Reporting Journalistic Coverage World by Voss Frederick (21 results)

Condition: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Paperback. Condition: very good. Very Good Copy. Customer Service Guaranteed.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good.

Softcover. Condition: Very Good. Smithsonian Historical Books (Smithsonian) Reporting the War - The Journalistic Coverage of World War II (VG+)Manufacturer: SmithsonianProduct Line: Historical Books (Smithsonian)Type: SoftcoverCopyright Date: 1994Author: Frederick VossPage Count: 218Please review the condition and any condition notes for the exact condition of this item. All pictures are stock photos. The condition of the item you will receive is VG+. Our grading system is explained in the terms of sale section of our bookseller page. Please feel free to contact us with any questions. Product Description:Reporting the War features the lives and work of journalists who brought news of the war from the European and Pacific theaters to the home front. More than one hundred captioned illustrations accompany Frederick Voss's account of the correspondents, photographers, and field artists who braved enemy fire, slept in foxholes, and were prisoners of war.With a pantheon of talent including Ernie Pyle, Edward R. Murrow, Helen Kirkpatrick, Margaret Bourke-White, Carl Mydans, Bill Mauldin, and Ernest Hemingway, the Fourth Estate's reporting of World War II surpassed all previous war coverage. For the first time, new technologies enabled almost instantaneous transmission to a waiting audience back home. Radio listeners heard the voice of Edward R. Murrow, speaking from a London rooftop during a German air raid, and newspapers ran stories and pictures of battles in the Pacific and Europe, sometimes only hours after the reporters witnessed the scenes. And for the first time women covered the war, earning the respect of their male colleagues for insightful, accurate reporting.This book also profiles the combat artists who visually portrayed the war. George Biddle's paintings of the war in Italy, Bill Mauldin's cartoons that enraged General George S. Patton, Tom Lea's paintings of the Battle of Peleliu - these and other depictions captured both the grisly and humorous sides of war.Describing the censorship that often restricted the dispatches war correspondents sent from Axis countries, Reporting the War also discusses journalists' efforts to accommodate national security needs at home. Finally, Voss examines the African American press, whose campaign for "Double V" - victory over fascism abroad and racism at home - was viewed with suspicion by the white establishment.

First Printing indicated by row of numbers on copyright page, oversize softcover book in stiff pictorial card wraps; near FINE condition with NO marks, light edge rubbing; ISBN 1-56098-348-5, beautifully illustrated with black-and-white and color photographs.

F. 1st printing. 2 copies. F/F.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Condition: Very Good. Very Good, folio softcover.

ISBN 1-56098-348-5. Trade Paperback. Very Good condition. Tight, bright, attractive copy with no markings to the book. No statement of later printing on copyright page.

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. A very good copy of the First Printing .An analysis based on the collections of The National Portrait Gallery .Bookplate of previous owner . Marks to the pastedowns where labels have been removed . Otherwise , an excellent copy . The dust jacket is protected with a mylar cover .

Condition: Very good.

Oversized Softcover. Condition: NEW CONDITION. First Edition, First Printing. //NO REMAINDER MARK//NO PREVIOUS OWNER MARKS OF ANY KIND (no names or inscriptions, no bookplate, no underlining, etc) // also includes the pamphlet which accomapanied the exhibition at the National Portrait Gallery.

Condition: very good. Washington , D.C. : Smithsonian Institution Press for the National Portrait Gallery, [c1994]. Paperback. xiii, 218 p. : ill. ; 29 cm. Published on the occasion of an exhibition held Apr. 22-Sept. 5, 1994, National Portrait Gallery, Washington, D.C. Condition : very good copy. ISBN 9781560983484. Keywords : HISTORY, World War, 1939-1945.

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Trade paperback. Condition: Very good. Dust Jacket Condition: No Dust Jacket issued. First Printing [Stated]. Format is approximately 8.5 inches by 11 inches. This is the catalogue of an Exhibition at the National Portrait Gallery, Washington, D.C., April 22 through September 5, 1994. This exhibition was made possible in part through a grant from Scripps Howard. in-kind support was made possible by Life magazine. Additional assistance was provided by the Smithsonian Institution Special Exhibition Fund, the Smithsonian Women's Committee, and the Smithsonian Research Opportunities Fund. Decorative covers. xiii, [1], 218 pages. Foreword by Alan Fern. Lenders to the Exhibition. Illustrations Notes. Selected Bibliography. Index. Includes sections on: In on the Ground Floor; The Nation's Security vs. the Right to Know; Putting the War in Focus; No Job For a Woman; The Worm's Eye View of the War; Broadcasting the War; Artists as Field Correspondents; The African American Press in Wartime; the Mavericks; and Dawn of the Atomic Age. Frederick S. Voss was the senior historian and curator of the Time Magazine covers collection at the National Portrait Gallery from 1971 - 2004. He is the author of several books: Majestic Wrath: A Pictorial life of Frederick Douglas, 1995; Hemingway: A write in His time, 1999; and Portraits of the Presidents: The National Portrait Gallery, 2000. The exhibition Features the lives and work of the great journalists who brought news of the war from the European and Pacific theatres to the homefront. More than 100 captioned illustrations accompany Voss's account of the correspondents, photographers, and field artists who braved enemy fire, slept in foxholes, and served as prisoners of war. Paintings, photos, recordings, manuscripts, and memorabilia of 35 journalists tell the story of WWII. The exhibition includes work by Ernest Hemingway, Edward R. Murrow, Margaret Bourke-White, and Ernie Pyle. Also included are taped interviews with William Mauldin, John Hersey, and William Shirer, among others. Frederick S. Voss has written a catalog and served as curator for an exhibition explaining how World War II was reported to home-front Americans. In his statement of purpose, presented at the entrance to the exhibit and in a brochure available to each visitor, Voss calls coverage of the war "one of the more impressive chapters in the history of American journalism . . . an unremitting flood of well-informed reportage. . . . It is difficult to gauge exactly the impact . . . but journalists contributed substantially to the country's collective sense of involvement." Exhibition space was arranged by subject, as is the exhibition catalog: censorship and news control; women corespondents; photographers; field artists; radio; cartoons; the African American press; and "mavericks," or independent journalists. Artifacts include documents, posters, personal memorabilia, and paintings. Several photographs are effectively enlarged to fill entire walls. Three interactive video monitors offer interviews with cartoonist Bill Mauldin, artist Bernard Perlin, and journalists William L. Shirer, Robert St. John, and John Hersey.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

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