Gerda Taro by Irme Schaber (23 results)

Hardcover. Condition: new. Hardcover. Paris in the summer of 1937. A giant funeral procession wends its way from the city centre eastward toward the Pere-Lachaise Cemetery, accompanied by the sounds of Chopins Marche funebre.The photojournalist Gerda Taro had been killed in the Spanish Civil War a few days earlier. Thousands come to pay their last respects to the emigree from Hitlers Germany. The poet Louis Aragon speaks at the graveside, young girls hold up a large portrait of the deceased. Why did the French Communist Party honour a foreigner one who was not even a member of the Party with a first-class burial?Taro is considered one of the path-breaking pioneers of photography. She captured some of the most dramatic and widely published images of the Spanish Civil War and was the first female photographer to shoot images in the midst of battle. Her willingness to work close to the fighting set new standards for war photography and ultimately cost her her life. Taro stands alongside early 20th century war photographers like Robert Capa and David Chim Seymour. It has been almost twenty years since the first biography of Gerda Taro, written by Irme Schaber, led to Taro's rediscovery as a photographer. The book now published for the first time also in English contains everything worth knowing about Gerda Taro, her work as a photojournalist in the Spanish Civic War and her relationship with Robert Capa. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. 2018. Hardcover. . . . . .

Condition: New.

Condition: New.

Condition: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Buch. Condition: Neu. Neuware - Paris in the summer of 1937. A giant funeral processionwends its way from the city center eastwardtoward the Père-Lachaise Cemetery, accompaniedby the sounds of Chopin's funeralmarch. The photojournalist Gerda Taro had beenkilled in the Spanish Civil War a few days earlier.Thousands come to pay their last respects to theémigrée from Hitler's Germany. The poet LouisAragon speaks at the graveside, young girls holdup a large portrait of the deceased. Why did theFrench Communist Party honor a foreigner - onewho was not even a member of the Party - witha 'first-class' burial Ernest Hemingway is said to have found GerdaTaro while searching for 'better Germans',the term he used to describe Germans fightingon the Republican side in the Spanish Civil War.Taro is today considered one of the path-breakingpioneers of photography. She captured someof the most dramatic and widely published imagesof the Spanish Civil War and was the firstfemale photographer to shoot images in themidst of battle. Her willingness to work close tothe fighting set new standards for war photographyand ultimately cost her her life. Taro standsalongside early twentieth century war photographerslike Robert Capa and David 'Chim' Seymour.Her death, the first fatality during war coverage,garnered worldwide attention. She hadbroken new ground, as a woman and as a photographer.Despite this, Gerda Taro has largely fallen intooblivion, especially in comparison to her colleagueand partner Robert Capa. Whether genderand religion played a role in this would requirea separate investigation. In any case, in herstudy of women resisting fascism, Ingrid Stroblreaches the conclusion that a combination suchas woman-Communist-Jew represented a threefoldstigma, and would almost guarantee Taro'sexclusion from official history, both in the Eastand the West.It has been almost twenty years since the firstbiography of Gerda Taro, written by Irme Schaber,led to Taro's rediscovery as a photographer.Since that time, the discovery of the 'MexicanSuitcase', containing more than 800 of her photos,has made new research on Taro possible.In this new, fully revised biography, Irme Schaberpresents groundbreaking insights regardingcameras, copyrights and the circumstances surroundingTaro's death.

Hardcover. Condition: new. Hardcover. Paris in the summer of 1937. A giant funeral procession wends its way from the city centre eastward toward the Pere-Lachaise Cemetery, accompanied by the sounds of Chopins Marche funebre.The photojournalist Gerda Taro had been killed in the Spanish Civil War a few days earlier. Thousands come to pay their last respects to the emigree from Hitlers Germany. The poet Louis Aragon speaks at the graveside, young girls hold up a large portrait of the deceased. Why did the French Communist Party honour a foreigner one who was not even a member of the Party with a first-class burial?Taro is considered one of the path-breaking pioneers of photography. She captured some of the most dramatic and widely published images of the Spanish Civil War and was the first female photographer to shoot images in the midst of battle. Her willingness to work close to the fighting set new standards for war photography and ultimately cost her her life. Taro stands alongside early 20th century war photographers like Robert Capa and David Chim Seymour. It has been almost twenty years since the first biography of Gerda Taro, written by Irme Schaber, led to Taro's rediscovery as a photographer. The book now published for the first time also in English contains everything worth knowing about Gerda Taro, her work as a photojournalist in the Spanish Civic War and her relationship with Robert Capa. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: new. Hardcover. Paris in the summer of 1937. A giant funeral procession wends its way from the city centre eastward toward the Pere-Lachaise Cemetery, accompanied by the sounds of Chopins Marche funebre.The photojournalist Gerda Taro had been killed in the Spanish Civil War a few days earlier. Thousands come to pay their last respects to the emigree from Hitlers Germany. The poet Louis Aragon speaks at the graveside, young girls hold up a large portrait of the deceased. Why did the French Communist Party honour a foreigner one who was not even a member of the Party with a first-class burial?Taro is considered one of the path-breaking pioneers of photography. She captured some of the most dramatic and widely published images of the Spanish Civil War and was the first female photographer to shoot images in the midst of battle. Her willingness to work close to the fighting set new standards for war photography and ultimately cost her her life. Taro stands alongside early 20th century war photographers like Robert Capa and David Chim Seymour. It has been almost twenty years since the first biography of Gerda Taro, written by Irme Schaber, led to Taro's rediscovery as a photographer. The book now published for the first time also in English contains everything worth knowing about Gerda Taro, her work as a photojournalist in the Spanish Civic War and her relationship with Robert Capa. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Gebunden. Condition: New.

Buch. Condition: Neu. Gerda Taro - with Robert Capa as Photojournalist in the Spanish Civil War | Irme Schaber | Buch | 150 S. | Englisch | 2019 | Edition Axel Menges | EAN 9783869050133 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.

Hardcover. Condition: Very Good. Hardcover. 8vo. Published by International Center of Photography / Steidl, Gottingen, Germany, 2007. 175 pgs. Illustrated. First Edition/First Printing. Bound in illustrated paper covered boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. In 1934, after reading John Dos Passos' 1919, Gerda Taro left her home in Stuttgart for Paris. There she met the now legendary photographer Robert Capa, with whom she traveled to Spain at the start of the Civil War. As his lover and photographic partner--and as his manager--she is often credited with launching his career. She was also the first woman photojournalist to enter the heat of battle. The couple worked together until Taro was killed while photographing a crucial clash near Madrid in July 1937, just six days shy of her twenty-sixth birthday. The International Center of Photography holds by far the world's largest collection of Taro's work, including approximately 200 prints as well as original negatives. This selective survey of the ICP's holdings is organized chronologically, and set in context with the inclusion of magazine layouts; it is the first major collection of Gerda Taro's photographs ever published. EB; 8vo 8" - 9" tall.

Condition: Brand New. 120 pages. German language. 6.02x0.59x8.15 inches. In Stock.

Erste Auflage. 27 x 21 cm. 256 S. Illustrierter OPappband. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Gerda Taro gilt heute als Pionierin der modernen Kriegsfotografie und war doch jahrzehntelang neben ihrem Kollegen und Lebenspartner Robert Capa in Vergessenheit geraten. Die Fotografin, 1910 als Gerta Pohorylle in Stuttgart geboren, war eine engagierte Kämpferin gegen Hitler und Franco: Fast alle ihre Bilder zeigen das Spanien der Revolution und des Bürgerkrieges und den Kampf gegen den Faschismus. Nachdem Taro 1933 für kurze Zeit in Deutschland verhaftet wurde, floh sie ins Exil nach Paris. Dort baute sie sich mit ihrem Gefährten André Friedmann eine Existenz als Fotografin auf. Fortan nannten sich die beiden Gerda Taro und Robert Capa. Als im Sommer 1936 der Spanische Bürgerkrieg ausbrach, fuhr das Fotografenpaar nach Spanien. Taro filmte und fotografierte an fast allen Schauplätzen dieses Krieges. Sie war die erste Kriegsfotografin, die inmitten des Kampfgeschehens fotografierte und die erste, die bei der Kriegsreportage ums Leben kam. Sie wurde nur 26 Jahre alt. Taro schuf einige der dramatischsten und am häufigsten veröffentlichten Bilder des Spanischen Bürgerkrieges (Google Books). Sprache: deutsch.

hardcover. Condition: Gut. Seiten; 9783894454661.3 Gewicht in Gramm: 2.

175 p 28 cm Primera edición en castellano. Encuadernación editorial en rústica. Estado de conservación: Muy bien.

Softcover. Condition: gut. 2006. Ein Muss für gewissenhafte Profizüchter! Ich finde dieses Buch einfach genial und konnte viele wertvolle Ausfschlüsse über die Genetik und Vererbung der Rassen darin finden, die mir sehr halfen! Ein Muss für gewissenhafte Profizüchter!!! Illustrationen: Bettina Müller Zusatzinfo mehrere Tab. Verlagsort Reutlingen Sprache deutsch Maße 148 x 210 mm Sachbuch Ratgeber Natur Technik Tiere Tierhaltung Ratgeber Natur Hobbytierhaltung Hühnerzucht Huhn Hühner Huehner Hühnerzucht Vererbung Vererbungslehre Veterinärmedizin Wassergeflügel ISBN-10 3-88627-524-8 / 3886275248 ISBN-13 978-3-88627-524-3 / 9783886275243 EAN (ISBN-13): 9783886275243 ISBN (ISBN-10): 3886275248 Gebundene Ausgabe Erscheinungsjahr: 2007 Herausgeber: Oertel & Spörer 192 Seiten Sprache: ger/Deutsch ISBN/EAN: 3886275248 ISBN: 3-88627-524-8, 978-3-88627-524-3 Autor des Buches: armin six, bettina müller, ina müller, muller, else müller, oertel, spoerer, just, armin müller stahl Titel des Buches: wilden, grundlagen der vererbung, vererbung bei hühnern und wassergeflügel, vererbung hühner Daten vom Verlag: Autor/in: Armin Six Titel: Vererbung bei Hühnern und Wassergeflügel - Grundlagen der Vererbung und Züchtungsmethodik Verlag: Oertel u. Spörer Vererbung bei Hühnern und Wassergeflügel Grundlagen der Vererbung und Züchtungsmethodik Geflügelzüchter Geflügelzucht Armin Six, Bettina Müller In deutscher Sprache. 192 pages. 148 x 210 mm.

Soft cover. Condition: New. 2nd Edition. This new copy is in pristine condition and appears to be unread. It is bound in illustrated card covers as issued. The contents are bright, tight, white and square. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. Gerda Taro was a pioneer photojournalist--the first woman to photograph in the heat of battle--whose legacy, cut short by her untimely death at the age of 27, consists almost exclusively of photographs from the very front lines of the Spanish Civil War, one of the twentieth century's most important conflicts. Taro's images are a little-known record of a pivotal moment in the history of war photography, though she worked alongside the legendary photojournalist Robert Capa, who was her photographic as well as romantic partner, and the two collaborated closely (as Capa's manager, Taro is often credited for launching his career). While Taro was covering the decisive Battle of Brunete in July, the car in which she was traveling was broad sided by a Republican tank; she died from her injuries the next day. This volume, the first major collection of Taro's photographs ever published, introduces nearly 100 of her images, courtesy of New York's International Center of Photography, which now holds the world's largest collection of her work, including nearly 200 prints and original negatives. Ref A4 1.

Trade Paperback. Condition: Very Good. second edition. light reading wear. a light stain at the foot of the text block only mildly intrusive, otherwise unmarked, solid, clean.

Buch. Condition: Neu. Neuware - Gerda Taro (1910-1937) und Robert Capa (1913-1954) schufen die moderne Kriegsfotografie und revolutionierten den Blick auf den Krieg. Sie gingen 'nah ran', riskierten ihr Leben für Bilder, die die Weltöffentlichkeit sehen sollte und schrieben damit Geschichte. Im Spanischen Bürgerkrieg machte das junge Fotografen- und Liebespaar die Kamera zum Zeugen für Gewalt und Leid. Die beiden hatten aber nicht nur eine besondere Beziehung zueinander, sondern auch zu Leipzig. Gerda Taro war 1929 mit ihrer Familie in die Messestadt gezogen. Hier wurde die junge Jüdin im Kampf gegen den Nationalsozialismus und den spürbar wachsenden Antisemitismus rasch politisiert und im März 1933 verhaftet. Von hier floh sie nach Paris, wo sie Robert Capa kennenlernte. Was Taro zu diesem Zeitpunkt nicht wissen konnte: Sie wird ihre Familie und Leipzig nie wiedersehen. Statt ihr kam Robert Capa zwölf Jahre später nach Leipzig - im April 1945 mit der US-Armee. Leipzig war eine wichtige Station in Gerdas kurzem Leben gewesen. Der mittlerweile weltbekannte Kriegsfotograf wollte nun die Befreiung der Stadt von den Nazis mit seiner Kamera dokumentieren. Im heutigen Capa-Haus, unweit vom damals noch existierenden Freibad am Elsterflutbecken, wo Gerda Fluchtpläne geschmiedet hatte, schoss er das ikonische Foto vom 'letzten Toten des Zweiten Weltkrieges'.

leg. cart. Condition: Molto buono (Very Good). fotografie a colori e in bianco e nero. in quarto leg. cart. pp. 152 Molto buono (Very Good) Es. molto buono. Book.

Hardcover. Condition: New in publisher's shrink wrap. First edition. Large Quarto. Original photo-illustrated boards with white lettering on cover, black, white and purple on spine. "In her brief but dramatic career, Gerda Taro made some of the most striking photographs to come from the front lines of the Spanish Civil War. Her work is explored in this first full-scale monograph." (Publisher). Taro is regarded as the first woman photojournalist to have died while covering the front line in a war. Gerda Taro (Gerta Pohoylle) was a German war photographer and the companion and professional partner of Robert Capa. She had escaped anti-Semitism in Germany moving to France in 1934 where she met the photojournalist Endre Friedmann, an Hungarian Jew. Pretending to be the agent of Robert Capa (meaning shark in Hungarian and the nickname of Friedmann in Hungary) they sold both of their own photographic work under Capa's name in Paris. Capa kept the name dispite the fact that the ploy had been found out and Gerta changed her name to Gerda Taro.