Medieval Illuminators Methods Work by Alexander (37 results)

Condition: very_good. Fast Free Shipping â"Very good condition with a sturdy cover and clean pages. Lightly read and well cared for, showing only minimal shelf wear. May contain a few small marks but remains a solid copy to enjoy. Supplemental items like CDs or access codes may not be included.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. 214 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

paperback. Condition: Good. Paperback. Ex Library with usual markings, stamps and/or stickers. Good condition. Slight edgewear and bumping. Clean pages and tight binding. Until further notice, USPS Priority Mail only reliable option for Hawaii. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. G13.

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Paperback. Condition: Very Good. Reprint. 214 pages.

Condition: good. Used book from Ocean State Books in Good to Very Good condition. Clean pages and tight binding. May show light dust from storage, minimal bookstore stickers, or an occasional bookmark left inside. All copies are inspected to ensure a fully readable, well-kept book. Packed with care and shipped promptly.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.

softcover. Condition: Fine copy. Profusely illustrated (illustrator). Later prt. 4to, 214 pp.

paperback. Condition: very good(+). 247 illustrations, many in full color. 214 pages. Slim 4to, pictorial wrappers. New Haven: Yale University Press, (1992). A very good(+) copy--lightly scuffed, some sticker residue to rear panel.

Hardcover. Condition: Very Good. 1st Edition. Includes Index Of Names, Subject Index, Index Of Manuscripts Cited And Bibliographical References. The Book Is Bound In Green Cloth Over Boards With Gilt Lettering On The Spine. The Lower Front Corner Is Bumped. No Ownership Information Present. The Unpriced Jacket Has Moderate Wear.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Near Fine condition hardcover book, Near Fine condition dust jacket. Slightest shelf wear to covers and spine edges. Slightest yellowing to text block edges. Writing on ffep. Dust jacket unclipped. Dust jacket has slightest smudging, very slight shelf wear and bumping. Sticker on inner front flap. Dust jacket protected by mylar. All of our books are individually inspected and described. Never X-library unless specifically described as such.

hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condition: Near Fine. Color and black and white illustrations throughout. Fifth paperback printing. Near fine in oversize illustrated wraps.

paperback. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Soft cover. Condition: Good. viii, 214 pp. The book is based on the James P.R. Lyell Lectures in Bibliography, given at Oxford University in the summer of 1983. Softcover. LCC: 925576 Good condition; on covers: touches of wear, and light stain on surface of front; very light yellowing on perimeters of pages.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Summary: Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come. Physical description: 247 illustrations. Subjects: Illumination of books and manuscripts Technique. Book Illlumination - Techniques. Illuminated manuscripts History. Genre: Religious arts. Language: English. 1 Kg.

Very slight dust marking to top edge.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. ~29 colour and 218 black / white illustrations. No ownership marks. ~Robust packaging. All UK orders with tracking, overseas orders on request. Used books are exempt from USA tariffs. Hardback. Size: viii, 214pp. 22 x 28.5cm. With dustwrapper.

Soft cover. Condition: Near Fine. 4to (28 cm), VIII, 214 pp. Laminated wrappers. A classical survey of European manuscript illumination from the fourth to the sixteen century. Illustrating his discussion with examples from all over Europe, Jonathan Alexander discusses the social and historical contexts of the illuminators' lives, considers their methods of work, and shows the range and nature of their visual sources and the ways in which they were adapted, copied or created anew.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Summary: Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come. Physical description: 247 illustrations. Subjects: Illumination of books and manuscripts Technique. Book Illlumination - Techniques. Illuminated manuscripts History. Genre: Religious arts. Language: English. 1 Kg.

cloth, dust jacket. Illuminated Manuscripts (illustrator). 4to. cloth, dust jacket. (viii), 214 pages, with 247 illustrations, some in color. First edition. Fine in fine jacket. A survey of mauscript illumination throughout Europe from the fourth to the sixteenth century. Alexander discusses the social and historical context of the illustrators' lives, their methods of work, and presents case studies that recreate the astonishing variety and creativity of medieval illumination. Well illustrated.

Paperback. Condition: New.

Condition: Bueno. 76829 Jonathan J G Alexander 1992 Yale University Press, 1992, 214pp. Firma de anterior propietario.

Hardcover. Condition: Near Fine. 4to (28 cm), VIII, 214 pp. Publisher's cloth and dust jacket (dj slightly rubbed at extremities, price ticket on front wrapper). A classic survey of European manuscript illumination from the fourth to the sixteenth century, Jonathan Alexander illustrates his discussion with examples from across Europe. He delves into the social and historical contexts of illuminators' lives, explores their methods of work, and showcases the breadth and depth of their visual sources. Alexander also examines how these sources were adapted, copied, or ingeniously created anew, shedding light on the dynamic evolution of manuscript illumination throughout the ages.

Soft cover. Condition: Near Fine. 1st Edition. An excellent reference; very detailed, with some fascinating examples. pp.214. Illus.

Cloth, large 8vo, 29 cm, vii, 214 pp. From the blurb: "Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illuminationÔÇöits materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come." Near Fine in Near Fine dustwrapper.