Paperback. Condition: Brand New. 36 pages. 7.50x7.75x0.01 inches. In Stock.
Published by Primary Information & Printed Matter, 2019, 2019
Seller: Compass Rose Books, ABAA-ILAB, Kensington, CA, U.S.A.
Paperback. Condition: As New. Reprint. A Very Fine copy in glossy stapled wrappers, as issued, in original shrink-wrap. 36pp. Originally published in 1971. Q17386.
Published by P. David Press, 1969
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Published by London: Studio International, UK, 1971
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
First Edition. 20 x 20cm. Staple-bound paperback, [34pp]. Slight suggestion of foxing to spine area, otherwise very good. A striking experiment in printing - fully illustrated with the bare minimum of text. Contains fine illustrations composed entirely of closely spaced lines of varying directions in a system comprising four basic colours giving the impression of different textures, permutating over 34 pages.
Published by Lisson Gallery, London, 1977
Seller: i libri di Prospero (ILAB - ALAI), PARMA, PR, Italy
19,8x19,8 cm., br. (lievi fioriture, ingialliture), pp.36, con 16 illustrazioni a colori e 16 in bianco e nero Softcover (slight foxing, yellowing).
Published by [London/New York (Lisson Gallery; Studio International/ Paul David Press), 1971]., 1971
Seller: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
Title-page & 34 plates. Sm. sq. 4to. Wraps.
Published by London:Studio International 1969 and 1971, UK, 1969
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
First Edition. Both 20 x 20cm. Paperbacks, [32pp], [34pp]. Slight suggestion of foxing to covers, otherwise very good. 1969 and 1971 respectively. Two of LeWitt's earliest artist's books. A striking experiment in printing - fully illustrated with the bare minimum of text. The first contains fine black and white illustrations composed entirely of closely spaced lines of varying directions, giving the impression of different textures, and the second introduces colour into the proceedings.