Continuous Project Altered Daily by Robert Morris (12 results)

paperback. Condition: Very Good. 1995 MIT Press. Pages are all clean and bright no marks. Cover is clean, spine is smooth. Light shelf rub at front edge of front cover.

Paperback. Condition: Very Good. First Edition. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Hardcover/Hardback. Condition: Very Good. Robert Morris.Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge / London: MIT Press, 1993. Hardcover.326 pages. Very good.Minor wear and closed tears to dust jacket. Old price tag to front dust jacket flap. Robert Morris is best known for his significant contributions to minimalist sculpture and antiform art, as well as for a number of widely influential theoretical writings on art. Illustrated throughout, this collection of his seminal essays from the 1960s to the 1980s addresses wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism, and perceptual conditions.Included are the influential "Notes on Sculpture" which in four parts carefully articulates the shifting terrains of sculpture during the 1960s, tracing its movement from the gestalt-driven unitary forms of minimalism, through permutable pieces to the formally dispersed process-oriented antiform art that appeared later in the decade, and Morris's landmark essay on "Anti Form," which marked a departure from art as object. In "The Art of Existence," Morris deftly and humorously invents three artists, who in their movement away from object-art and toward the extra-visual, reveal the limits and conditions of modern sculpture. Essays of the 1970s and 1980s reveal Morris's preoccupation with the broad conditions of memory and space, which were explored in his experiments with land reclamation and land art, with labyrinthine environments and carceral imagery. In the later essays, Morris looks at modern art's development in America, based on a framework of strategies produced by Duchamp, Pollock, and other key figures. And in a clever refiguration of an interview with Roger Denson, Morris acts out a subtle mockery of himself and his art, collapsing the high seriousness of the intended format into a playful scheme.The essays: Notes on Sculpture (Parts 1-4). Anti Form. Some Notes on the Phenomenology of Making. The Search for the Motivated. The Art of Existence. Three Extra-Visual Artists: Works in Process. Some Splashes in the Ebb Tide. Aligned with Nazca. The Present Terms of Space. Notes on Art as/and Land Reclamation. American Quartet. Three Folds in the Fabric and Four Autobiographical Asides as Allegories (Or Interruptions). Robert Morris Replies to Roger Denson (Or Is That a Mouse in My Paragon?).…

Softcover, 326 pages, very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 326 pages, very good condition; light rubbing to dj with 2-inch tear to upper right corner; no internal marks. Foreign shipping may be extra.

paperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

30,5 x 10,5 cm. OKarton-Leporello. Minimaler Anflug von Stockflecken, sonst sehr gutes Exemplar. Das Künstlerbuch in Form eines 17seitigen einseitig bedruckten Leporellos erschien als Teil der Multiple-Box "Artists and Photographs". Es zeigt in 12 Ebenen Fotografien einer sich verändernden Installation.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First Edition, 1993. 326 pages. Book measures 7.25 x 9.25 inches. An October Book. A collection of Morris's seminal essays from the 1960s-1980s, which address wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism, and perceptual conditions. Illustrated throughout with B&W photos and illustrations. Black cloth. Very Good in Very Good dust jacket which shows light rubbing. No chips or tear to dust jacket. Binding is solid. Previous owner signature to front endpaper. A nice copy of an uncommon October Books, especially scarce in hardcover.…

[18] pp.; 11.5 x 30.5 cm.; accordion; monochrome; edition size 1200; unsigned and unnumbered; offset-printed; Morris' contribution to the "Artists' and Photographs" multiple box published by Multiples, Inc., 1970 of the 1200 copies printed in this edition, 200 were included. This accordion-bound book consists of sixteen sepia photographs of the artist's installation in which the materials -- earth, water, grease, plastic, felt, wood, thread, light, photographs, and sound -- were manipulated daily. Edited by Marian Goodman. Reference : "Book as Artwork 1960 / 1972" by Germano Celant. London, United Kingdom : Nigel Greenwood Inc. Ltd., 1972, pp. 81. Fine. Clean and unmarked as issued.…

Condition: Très bon. Robert Morris Continuous Project Altered Daily, 1970 Multiples Inc. NY, depliant, 18 p., monochrome brun, ed. 1200, élément de la boîte "Artists and Photographs" 115 x 305 cm.

Condition: Très bon. New York, Multiple Inc., 1970, leporello photographique de 18p., 115x305mm. Publié à 1200 exemplaires comme élément de la boîte "Artists and Photographs". L'idée de ce collectif, due à la galériste Marian Goodman, était de faire produire des oeuvres photographiques par des artistes qui n'étaient pas photographes. Très bon état.(103632).…