Masters Past Time Flemish by Fromentin Eugene (45 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Previous owner's writing on fep.

Paperback. Condition: Very Good. Profusely Illustrated (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: New. Profusely Illustrated (illustrator). In shrink wrap.

Condition: Wie neu. Erste Auflage dieser Ausgabe. xvi, 389 Seiten mit 102 schwarzweiß Abbildungen. Dünndruckausgabe. A good clean tight copy of this hard-cover book, part of the publisher's ''Masters of Past Time'' series. This one deals with Dutch and Flemish paintings from between the fifteenth and seventeenth centuries. 389pp, 102 b&w illustrations of the paintings. Good Hard Cover 12mo - over 6¾" - 7¾" tall. 19 cm. Guter Zustand. Aus dem Besitz der Gräfin Ledebur mit geprägtem Monogramm (Krone) auf dem Vorsatz. - Eugène Fromentin (October 24, 1820 August 27, 1876) was a French painter and writer.[1]. He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849 he obtained a medal of the second class. In 1852 he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. In a certain sense his works are contributions to ethnological science as much as they are works of art. Fromentin, who maintained that "art is the expression of the invisible by means of the visible", was much influenced in style by Eugène Delacroix. His works are distinguished by striking composition, great dexterity of handling and brilliancy of colour. In them is given with great truth and refinement the unconscious grandeur of barbarian and animal attitudes and gestures. His later works, however, show signs of an exhausted vein and of an exhausted spirit, accompanied or caused by physical enfeeblement. But it must be observed that Fromentin's paintings show only one side of a genius that was perhaps even more felicitously expressed in literature, though with less profusion. Dominique, first published in the Revue des deux mondes in 1862, and dedicated to George Sand, is remarkable among the fiction of the century for delicate and imaginative observation and for emotional earnestness. Fromentin's other literary works are Visites artistiques (1852); Simples Pèlerinages (1856); Un été dans le Sahara (1857); Une année dans le Sahel (1858); and Les Maîtres d'autrefois (1876), the last an influential appreciation of Early Netherlandish painting and the Northern Baroque to Rembrandt . In 1876 he was an unsuccessful candidate for the Academy. He died suddenly at La Rochelle on August 27, 1876. Aus: en-wikipedia--Eug%C3%A8ne_Fromentin Sprache: Englisch Gewicht in Gramm: 340 Grünes Leinen mit goldgeprägten Rücken- und Deckeltiteln, goldgeprägten floralen Rückenverzierungen und Schutzumschlag.

1st edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xvi, 389 pages : illustrations ; 19 cm. Notes; "With one hundred illustrations"--Cover. Illus. Includes bibliographical references (pages 381-383) and index. Translation of, Les Maîtres d'autrefois, Belgique-Hollande. Contents; Editor's introduction -- Author's foreword -- Belgium. The Gallery at Brussels ; Rubens's masters ; Rubens in the Gallery at Brussels ; Rubens at Malines ; The 'Descent from the Cross' and the 'Raising of the Cross' ; Rubens in the Gagllery at Antwerp ; Rubens as a portrait-painter ; The tomb of Rubens ; Van Dyck -- Holland. The Hague and Scheveningen ; Origins and character of the Dutch School ; The fish-pond ; The 'subject' in Dutch pictures ; Paul Potter ; Terborch, Metsu, and Pieter de Hooch at the Louvre ; Ruysdael ; Cuyp ; Dutch influence on French landscape painting ; The anatomy lesson ; Frans Hals at Haarlem ; Amsterdam ; The Night Watch ; Rembrandt at the Six and Van Loon Galleries, Rembrandt at the Louvre ; The Syndics ; Rembrandt -- Belgium. The brothers Van Eyck, and Memling -- The Plates -- Notes on the plates -- Selected bibliography -- Index. Subjects; Rubens, Peter Paul 1577-1640 Criticism and interpretation. Van Dyck, Anthony 1599-1641 Criticism and interpretation. Potter, Paulus 1625-1654 Criticism and interpretation. Ruisdael, Jacob van 1628 or 1629-1682 Criticism and interpretation. Cuyp, Aelbert 1620-1691 Criticism and interpretation. Hals, Frans 1584-1666 Criticism and interpretation. Criticism and interpretation. Painting, Belgian. Painting, Dutch. Painting, Belgian Criticism and interpretation. Painting, Dutch Criticism and interpretation. Peinture belge. Peinture belge Critique et interprétation. 1 Kg. Item is Shipped from Ireland or US locations.

Soft cover. Condition: Very Good. Dutch and Flemish painting from Van Eyck to Rembrandt.

Paperback. Condition: New.

Condition: New. In.

1st edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xvi, 389 pages : illustrations ; 19 cm. Notes; "With one hundred illustrations"--Cover. Illus. Includes bibliographical references (pages 381-383) and index. Translation of, Les Maîtres d'autrefois, Belgique-Hollande. Contents; Editor's introduction -- Author's foreword -- Belgium. The Gallery at Brussels ; Rubens's masters ; Rubens in the Gallery at Brussels ; Rubens at Malines ; The 'Descent from the Cross' and the 'Raising of the Cross' ; Rubens in the Gagllery at Antwerp ; Rubens as a portrait-painter ; The tomb of Rubens ; Van Dyck -- Holland. The Hague and Scheveningen ; Origins and character of the Dutch School ; The fish-pond ; The 'subject' in Dutch pictures ; Paul Potter ; Terborch, Metsu, and Pieter de Hooch at the Louvre ; Ruysdael ; Cuyp ; Dutch influence on French landscape painting ; The anatomy lesson ; Frans Hals at Haarlem ; Amsterdam ; The Night Watch ; Rembrandt at the Six and Van Loon Galleries, Rembrandt at the Louvre ; The Syndics ; Rembrandt -- Belgium. The brothers Van Eyck, and Memling -- The Plates -- Notes on the plates -- Selected bibliography -- Index. Subjects; Rubens, Peter Paul 1577-1640 Criticism and interpretation. Van Dyck, Anthony 1599-1641 Criticism and interpretation. Potter, Paulus 1625-1654 Criticism and interpretation. Ruisdael, Jacob van 1628 or 1629-1682 Criticism and interpretation. Cuyp, Aelbert 1620-1691 Criticism and interpretation. Hals, Frans 1584-1666 Criticism and interpretation. Criticism and interpretation. Painting, Belgian. Painting, Dutch. Painting, Belgian Criticism and interpretation. Painting, Dutch Criticism and interpretation. Peinture belge. Peinture belge Critique et interprétation. 1 Kg.

Hard Cover. Condition: Book good. Re-impression. 377 pp. B/w illustrations.

Condition: gut. IX, 340 S., 11 Taf., 23 cm, Leineneinband leicht berieben, gebräunt. Sprache: Englisch.

Hardcover. Condition: Very Good. No Jacket. xvi, 389 pages : illustrations ; 19 cm. Contents: Editor's introduction Author's foreword Belgium. The Gallery at Brussels ; Rubens's masters ; Rubens in the Gallery at Brussels ; Rubens at Malines ; The 'Descent from the Cross' and the 'Raising of the Cross' ; Rubens in the Gagllery at Antwerp ; Rubens as a portrait-painter ; The tomb of Rubens ; Van Dyck Holland. The Hague and Scheveningen ; Origins and character of the Dutch School ; The fish-pond ; The 'subject' in Dutch pictures ; Paul Potter ; Terborch, Metsu, and Pieter de Hooch at the Louvre ; Ruysdael ; Cuyp ; Dutch influence on French landscape painting ; The anatomy lesson ; Frans Hals at Haarlem ; Amsterdam ; The Night Watch ; Rembrandt at the Six and Van Loon Galleries, Rembrandt at the Louvre ; The Syndics ; Rembrandt Belgium. The brothers Van Eyck, and Memling The Plates Notes on the plates Selected bibliography Index.

Condition: New. In.

Hardcover. Condition: Very Good. From the Library of John Russell Taylor.

Hardcover. Condition: Very Good. Phaidon, London, 1948. Hardcover. decorative gilt titles to orig green cloth First edition xvi, 389 pp. 102 plates,light foxing to eps only Otherwise covers and inside in VERY GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing, a scan of the actual book is available on request.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:

Couverture souple. Condition: bon. Profusely Illustrated (illustrator). RO60124374: 1981. In-8. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 389 pages. Illustré de nombreuses photos en noir et blanc hors texte. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Condition: New.

Condition: New. Satisfaction Guaranteed or your money back.

Paperback. Condition: Good. Profusely Illustrated (illustrator). English.

Condition: New.

Taschenbuch. Condition: Neu. Neuware.

Buch. Condition: Neu. Neuware.

Buch. Condition: Neu. Neuware.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 376. A perfect gift for your loved ones. Reprinted from 1913 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 376.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.