x15 cm, [4], invitation sheet folded in two parts, illustrated with line images published on the occasion of the exhibition (Cologne, Ricke Gallery, 6 March - 6 April 1968).

Condition: VG. no date no place. Appears to be 1966 , University Museum, Berkeley, California. 8p. of bw photo plates of Breer's art. VG.

Printed cardboard box contains battery motorized plastic sculpture , 4 x 4 inches; very good condition; the box has light rubbing; the sculpture is clean and cisp and is inscribed in black marker on bottom, "To Barbara London / Bob Breer 8/18/92". Battery not included. Printed on inside flap of box, "The Float is mechanically engineered to move slowly in starting. It also turns direction upon bumping into another object - after a pause of several seconds.".

Condition: Near Fine. First Edition. Publisher's stiff printed wraps bound by two black plastic screws. First edition. Near Fine with very faint creasing to front wrap, a little shelf wear to rear wrap. From the collection of "design guru" and notable collector of postmodern objects Jim Walrod with his emboss on the first page. This rare flipbook was produced for the Manchester band New Order, whose avant-garde dance music epitomized the postmodern blending of high and mass culture, for one of their biggest hits: the moody techno song "Blue Monday." Copies were sent out for friends of the Hacienda, Factory Records' head honcho Tony Wilson's Situationist-inspired nightclub. It was co-designed by William Wegman, famous for his portraits of his own dogs. Filmmaker Robert Breer created an animation of one of Wegman's Weimaraners to be flipped through (presumably along with the song) in a kind of "manual video." Music videos were all the rage at the time. Madchester, Wegman's Weimaraners, Factory Records, music videos, The Hacienda-- peak '80s style was achieved here.

E.Brief (1 S. 4°) mit Datum, Unterschrift signiert Ohne Ort, 4.VII.1968 - an den Psychologen und Graphologen Fritz Schweighofer mit einer Handschriftenprobe.