Imaging Erotics Essays Interviews Projects by Schneemann Carolee (21 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Square 8vo, 347pp. Black & white illustrations. A very good paperback copy.

Soft Cover. Condition: Very Good. Gift inscription on verso of front cover.

paperback. Condition: Very Good. Ex-library paperback book with library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

23.0 x 20.5cms 350pp b/w illusts very good hardcover & dustwrapper This book integrates Schneemann''s paintings collage drawings and video sculptures with material from her journals dream diaries essays and lectures. It includes her response to other artists'' use of the work of Jacques Lacan Georges Bataille and Jacques Derrida.

Paperback. Condition: Fine. 347 pages, illustrations; 24 cm. Firm binding, clean inside copy. *** "Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, have used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments." - Publisher. Size: 8vo.

paperback. Condition: As New. Looks like new.

Hardcover. Condition: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Hardcover. Condition: Near Fine Plus. Dust Jacket Condition: Fine. First Edition. hardcover in dust jacket., owner's circular blind-stamp to half-title page.no other flaws or wear - clean, unmarked, no bumps, tears, creases. a well preserved copy.; ix-347pp., illustrated throughout, b/w., interviews, writings, documentation. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Not ex-library. Clean copy with well-bound, unmarked and undamaged pages. Dust jacket intact but slightly worn on the back cover.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Signed & inscribed by artist Carolee Schneemann to the previous owner on the half title page. 1st edition. Hardbound in dust jacket. inscribed by Artist.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. ] Hardback, squarish small quarto, appx 8 1/8 x 9 1/4 inches, Fine in Fine dj (dj now in protective mylar). Book flawless & dustjacket flawless. Inscribed, SIGNED & Dated by Schneemann on the half-title page with light blue marker (would've needed 10 minutes to dry, so minor amount of smearing). RWR5 Performance Art Photography Sculpture Multimedia Signed. Signed by Author.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. signed by Schneemann; signature obtained in person by bookseller; essays, interviews, photographs by a unique radical, erotic performer. Signed by Author(s).

First edition Very close to fine pictorial dustjacket with crisp bright text throughout. Profusely illustrated and wild balancing a text of essays and interviews with the dazzling projects. New and bright all around, gift quality.

Hardcover. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Paperback. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. First limited edition of 33 signed and numbered copies (this being copy number 12). Includes an original unique "vulvic impression" print on rag paper (8-5/8 x 7-9/16 inches), initialed and dated 8/05 in blue pencil on recto lower right corner by Schneemann, and a gelatin silver photograph from the artist's 1963 "Eye Body" performance (image size 8-7/8 x 7-5/8 inches; paper size 9-1/8 x 7-7/8 inches), titled, initialed, dated and numbered in pencil on verso by Schneemann. The book is signed and numbered 12/33 in red ink on the title page by Scheemann. Hardcover. Fine red cloth-covered boards with title stamped in black on spine, with photographically illustrated dust jacket. The print, photograph and book are contained in a fine iridescent purple silk-covered clamshell box with title printed in silver on debossed spine panel. Works in various media and text by Carolee Scheemann. Additional contributions by Kristine Stiles, Robert C. Morgan, Jay Murphy, Robert Riley, Eleanor Heartney, Thomas McEvilley and David Levi Strauss. Includes a list of videos/filmography and selected bibliography. Designed by John Isaacs. 357 pp., with numerous black and white and color illustrations. Book measures 9-1/4 x 8-1/4 inches; clamshell box measures 10 x 8-7/8 inches. New (original blood print, gelatin silver print, book and clamshell case all in flawless, pristine condition). From the publisher: "Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments. Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani." Signed by Author.