Perspective by Vries Jan (33 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Fair. Acceptable condition. (Perspective, Art) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

paperback. Condition: Very Good.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket As Issued. Dover Pictorial Archive; 11.9 X 8.0 X 0.3 inches; 74 pages.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condition: Used: Acceptable. PREVIOS OWNERS NAME WRITTEN IN INK AT TOP OF TITLE PAGE. BOOK IS WORN AND "TATTY". ONLY SUITABLE AS A READING/REFERENCE COPY. **SENT FIRST CLASS MAIL FROM UK STOCK.** "Always choose Readerz3, the best deal around for YOU and me!" 24.

Softcover. Condition: Good. Paperback, numerous (full page) illustrations in b/w, unpaged, oblong (circa 29x21cm).; Several scratches on front cover.

Encuadernación de tapa blanda. Condition: Bien. Dover Publications Inc.,1968 New York. With a new introduction by Adolf K. Placzek. Dover books on architecture. Includes 73 perspective plates from the 1604 edition; buildings, townscapes, stairways,and other fantastic scenes. A work remarkable for beauty and its surrealistic atmosphere. 8ºM (21x29 cm) 89 págs. Rústica ilustrada. Cubierta algo deslucida con puntas rozadas. Buen estado general.…

Soft cover. Condition: Very Good. B00K: Very Good/, $70.12 0486210864 perspective * VERDEMAN de VRIES, Jan DOvER 1967 Red Spine With Title In Black Letters, Wide Rectangular Soft Cover BooK: Very Good/, Shelf, Edge And Corner Wear, Pages That Appear To Be Lightly Read, And Are Clean And Tight To The Spine, And Are In Fine/Very Good Condition. D/j: None. = SYNOPSIS: "Hans Vredeman De Vries Was A Dutch Renaissance Architect, Painter, And Engineer. Vredeman De Vries Is Known For His Publication In 1583 On Garden Design And His Books With Many Examples On Ornaments And Perspective". BooK, Acquired From The Estate Of Norman and Irma Switzer. Description Applies To This BooK Only. This BooK Is, Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. World Wide Shipping Available. B00K: Very Good/, 1967 (illustrator).…

Paperback. Condition: Very Good. First Edition. Original stiff card covers; in better than very good shape; no tears, chips or creases, just mildly rubbed and edge-worn. Contents sound and clean; no pen-marks. Not from a library so no such stamps or labels.

broché. in-8 oblong non paginé illustrations, menus défauts d'usage. Ajustement des frais d'envoi en fonction du poids.

Soft Cover. Condition: Good. No Jacket. Reprint. From an academic library with the usual stamps etc.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Couverture souple. Condition: Très bon. Sans date (circa 1980). Grand in-8 oblong de titre, (3) ff. + 49 et 24 planches hors texte ; broché de l'éditeur.

Condition: Buone. Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Condition: gut. 1968. Perspective In deutscher Sprache. pages.

Broché. Condition: D'occasion - Bon état. René Baudouin éditeur. 1976. Broché, in-8 à l'italienne. 49 et 24 planches. Reprise de la Perspective de De Vries de 1599. Couverture : bords un peu frottés, marques de pliure sur plats. Intérieur : un peu jauni sinon TBE.

Couverture souple. Condition: bon. R200111249: Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 25 pages. Abondantes illustrations en noir et blanc, dans et hors texte. . . A l'italienne. Classification Dewey : 740-Dessin, arts décoratifs et mineurs.

Two printed titles with elaborate engr. architectural borders, woodcut initials, 1 (of 2) engr. portrait in the text and 49 engr. plates in vol. 1 (33 + 34 on 1 leaf), and 24 engr. plates in vol. 2. Text printed in 2 cols. 9 (of 10) unn. leaves; 3 unn. leaves. Oblong folio (280 x 350 mm). 17th cent. marbled boards (new endpapers). Leiden, Henricus Hondius, 1604-1605. First edition of Vredeman's "Perspective" issued by Hondius, and printed simultaneously also in French, Dutch and German. Present here is the valuable Latin version, "the classical language in which Vredeman's architecture is clad and thus becomes timeless in its character" (Millard, p. 20f.). This is one of the most celebrated works on such a subject and was issued by the Flemish born Hendrik Hondius the Elder (1573-1650). The plates for the most part are engraved and a few signed by him after Hans Vredeman. Plate 14 in part 2 is after Paul Vredeman, and 4 plates in this part are signed with the monogram DB (probably Theodore de Bry or Bartholomaeus Dolendo). The painter and architect Hans (or Jan) Vredeman de Vries was born 1527 to a German soldier in Leeuwarden, Netherlands and probably died in Antwerp 1604. "The King of Architects" (Fowler) together with Hans van Schille worked at the fortification of the city of Antwerp, and also at the triumphal arches built for the entry of the future Philip II into Antwerp in 1549. As a consequence of the religious upheavals of the period, Vredeman worked in Hamburg, Danzig and Prague before returning to Holland. He wrote and illustrated the present guidebook on perspective for designers, painters, and architects. It became one of the major books on this subject, and through Vredeman de Vries' various publications he is recognised as the "foremost among sixteenth century Netherlandish (architectural) authors" (Millard, p. 19). The two volumes illustrate stage perspective, interiors, furniture, palace and garden architecture. Vredeman de Vries was capable of truly artistic landscaping in the Northern Renaissance and served as a model for some patrician gardens in Germany (cf. E. Haupt, Baukunst der Renaissance in Frankreich und Deutschland, 1916). The book includes a number of scenes and projections employ one-and-multi-point perspective. These were essential demonstrations for artists of those days. This work on perspective summarizes Vredeman's knowledge of art, science, and geometry. This copy has the same collation as the Fowler copy at Johns Hopkins University library which also lacks at the beginning of vol. 1 the leaf A1v with an engraved portrait on left half and a printed poem on right half of this leaf. There are complete copies known, but in fact there is no copy of this Latin edition in the holdings of the BL London, the Royal Library The Hague, Utrecht, Dresden, Heidelberg, Beinecke or Centre d'Architecture at Montreal. The only two but incomplete copies in Austria are in the holdings of the University of Technology Library at Vienna, and in the Univ. Libr. Salzburg. The only copy in Switzerland in the holdings of the ETH- Library in Zurich is also incomplete and a mixed-up one (1st part in Latin, 2nd part in French). Other incomplete copies are known in the holdings of the Bavarian State Library Munich, the V & A Mus. London, the Pierpont Morgan Library New York.- Engr. titles slightly frayed at lower margin, some foxing, otherwise a neat and rare copy. - Cf. Cicognara 867 (French ed.); Millard, Northern European Books, 139 (lacking engr. title to part II); Berlin Cat. 4704; Fowler 432 (same collation); cf. Nagler I, 1757; Borggrefe, Heiner. Hans Vredeman (2002). ART - GENERAL & APPLIED ; SCIENCE: ARCHITECTURE ; SCIENCE: GENERAL . …

hardcover. Condition: very good. Reprint. Small thick folio containing 3 separate titles, each with a fine engraved title. Bound in old calf, well-worn & cracked but sound; scattered foxing and soiling but plates generally clean. FIRST: La Perspective, Contenant la Theorie, Practique, et Instruction Fondementale Illustree de plusieurs belles ordonnances d'Architecture, comme de Temples, Palais, Galeries, Jardins, Marchez a l'antique et moderne, clairement expliquees pour tous Architectes, Ingenieurs et Amateurs par Jean Vredeman Frison et augmentee par Samuel Margolois. (1), 42pp followed by 73 double-page plates, all finely engraved architectural views. Amsterdam: Jan Jansson, 1652. 2nd edition in French? SECOND: L'Architecture contenant la Toscane, Dorique, Ionique, Corinthiaque, et composee, faict par Henri Hondius. Avec quelques belles ordonnances d'Architecture mises en perspective par Vredeman. (18)pp followed by 30 double-page engraved plates, two of which are loose (possibly supplied from another copy). Amsterdam: Jan Jansson, 1628. First edition in French? THIRD: Fortification ou Architecture Militaire tant offensive que deffensive; Supputee et dessignee par Samuel Marolois. Reueue Augmentee et Corrigee par Albert Girard, Mathematicien. (2), 42, (2), 46, (6)pp followed by 42 double-page engraved plates. Amsterdam: Jan Jansson, 1627. 2nd edition in French? From the library of art historian Meyer Schapiro, with his small signature on endpaper.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1562 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 60 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 60 Language: Latin.…

Quer-Folio. 2 Teile. Mit gestoch. Titel (auf diesem der typographierte deutsche Untertitel montiert), rückseitig das Kuferstichporträt J. Vredeman de Vries', halbseit. Kupferstichporträt Moritz von Nassau, und 73 Kupfern auf 72 Blättern (Tafeln 33 und 34 auf 1 Blatt, Tafel 47 am Ende des Sammelbandes eingebunden). 7 Blätter Text und 4 Blätter Text inkl. Zwischentitel.- II. Architectura. Die köstliche und weitbrumbte khunst, welche besteht in fünfferley Art der Edifitien. (Leiden), H. Hondius, (1606). Mit gestoch. Titel (hier der Text direkt auf das Papier gedruckt), und 30 Kupfertafeln (statt 31, Tafel BB/2 auf altem Papier faksimiliert). 7 Blätter Text. Blindgeprägter Schweinslederbd. der Zeit über Pappdeckel (Buchblock neu eingehängt, Remboîtage). Schöner Sammelband mit den beiden prächtigen Werken Vredeman de Vries' in erster bzw. früher deutscher Ausgabe der endgültigen Fassung, herausgegeben durch den Sohn Paul Vredeman de Fries. Im zeitgenössischen Schweinslederband und in dieser Zusammenstellung nur selten anzutreffen.- "Hans Vredeman de Vries ist eine der einflusseichsten Persönlichkeiten des 16. Jahrhunderts in Nordeuropa. Wie bei keinem zweiten Künstler trugen seine graphischen Musterentwürfe zur Ausbreitung der Renaissanceornamente in der Architektur und den angewandten Künsten bei. Für die Anwendung der Zentralperspektive in der niederländischen Malerei ist sein Werk von herausragender Bedeutung." (Aus dem Vorwort zum Ausstellungskatalog Hans Vredeman de Vries und die Renaissance im Norden, Weserrenaissance-Museum, 2002 ).- Beide Werke wurden bereits um 1565 unter anderen Titeln zuerst veröffentlicht, durchliefen zahlreiche Ausgaben und Übersetzungen in deren Verlauf sie an Umfang zunahmen und liegen durch die Herausgabe des Sohnes Paul Vredeman de Vries ab 1604 in neuer Form und mit neu gestochenen Tafeln vor. Die Stiche stammen zumeist von Hondius, im zweiten Teil der Perspective sind einige mit BD monogrammiert (Nr. 8, 10, 19 und 21). Der Stecher ist laut Nagler, Monogrammisten I, 1757 und Thieme-Becker IX, 390 Bartholomäus Dolendo (Leiden 1571-1621). Fowler nennt Johann Theodore de Bry (1561-1623), während der Katalog der Ornamentstichslg. Theodore de Bry (1528-1598) als Stecher erwähnt. Die Qualität der Abzüge ist durchgehend sehr gut, oft mit einem kräftigen Plattenton zeichnend, der Qualitätsabfall wird deutlich durch einen Vergleich mit dem digitalisierten Exemplar der Architectura aus dem Jahr 1638 in der Dresdner Bibliothek. Vergleiche hierbei besonders die letzten Nummern, 67, 69, 71, 73 ff. die die besonders prächtigen Tafeln am Ende des Werkes abbilden.- Schönes, insgesamt gut erhaltenes Exemplar. Etwas unterschiedlich gebräunt und alters- bzw. stockfleckig, eine kleine hinterlegte Fehlstelle in der Abbildung, insgesamt ordentlich erhalten.- I. VD 17 1:079156C. Kruft 706. Vgl. Fowler 336 und Ornamenstichslg. Berlin 4704.- II.: VD 17 7:692033A. Kruft 709. Vgl. Fowler 338. Ornamentstichslg. Berlin 2219 und 2221.…