Ideology Genre Comparative Study by Beebee Thomas (9 results)

- Softcover
Seller: Recycle Bookstore, San Jose, CA, U.S.A.Recycle Bookstore
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Paperback. Condition: Near Fine. Book has faint rubbing to covers with faint indents, a touch of wear to edges and corners. otherwise in excellent, clean an sharp with no other defects; like new.
More imagesLanguage: English
Published by The Pennsylvania State University Press, University Park, PA, 1994
- Softcover
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Soft cover. Condition: As New. Edition not stated. Probable first. 8vo. Trade paperback format. 303 pages. Bibliography of Genre Theory and Criticism. Index. Notes appear at the bottom of text pages. No signs of previous ownership. Not a library discard. A bright, crisp copy in as-new condition.

- Softcover
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Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

- Softcover
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- Softcover
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- Softcover
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- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 312 pages. 9.00x6.00x0.50 inches. In Stock.

- Softcover
- Print on Demand
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Taschenbuch. Condition: Neu. The Ideology of Genre | A Comparative Study of Generic Instability | Thomas O. Beebee | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2004 | Pennsylvania State University Press | EAN 9780271025704 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libr…i[dot]de | Anbieter: preigu Print on Demand.

- Softcover
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In a series of comparative essays on a range of texts embracing both high and popular culture from the early modern era to the contemporary period, The Ideology of Genre counters both formalists and advocates of the 'death of genre,' arg…uing instead for the inevitability of genre as discursive mediation. At the same time, Beebee demonstrates that genres are inherently unstable because they are produced intertextually, by a system of differences without positive terms. In short, genre is the way texts get used. To deny that genres exist is to deny, in a sense, the possibility of reading; if genres exist, on the other hand, then they exist not as essences but as differences, and thus those places within and between texts where genres 'collide' reveal the connections between generic status, interpretive strategy, ideology, and the use-value of language.