Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
£ 56.22
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Add to basketHardcover. Condition: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.95.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 78.91
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Add to basketCondition: New. In.
Published by Greenwood Press, Westport, CT, 2000
ISBN 10: 0313302405 ISBN 13: 9780313302404
Language: English
Seller: art longwood books, Gloucester, MA, U.S.A.
First Edition
£ 45.60
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Add to basketHard Cover. Condition: Near Fine. First Edition /First Printing. cloth, hard cover., clean, bright, no markings of any sort. strong binding.; xxxv-516pp., astonishing compendium of information. discography, cannonball's personal gig calendar, filmography, bibliography, cross-indices, etc. an offprint of an essay with his obit are laid-in. Size: 8vo - over 7¾" - 9¾" tall.
Published by Greenwood Press, Westport, CT, 2000
ISBN 10: 0313302405 ISBN 13: 9780313302404
Language: English
Seller: Black Cat Hill Books, Oregon City, OR, U.S.A.
First Edition
£ 64.60
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Add to basketHardcover. First Edition (2000), so stated. First Printing indicated by a complete numerical sequence. Very Near Fine: shows only a former bookseller's rubber-stamped logo at the front free endpaper; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, very nearly-new copy, structurally sound and tightly bound, showing a single flaw. Bright and Clean. Corners sharp. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.5 x 6.35 1.3 inches. xxxv, 516 pages. Language: English. Weight: 2 pounds. Discographies: Association for Recorded Sound Collections Discographic Reference Series (Book 83). Annotated edition. Hardback: Lacks DJ, probably as issued. First Edition (2000), so stated. First Printing indicated by a complete numerical sequence.
Seller: Best Price, Torrance, CA, U.S.A.
£ 69.81
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Add to basketCondition: New. SUPER FAST SHIPPING.
Seller: Mispah books, Redhill, SURRE, United Kingdom
Hardcover. Condition: Like New. Like New. book.
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 516 pages. 9.50x6.75x1.00 inches. In Stock.
Seller: HPB-Red, Dallas, TX, U.S.A.
£ 53.18
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Add to baskethardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Seller: BennettBooksLtd, North Las Vegas, NV, U.S.A.
£ 118.89
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Add to baskethardcover. Condition: New. In shrink wrap. Looks like an interesting title!
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
£ 91.76
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Add to basketHardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 924.
Seller: AHA-BUCH GmbH, Einbeck, Germany
£ 106.55
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Add to basketBuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Chris Sheridan presents a major discographical study of an American jazz giant, Cannonball Adderley, whose career had a significant impact on jazz's development. At the same time, Sheridan stretches the boundaries of discography in two important ways: In scope and in presentation.In scope, the session listings not only include every known commercially recorded issue-a factor neglected by growing numbers of discographers covering a single artist-but also all known recorded sessions, particularly from film, and broadcasts on radio and television. The latter are providing a quickly growing market for issues on independent record labels, especially by artists no longer alive. The main discographical text also includes a narrative aiming to place the recorded music in context, both in Adderley's own career and in the development of jazz. Sheridan also continues a unique section, pioneered in his earlier Count Basie: A Bio-Discography-the day-by-day diary of the musician's musical activities. This is not only significant in its own right, it also serves to authenticate the chronology of the sessions listed in the main discography. In terms of presentation, Sheridan aims to present a more stylish face by using a variety of related fonts to enhance clarity and by a radical rearrangement of the information given in each session listing. A definitive work essential for all researchers of jazz.