Published by Oxford University Press, Incorporated, 1997
ISBN 10: 0198183860 ISBN 13: 9780198183860
Language: English
Seller: Better World Books Ltd, Dunfermline, United Kingdom
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Add to basketCondition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Oxford University Press, Incorporated, 1999
ISBN 10: 019818493X ISBN 13: 9780198184935
Language: English
Seller: Better World Books Ltd, Dunfermline, United Kingdom
£ 40.50
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Add to basketCondition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Oxford University Press, USA, 1999
ISBN 10: 019818493X ISBN 13: 9780198184935
Language: English
Seller: Plantin Books, Leeds, United Kingdom
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Add to basketSoft cover. Condition: Very Good. Very nice clean copy; looks almost new.
Seller: 2nd Life Books, Burlington, NJ, U.S.A.
Condition: good. Used book in good condition. May have some wear to binding, spine, cover, and pages. Some light highlighting markings writing may be present. May have some stickers and or sticker residue present. May be Ex-lib. copy. May NOT include discs, or access code or other supplemental material. We ship Monday-Saturday and respond to inquiries within 24 hours.
Seller: MW Books Ltd., Galway, Ireland
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Add to basket1st paperback edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; xii, 404 pp., illustrations. Notes; Includes bibliographical references and index. Contents; 1. 'Peremptory nullification': Tragedy and Macabre Art -- 2. The Stage of Death: Tragedy and Anatomy -- 3. Opening the Moor: Death and Discovery in Othello -- 4. 'Hidden malady': Death, Discovery, and Indistinction in The Changeling -- 5. Anxieties of Ending -- 6. 'To know my stops': Hamlet and Narrative Abruption -- 7. Accommodating the Dead: Hamlet and the Ends of Revenge -- 8. 'Death's triumphal chariot': Tragedy and Funeral -- 9. Finis coronat opus: The Monumental Ending of Anthony and Cleopatra -- 10. 'Fame's best friend': The Endings of The Duchess of Malfi -- 11. 'Great arts best write themselves in their own stories': Ending The Broken Heart -- Appendix. The Plague and the Dance of Death. Subjects; Ford, John 1586-1640? Marlowe, Christopher 1564-1593. Middleton, Thomas 1580-1627. Rowley, William 1585?-1642? Shakespeare, William 1564-1616. Webster, John 1580?-1625? Criticism and interpretation. English drama Early modern and Elizabethan, 1500-1600. Death Social aspects England History 17th century. Attitude to Death. Mortality. 1 Kg.
Published by Oxford University Press UK, 1999
ISBN 10: 019818493X ISBN 13: 9780198184935
Language: English
£ 41.92
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Add to basketSoftcover. Michael Neill offers a fresh approach to the tragic drama of Shakespeare and his contemporaries. Includes analyses of major plays by Marlowe, Kyd, Shakespeare, Webster, Middleton, and Ford. Issues of Death offers a fresh approach to the tragic drama of Shakespeare and his contemporaries. Starting from the premise that death is a historical construct that is differently experienced in every culture, it treats Renaissance tragedy as an instrument for re-imagining the human encounter with death. Analyses of major plays by Marlowe, Kyd, Shakespeare, Webster, Middleton, and Ford explore the relation of tragedy to the macabre tradition, to the apocalyptic displays of the anatomy theatre, and to the spectacular arts of funeral. Death, like most experiences that we think of as natural, is a product of the human imagination: all animals die, but only human beings suffer Death; and what they suffer is shaped by their own time and culture. Tragedy was one of the principal instruments through which the culture of early modern England imagined the encounter with mortality. The essays in this book approach the theatrical reinvention of Death from three perspectives. Those in Part I explore Death as a trope of apocalypse -- a moment of un-veiling or dis-covery that is figured both in the fearful nakedness of the Danse Macabre and in the shameful openings enacted in the new theatres of anatomy. Separate chapters explore the apocalyptic design of two of the periods most powerful tragedies -- Shakespeare's Othello, and Middleton and Rowley's The Changeling. In Part 2, Neill explores the psychological and affective consequences of tragedy's fiercely end-driven narrative in a number of plays where a longing for narrative closure is pitched against a particularly intense dread of ending. The imposition of an end is often figured as an act of writerly violence, committed by the author or his dramatic surrogate. Extensive attention is paid to Hamlet as an extreme example of the structural consequences of such anxiety. The function of revenge tragedy as a response to the radical displacement of the dead by the Protestant abolition of purgatory -- one of the most painful aspects of the early modern re-imagining of death -- is also illustrated with particular clarity. Finally, Part 3 focuses on the way tragedy articulates its challenge to the undifferentiating power of death through conventions and motifs borrowed from the funereal arts. It offers detailed analyses of three plays -- Shakespeare's Antony and Cleopatra, Webster's The Duchess of Malfi, and Ford's The Broken Heart. Here, funeral is rewritten as triumph, and death becomes the chosen instrument of an heroic self-fashioning designed to dress the arbitrary abruption of mortal ending in a powerful aesthetic of closure. Good condition. Spine creases, small inscription on first page.
Seller: Anybook.com, Lincoln, United Kingdom
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Add to basketCondition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780198183860.
Seller: HPB-Red, Dallas, TX, U.S.A.
paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Add to basketCondition: As New. Unread book in perfect condition.
Seller: BennettBooksLtd, San Diego, NV, U.S.A.
Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!
Published by Oxford University Press, 1999
ISBN 10: 019818493X ISBN 13: 9780198184935
Language: English
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 564.
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketPaperback. Condition: Brand New. reprint edition. 424 pages. 8.75x5.75x1.00 inches. In Stock.
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
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Add to basketCondition: new. Questo è un articolo print on demand.
Published by Oxford University Press, 1997
ISBN 10: 0198183860 ISBN 13: 9780198183860
Language: English
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Add to basketHardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 738.