Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
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Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. xi, [i], 241, [1] pages. Hardback in the original cloth binding, with the dustwrapper. Just light signs of use.
Published by Cambridge University Press, Cambridge, 2008
ISBN 10: 0521106893 ISBN 13: 9780521106894
Language: English
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Paperback. Condition: new. Paperback. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music. But plainsong did not follow rigid conventions. It is just this variation, this living quality of plainsong, that these essays address. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780521401609.
Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
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Published by Cambridge University Press, 2009
ISBN 10: 0521106893 ISBN 13: 9780521106894
Language: English
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Add to basketTaschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came.
Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
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Published by Cambridge University Press, Cambridge, 2008
ISBN 10: 0521106893 ISBN 13: 9780521106894
Language: English
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Add to basketPaperback. Condition: new. Paperback. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music. But plainsong did not follow rigid conventions. It is just this variation, this living quality of plainsong, that these essays address. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Cambridge University Press, Cambridge, 2008
ISBN 10: 0521106893 ISBN 13: 9780521106894
Language: English
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Add to basketPaperback. Condition: new. Paperback. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music. But plainsong did not follow rigid conventions. It is just this variation, this living quality of plainsong, that these essays address. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
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Add to baskethardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
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Published by Cambridge University Press, 1992
ISBN 10: 0521401607 ISBN 13: 9780521401609
Language: English
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Add to basketHardcover. Condition: As New. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDFine in Fine dust jacket. First edition.
Published by Cambridge University Press, 1992
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First Edition
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Add to basketHardcover. Condition: Very Good. 1st Edition. Cambridge University Press, 1992. 8vo, xi, 241 p., original blue cloth with spine stamped in gilt. First hardcover edition of this volume issued as part of the Cambridge Studies in Performance Practice series. Light foxing to page ends, else a VG+ copy in like jacket.
Published by Cambridge University Press, 2009
ISBN 10: 0521106893 ISBN 13: 9780521106894
Language: English
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 440.
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Paperback. Condition: Brand New. 1st edition. 253 pages. 9.02x5.98x0.55 inches. In Stock. This item is printed on demand.
Published by Cambridge University Press, 2009
ISBN 10: 0521106893 ISBN 13: 9780521106894
Language: English
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Add to basketCondition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music. But plainsong did not follow rigid conventions. It is just this variation, this living qu.