Minimal Feminism Abstraction 70s by Stoops Susan (5 results)

Paperback. Condition: Very Good. Text and images are unmarked; pages are bright, though the page edges are lightly foxed. Binding is tight and square. Covers are lightly edge worn and lightly foxed. International/Priority shipping at cost. 108pp.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.99.

Softcover. Condition: Very Good. Very Good 11" x 11" perfectbound 4to art exhibit catalog in stiff brown wraps with a blind stamped design of rectangles and triangles to cover, white lettering to front and back covers and spine, some sunning and rubbing to edges consistent with shelf wear, one 1/8" closed tear to bottom of front cover at hinge, spine slightly cocked, creases to back cover, else clean, tightly bound, and unmarked throughout. 108 pp. replete with full-color and black-and-white images of works in the exhibition. This catalog was produced in conjunction with the 19th Annual Patrons and Friends Exhibition held at the Rose Art Museum at Brandeis University in Waltham, Massachusetts April 21 to June 30, 1996. Includes a list of Lenders to the Exhibition, a Foreword by Carl Betz, Acknowledgements, Biographies and Solo Exhibition Histories by Leah Schroder, a Catalog of the Exhibition by Susan L. Stoops, "A More than Minimal Chronology" which traces selected events, publications, and group exhibitions from 1966 to 1982, and essays by four celebrated authors on the subject including Whitney Chadwick's "Balancing Acts: Reflections on Postminimalism and Gender in the 1970s" (This book was acquired from the private library of photorealist, Robert Bechtle and art historian, Whitney Chadwick), Lucy Lippard's interview titled, "From Eccentric to Sensuous Abstraction", Anne M. Wagner's "Body Doubles", and Kate Linker's "A Feminine Subject or Minimalism". The Catalog of the Exhibition includes a full biographical and critical write-up for each of the eleven artists alongside images of their work. Artists here included are: Lynda Benglis, Jackie Ferrara, Nancy Graves, Eva Hesse, Ana Mendieta, Mary Miss, Ree Morton, Michelle Stuart, Dorothea Rockburne, Hannah Wilke, and Jackie Windsor. Truly, a tour de force of an art exhibition that drew together many of the towering figures who contributed both groundbreaking artistic endeavor and a legacy of scholarship documenting the struggle and triumph of feminism in the arts.

Soft Cover. Condition: Near Fine. First Edition. soft cover, folded card covers with raised design to front cover, as issued., copy belonged to artist jo sandman and has her signature to verso of cover and several sparse markings in text. no other flaws or wear. clean. no bumps, tears, creases. tight binding.; 108pp., illustrated in color and b/w. four essays and an interview with lucy lippard. catalogue and reference material. exhibition featured 11 artists , lynda benglis, jackie ferrara, nancy graves, eva hesse, ana mendieta, mary miss, ree morton, michelle stuart, dorothea rockburne, hannah wilke and jackie winsor. Size: Square 4to. Exhibition Catalogue.

Softcover. Brown wraps with white lettering; French flaps. 108 pp. Numerous BW & color plates. This is the 19th Annual Patrons and Friends Exhibition and features the following artists: Lynda Benglis, Jackie Ferrara, Nancy Graves, Eva hesse, Ana Mendieta, Mary Miss, Ree Morton, Michelle Stuart, Dorothea Rockburne, Hannah Wilke, and Jackie Windsor. Includes several essays, exhibition checklist, and biographies and solo exhibition histories of the artists. Exhibition held April 21 to June 30, 1996. VG, bottom right front corner bumped on one copy. One copy has some minor wear to covers.