Problem Plays Shakespeare Double (4 results)

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  • Language: English

    Published by Sharda Publishing, 1994

    8185616183 / 9788185616186

    • Hardcover

    Seller: Books in my Basket, New Delhi, IndiaBooks in my Basket

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    Condition: New

    £ 9.89

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    Quantity: 2 available

    Hardcover. Condition: New. ISBN:8185616183.

  • Language: English

    Published by Cambridge Scholars Publishing, 2010

    1443823880 / 9781443823883

    • Softcover

    Seller: Basi6 International, Irving, TX, U.S.A.Basi6 International

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    £ 29.95

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    Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

  • Language: English

    Published by Cambridge Scholars Publishing, 2009

    1443816361 / 9781443816366

    • Hardcover

    Seller: Basi6 International, Irving, TX, U.S.A.Basi6 International

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    Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

  • Language: English

    Published by Sharada Pub, 1994

    8185616183 / 9788185616186

    • Hardcover

    Seller: Vedams eBooks (P) Ltd, New Delhi, IndiaVedams eBooks (P) Ltd

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    £ 24.23

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    Hardcover. Condition: New. The present book is a pioneering work in the interpretation of Shakespeares problem plays It strikes a new line of approach developing the concept of double vision to explain the contradictions and enigmas in all the recognized problem plays of Shakespeare The controversial issues in the three Problem Comedies Hamlet Antony and Cleopatra and Julius Ceasar are resolved by a plausible analysis of their characters and situations In a detailed analysis of each play all those baffling problems which have been attributed to deficiency of creative power or imperfect transmutation or otherwise treated as insoluble mysteries have been shown to be quite intelligible in the light of Shakespeares double vision Each play emerges as a stage in the dramatists progressive illumination of the human conditionThe book is aimed at finally placing each play as a positive artistic creation in the genre as against the half-way-house approaches which attribute their problematic nature to imperfect handling of plot or character Establishing double vision as Shakespeares habitual dramatic mode the book links his artistry with that of Sophocles and Euripides in this form which was already handled by these Greek dramatists pointing out the new dimensions given to it by Shakespeare  295 pp.…