Published by University of Arizona, Tucson AZ, 1982
Seller: Paperback Recycler, Benson, AZ, U.S.A.
Soft cover. Condition: Good. No Jacket. Unpaginated. Includes Bibliography and Chronology. Illus. with 61 B&W photos. Size is 10" W x 8" H. Cover lightly worn. Text clean, no tears.
Published by University of Arizona, 1982
Seller: Basket Case Books, Boulder, CO, U.S.A.
First Edition
Soft cover. Condition: Very Good. No Jacket. 1st Edition. 1982 Soft Cover Interior clean; binding tight. Wraps are clean.
Published by University of Arizona Museum of Art, 1982
Seller: W. Lamm, Los Angeles, CA, U.S.A.
First Edition
Soft Cover. Condition: Very Good+. First Edition; First Printing. 61 illustrations including many full page plates. Introduction by Peter Bermingham. ; Tight, clean and crisp. A hint of very light shelf/edge wear to wraps, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Unpaginated pages.
Published by University of Arizona Museum of Art, 1982
Seller: Vashon Island Books, Vashon, WA, U.S.A.
Paperback. Condition: Very Good. b/w Illustration (illustrator). First Paperback Edition. In pictorial wraps, 4to(oblong), unpag. Illustrated. Size: 4to - over 9¾" - 12" Tall (oblong. Book.
Published by Museum of Primitive Art 1960, 1960
Seller: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
First Edition
First 4to, stiff pictorial wrappers. [32] pp, 34 b/w illustrations. Lipchitz began collecting African sculpture shortly after his arrival in Paris as a student in 1909. Very good.
Published by The Museum of Primitive Art, New York, 1960
Softcover. Quarto. Softcover. Illustrated wraps with red/white titles. 9 p. illus. 28 cm. VG. Scuffing around the wrapper edges and bumping to corners.
Published by The Museum of Primitive Art, New York, 1960
Seller: Shade of the Cottonwood, Lawrence, KS, U.S.A.
First Edition
Softcover/Paperback. Condition: Very Good. First Edition. Very good+ condition softcover. 34 b/w photos of primitive carvings/tools from around the world, along with three pages of essays. Lightly read. Age toning of text bock. Rubbed edges/bumped corners coverwrap. Coverwrap also has some soiling, a thin drippy stain on back cover, and former bookseller price in pencil.
Published by Exhibition: New York, Museum of Primitive Art,, 1960
Seller: Thomas Heneage Art Books, London, United Kingdom
5 pages of text and 34 black & white illustrations. Soft covers 28 x 21.5cms.
Soft cover. Condition: Good. 1960 , 32 pp The Museum of Primitive Art Jacques, Yulla Loylya With an introduction by Jacques Lipchitz and photographs by Lee Boltin Photos with Artifacts in it.
Publication Date: 1955
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Condition: Very Good. A large collection of nearly 300 letters, consisting of about 250 love letters and 50 letters of related personal correspondence, written to the artist Yulla Lipchitz, wife of the renowned sculptor Jacques Lipchitz. Included in the collection are 12 holograph letters by Jacques Lipchitz, eight black and white photographs of Yulla with two of her lovers taken before her marriage to Lipchitz, several telegrams and post cards, a few of Yulla's draft replies, and several pieces of manuscript and printed ephemera. Nearly all of the letters are in English, including about 20 in German. Overall very good or better. Yulla, her first husband Frederick Mott, and most of her correspondents were German-Jews who fled Germany in the late 1930s. Nearly all of their letters are written in English, with occasional flourishes in German: "Darling Pussilein, my love!," "Darlichingen! Ich Küsse dich," &c. Over 150 letters are from Walter J. Fischel, an important German-Jewish scholar known internationally for his pioneering studies of Oriental Jewry, and two other men (about 25 letters each) with whom Yulla was having illicit affairs during the War years. The letters of all three men are remarkable for their impassioned, often wild declarations of love, and their frequent pleas to arrange meetings and to get married, if Yulla's husband would grant her a divorce. In the end, after an attempt to reconcile with her husband in 1945-1946, all four men were no match for Jacques Lipchitz, who first met Yulla in 1944, and married her in 1948. A detailed list is available upon request.