Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 411.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Published by Columbia University Press, US, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world. Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel.By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketCondition: New. 2007. Paperback. Offers an exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. Considering the filmmaker's entire career, the author examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films. Series: Film and Culture Series. Num Pages: 280 pages. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 227 x 154 x 13. Weight in Grams: 382. . . . . .
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 288.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketCondition: New. 2007. Paperback. Offers an exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. Considering the filmmaker's entire career, the author examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films. Series: Film and Culture Series. Num Pages: 280 pages. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 227 x 154 x 13. Weight in Grams: 382. . . . . . Books ship from the US and Ireland.
Published by Columbia University Press, US, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketPaperback. Condition: New. Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world. Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel.By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketCondition: New. pp. 288 Index.
Published by Columbia University Press 3/1/2007, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketPaperback or Softback. Condition: New. The Impossible David Lynch 0.86. Book.
Published by Columbia University Press, New York, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy. Offers an exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. Considering the filmmaker's entire career, the author examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Columbia University Press Feb 2007, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketTaschenbuch. Condition: Neu. Neuware - Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketKartoniert / Broschiert. Condition: New. Offers an exploration of weirdness and fantasy in David Lynch s groundbreaking oeuvre. Considering the filmmaker s entire career, the author examines Lynch s play with fantasy and traces the political, cultural, and existential impact of his unique style. E.
Paperback. Condition: Brand New. annotated edition. 280 pages. 9.00x6.00x0.75 inches. In Stock.
Published by Columbia University Press, US, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world. Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel.By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketpaperback. Condition: Acceptable. The book shows heavy wear and tear. This book is in Acceptable Conditiion.
Published by Columbia University Press, New York, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketPaperback. Condition: new. Paperback. Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy. Offers an exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. Considering the filmmaker's entire career, the author examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
Seller: Seattle Goodwill, Seattle, WA, U.S.A.
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Add to basketCondition: Good. May have some shelf-wear due to normal use. Your purchase funds free job training and education in the greater Seattle area. Thank you for supporting Goodwills nonprofit mission!
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Published by Columbia University Press, 2007
ISBN 10: 0231139543 ISBN 13: 9780231139540
Language: English
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Add to basketHardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Published by Columbia University Press, 2007
ISBN 10: 0231139551 ISBN 13: 9780231139557
Language: English
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Add to basketpaperback. Condition: New. In shrink wrap. Looks like an interesting title!
Published by Columbia University Press, 2007
ISBN 10: 0231139543 ISBN 13: 9780231139540
Language: English
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Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Columbia University Press, 2007
ISBN 10: 0231139543 ISBN 13: 9780231139540
Language: English
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Published by Columbia University Press, 2007
ISBN 10: 0231139543 ISBN 13: 9780231139540
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Published by Columbia University Press, 2007
ISBN 10: 0231139543 ISBN 13: 9780231139540
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.