Print Quarterly (902 results)

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paper. Condition: Good. Good paper copy illus. in B/W.

76pp, (7x10 inches), color frontis and b&w illustrations. VG in gray wrappers (softcover). Covers lightly sunned and worn, Spine is rubbed with a half inch tear at the top. No tears or creases to covers or pages, no markings. Includes "Emily Connor and the Marchbanks Press" by Mary Kingsbury, "Modern Print Classics: Source Material and Stimulous for the Applied Graphic Arts," "Illuminated Books of the Middle Ages and Renaissance" by Dorothy Miner, "Fen Monastery" by Frederick LM Griggs, No. 23 of the Masterpieces of Printmaking. This last article is printed on different paper which has browned and also created offsetting to the page before it. The tipped-in plate is present.

Soft cover. Condition: Acceptable. No Jacket. Edgewear and chipping to wraps. Split to lower edge of spine.

Soft cover. Condition: Fair. Vol. 5, No. 4, December, 1915. Softcover catalog of dealer's offerings of paintings, etchings, sculptures, other art work in the early twentieth century. Slightly larger than a mass-market paperback. Approximately 200 pages. Illustrated. Ragged wraps, but interior pages clean and nice.

paperback. Condition: Very Good. Print Quarterly, Volume VII, Number 4 [Published date: December 1990]. Softcover journal, pp. 369-478 ; 25 cm. Illustrated throughout in black-and-white with reproductions of prints, engravings, and drawings. In very good condition. Illustrated paper covers have light bumping and creasing to edges and corners and light overall scuffing. Binding tight. Pages clean and unmarked. NOT Ex-Library. Print Quarterly is an independent scholarly journal founded in London in 1984, devoted to the study of the history of prints and printmaking in all periods and from all parts of the world. It publishes original, peer-reviewed research articles, shorter notices, and critical reviews of exhibitions and books. Its scope includes the art, history, techniques, and collecting of prints, as well as their cultural and historical contexts. Contents of this issue: Jacques de Gheyn II, Engraver, Designer and Publisher - II: A Catalogue by Jan Piet Filedt Kok; Printmaking Studios in Britain: The Continuing Tradition by Silvie Turner; Etienne Delaune and Jost Amman: Drawings after Prints and Prints after Drawings by Ilse O'Dell; A Seventeenth-Century Manual for the Restoration of Prints by Mark Stevenson; The Feux d'artifice by Claude Lorrain by Peter Kruger; A Couple of Feathers from a Raven's Tale by Michael Pakenham; Pissarro Prints in Bremen: Some Discoveries by Anne Rover. Notes and reviews include: Claude Mellan by Elizabeth Cropper; The Etchings of Claude Lorrain by Michael Kitson; The English Satirical Print by Celina Fox; English Book Illustration by David Alexander; Osaka Prints by Ellis Tinios; James Smillie in Quebec by Wendy Shadwell; Beckmann by Sarah B. Teitelbaum-Twohig; Picasso's Prints, 1959-1965 by Diane R. Karp.

Paperback. Condition: Very Good. Woodstock, Vermont: William Edwin Rudge, 1948. 70 pages; tipped-in illustrations. Lead article, American Type Designers and Their Work, includes a list of each designer's typefaces. Other articles; interesting ads. Back panel of the wrapper is chipped along the edge; spine worn, some material loss at the tail. Pictorial Wrapper (softcover). Very Good. 4to. Art periodical.

Paperback. Condition: Very Good. Woodstock, Vermont: William Edwin Rudge, 1946. 84 pages; numerous illustrations, including two tipped-in, one color. Articles by William Barton Marsh, Stow Wengenroth, John Taylor Arms, A. Raymond Hopper. Clean throughout, binding tight. Pictorial Wrapper (softcover). Very Good. 8vo.

Soft cover. Condition: Good. No Jacket. Vol. 3, No. 4, May, 1963. Paper, pp. 162-221, b&w illus throughout.

Soft cover. Condition: Very Good. Vol. 24, No.4. Contents include: A Word of Cheer for Those Who Love the Arts by Hendrik willem Van Loon; Edmund Blampied; the Etchings of William Strang, R.A.; Colour Woodcuts; Check-list of Prints by Arthur W. Heintzelman; A Poster by Matisse; Prints of To-day.

Paperback. Condition: Good. First Edition. 16mo, ca. 5" x 7" 4 issues from volume 14 covers with moderate soiling and wear, and often detached. Contents very good or better. Overall, good copies. Due to size and weight, overseas shipping may cost about that of an average book.

paperback. Condition: Very Good. DETAILS: PAPERBACK, rather dented and dinged around edges, but otherwise very good copy. STERRITT, DAVID, ed. . Quarterly review of film and video Volume 33, 2016. Print edition includes Number 7 (October) and Number 8 (November-December). Routledge, 2016, 285-786pp., . Includes substantial article by Daisuke Maiyo on Fritz Lang's 1919: Harakiri. 13.40.

Soft cover. Condition: Good. No Jacket. Good condition soft cover book. Spine slightly cocked, toned, and cracked. Covers are bumped, toned, and have very slight smudging. Some small tears to cover edges, none more than 1/4 inch. Slightest toning and some foxing to edges. All books are individually inspected and described. Never X-Library unless Specifically described as such.

Paperback. Condition: Used - Very Good. 104 pages. Illustrated. 10x7", printed wrapper. Fritz Eichenberg, Illustration; Hazen, Watermarks; Geddes, Helmut Lehmann-Haupt; Hendrickson, Tasting of Beers, Ales & Stouts, Wine & Food Society, Waldorf-Astoria menu reprint inserted. VG.

softcover. Condition: Very Good. Complete issue, original wrapper.

Soft cover. Condition: Like New. 1st Edition. Like New. A literary Journal.

Soft cover. Condition: Good. No Jacket. dj: none. book: small magazine, avg condition Language: eng.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers. The tipped-on plate on the front cover was creased prior to being mounted.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers with brief sunning.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers with brief sunning and small dust spots on the top edge.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers with edgewear and rubbing to over-sized wrappers.

Soft cover. Condition: Very Good. First Edition. Very good in original wrappers with edgewear to over-sized wrappers, date in ink on the front cover, a small chip and a tear on the rear panel, and dust spots on the top edge.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers with light edgewear to over-sized wrappers, a small closed tear, and discoloration on the bottom of the rear cover.

Softcover. Condition: Very Good. Number written on corner of front cover.

Softcover. Condition: Very Good. Covers have slight edge creasing. Title page and rear cover each have a "Presentation Copy" ink stamp. ; Complete issue, original paper covers.

Softcover. Condition: Very Good. Complete issue, original paper covers. Contents include George Dance's Heads by Hugh Stokes, and others.

Softcover. Condition: Very Good. Covers have slight edge creasing. ; Complete issue, original paper covers. Contents include The "Macabre" in Two Centuries by Campbell Dodgson, and others.