Patronage Art and Society in Renaissance Italy by Kent F W Simons Patricia (20 results)

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0198219784.

Hardcover. Condition: Very Good. Dust Jacket Condition: Acceptable. Hard cover in very good condition, with unclipped dust jacket in acceptable condition. General shelf and handling wear; cover is shelfworn, tanned, notably the spine, with creasing to edges, corners and folds. Ticket residue to front flap. Spine is cocked, with age-related discolouration to pageblock. Within, pages are tightly bound, and content is unmarked. CN. Used.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0198219784.

Paperback. Condition: Very Good. Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly upon Florence. Traditionally viewed simply as the context for the extraordinary artistic creativity of the Renaissance, patronage has more recently been examined by historians as a comprehensive system of patron-client structures which permeated society and social relations. The scattered research so far done on this broader concept of patronage is drawn together and extended in this new volume, derived from a conference held in Melbourne as part of 'Renaissance Year' in 1983. The essays, by art historians as well as historians, explore our new understanding of Renaissance Italy as a 'patronage society', and consider its implications for the study of art patronage and patron-client structures wherever they occur. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover met stofomslag. Condition: Good. Staat: Zeer goed. Titel: Patronage, Art, and Society in Renaissance Italy. Jaar van uitgave: 1987. Taal: Engels. Boek als nieuw. Stofomslag strak met lichte sporen en een licht verkleurde rug. Lichte gebruik-/opslagsporen.

Condition: Good.

Hardcover. Condition: Used - Very Good. Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. While it has been traditionally viewed simply as the context for extraordinary artistic creativity, patronage has more recently been examined by historians and art historians alike as a comprehensive system of patron-client structures which permeated society and social relations. Focusing specifically on the city of Florence, these essays explore the new understanding of Renaissance Italy as a 'patronage society,' considering its implications for the study of art patronage and patron-client structures wherever they occur. Slight scratching/scuffing on cover. Interior pages in very nice condition, though first few pages have small denting from paper clip.

Condition: New. In.

Condition: New.

Hardcover. Condition: new. Hardcover. Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly upon Florence. Traditionally viewed simply as the context for the extraordinary artistic creativity of the Renaissance, patronage has more recently been examined by historians as a comprehensive system of patron-client structureswhich permeated society and social relations. The scattered research so far done on this broader concept of patronage is drawn together and extended in this new volume, derived from a conference held inMelbourne as part of 'Renaissance Year' in 1983. The essays, by art historians as well as historians, explore our new understanding of Renaissance Italy as a 'patronage society', and consider its implications for the study of art patronage and patron-client structures wherever they occur. Patronage has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly on Florence. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly upon Florence. Traditionally viewed simply as the context for the extraordinary artistic creativity of the Renaissance, patronage has more recently been examined by historians as a comprehensive system of patron-client structureswhich permeated society and social relations. The scattered research so far done on this broader concept of patronage is drawn together and extended in this new volume, derived from a conference held inMelbourne as part of 'Renaissance Year' in 1983. The essays, by art historians as well as historians, explore our new understanding of Renaissance Italy as a 'patronage society', and consider its implications for the study of art patronage and patron-client structures wherever they occur. Patronage has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly on Florence. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Neuware - Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. While it has been traditionally viewed simply as the context for extraordinary artistic creativity, patronage has more recently been examined by historians and art historians alike as a comprehensive system of patron-client structures which permeated society and social relations. Focusing specifically on the city of Florence, these essays explore the new understanding of Renaissance Italy as a 'patronage society,' considering its implications for the study of art patronage and patron-client structures wherever they occur.

Hardcover. Condition: new. Hardcover. Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly upon Florence. Traditionally viewed simply as the context for the extraordinary artistic creativity of the Renaissance, patronage has more recently been examined by historians as a comprehensive system of patron-client structureswhich permeated society and social relations. The scattered research so far done on this broader concept of patronage is drawn together and extended in this new volume, derived from a conference held inMelbourne as part of 'Renaissance Year' in 1983. The essays, by art historians as well as historians, explore our new understanding of Renaissance Italy as a 'patronage society', and consider its implications for the study of art patronage and patron-client structures wherever they occur. Patronage has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly on Florence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Usado - bueno.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: new. Questo è un articolo print on demand.