Monets Waterloo Bridge Vision (9 results)

softcover. Condition: Fine copy. Well-illustrated (illustrator). 1st. Oblong 4to, 93 pp., Still shrink-wrapped from the publisher.

Paperback. Condition: Very Good. Minimal library marks, otherwise text clean and tight; NOTE: additional postage may be necessary for international shipping ; Ex-Library; 8vo 8" - 9" tall; 104 pages.

softcover. Condition: Fine copy. Profusely illustrated (illustrator). 1st. Oblong 4to, 93 pp.

paperback. Condition: Very Good in Wrappers. No Jacket. Rochester. 2018. September 2018. Rochester Institute of Technology Press. 1st American Edition. Very Good in Wrappers. 9781939125583. 10 × 9. 104 pages. paperback. keywords: Art Monet. DESCRIPTION - Impressionist master Claude Monet began over forty versions of Waterloo Bridge during his three London sojourns between 1899 and 1901. He viewed his paintings of the landmark bridge both individually and as an ensemble, collectively expressing his sense of the essential subject - the atmosphere and colors of the fog-bound landscape of London's Thames River. Monet struggled to complete these paintings after his return to France, where he re-worked many of the canvases in his Giverny studio, releasing them for sale over the course of several years. The exhibition Monet's Waterloo Bridge: Vision and Process brings together eight paintings from the famous London series. Scholarly essays and an in-depth technical study of the Memorial Art Gallery's Waterloo Bridge, Veiled Sun (1903) explore Monet's artistic vision as well as the process by which he struggled to achieve that vision. NANCY NORWOODis Curator of European Art, Memorial Art Gallery, Rochester, New York. inventory #45744.

Condition: new.

Paperback. Condition: VG+. Color-illustrated wraps with black and white lettering. ix, 93 pp. Color illustrations. "Impressionist master Claude Monet began over forty versions of Waterloo Bridge during his three London sojourns between 1899 and 1901. He viewed his paintings of the landmark bridge both individually and as an ensemble, collectively expressing his sense of the essential subject the atmosphere and colors of the fog-bound landscape of London's Thames River. Monet struggled to complete these paintings after his return to France, where he re-worked many of the canvases in his Giverny studio, releasing them for sale over the course of several years. The exhibition Monet's Waterloo Bridge: Vision and Process brings together eight paintings from the famous London series. Scholarly essays and an in-depth technical study of the Memorial Art Gallery s Waterloo Bridge, Veiled Sun (1903) explore Monet s artistic vision as well as the process by which he struggled to achieve that vision." -Text from back cover.

Paperback. Condition: New in shrinkwrap. Color-illustrated wraps with black and white lettering. ix, 93 pp. Color illustrations. "Impressionist master Claude Monet began over forty versions of Waterloo Bridge during his three London sojourns between 1899 and 1901. He viewed his paintings of the landmark bridge both individually and as an ensemble, collectively expressing his sense of the essential subject the atmosphere and colors of the fog-bound landscape of London's Thames River. Monet struggled to complete these paintings after his return to France, where he re-worked many of the canvases in his Giverny studio, releasing them for sale over the course of several years. The exhibition Monet's Waterloo Bridge: Vision and Process brings together eight paintings from the famous London series. Scholarly essays and an in-depth technical study of the Memorial Art Gallery s Waterloo Bridge, Veiled Sun (1903) explore Monet s artistic vision as well as the process by which he struggled to achieve that vision." -Text from back cover.

Condition: Good. 8vo. 93p. Softcover. Very Good, very slight creasing on cover edges. Color prints throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

Taschenbuch. Condition: Neu. Neuware - The catalogue of an exhibition comparing versions of Monet's Waterloo Bridge at the Memorial Art Gallery in Rochester, NY.Impressionist master Claude Monet began over forty versions of Waterloo Bridge during his three London sojourns between 1899 and 1901. He viewed his paintings of the landmark bridge both individually and as an ensemble, collectively expressing his sense of the essential subject - the atmosphere and colors of the fog-bound landscape of London's Thames River. Monet struggled to complete these paintings after his return to France, where he re-worked many of the canvases in his Giverny studio, releasing them for sale over the course of several years. The exhibition Monet's Waterloo Bridge: Vision and Process brings together eight paintings from the famous London series. Scholarly essays and an in-depth technical study of the Memorial Art Gallery's Waterloo Bridge, Veiled Sun (1903) explore Monet's artistic vision as well as the process by which he struggled to achieve that vision.NANCY NORWOODis Curator of European Art, Memorial Art Gallery, Rochester, New York.