Bridget Riley Complete Prints (24 results)

Paperback. Condition: Like New. First Edition. First Edition, First Printing. Published by Book Works, 2010. Quarto. Paperback. Book is like new.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: Very Good. Paperback. Book Condition: Very Good. Ram Distribution, 2005. 112 pages. Nice Firm Clean copy ! Light general wear. Second revised and enlarged edition. Size: 8.8 x 7.5 x 0.5. Art::Other Media 6040L.

Softcover, 110 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Near Fine. Second revised edition. 110 pp. Near Fine. Slightest wear to wraps.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Soft cover. Condition: Near Fine. A Near Fine copy of this 94pp catalogue for the Hayward Gallery touring exhibition in 2002. Includes essays by Lynn MacRitchie and Craig Hartley. The interior remains clean throughout and there is no creasing to the spine. The illustrated French wraps have the residue of a price sticker on rear cover else only minor hints of use. Please see 15 pictures attached for a closer look. Packaged with care and dispatched within 24 hours.…

Soft cover. Condition: Good. 4th Edition.

Soft cover. Condition: Very Good. Book is in very good condition. 194pp with colour illustrations throughout.

SOFTCOVER. Condition: Very Good. 1st Edition. 4to in colour printed stiff card covers, 94pp on thick art paper, colour plates, etc . [CONDITION: Covers edge-rubbed else VERY GOOD , a clean and tight copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Condition: Very Good. Book is in very good condition with colour illustrations throughout.

Fourth Revised Edition 8vo. softback with French flaps. 196pp., profusely illustrated in colour and b/w. A clean copy with no markings or inscriptions. A VERY GOOD COPY. (Shelf 27) ISBN: 9781905464692 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.…

Couverture souple. Condition: Très bon.

Soft cover. Condition: New.

First edition, first printing. Near fine paperback exhibition catalogue.

Hardcover without dustjacket as issued, 296 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Second Revised Edition. London 2005. 8°. 110 Seiten, 1 Blatt. OBroschur. Verzeichnet 62 Arbeiten, alle abgebildet. Werkverzeichnis.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

London, Ridinghouse, 2005. 23 : 19,6 cm. 110,(2) S. Farbig illustr. Orig.-Broschur. Sehr schönes Exemplar. Sprache: en.

hardcover. Condition: Fine.

Soft cover. Condition: Fine. 3rd Edition. 8vo. 74 color plates. By Lynn MacRitchie and Hartley Craig. Catalogue raisonne by Karsten Schubert. Signed by Riley to half-title.

London : Thames & Hudson, 2020. Quarto, illustrated boards, pp. 288, illustrated. Foreword by Bridget Riley, text by Craig Hartley, Lynn MacRitchie, and Robert Kudielka, contributions by Alexandra Tommasini and Rosa Gubay. New copy, sealed in shrinkwrap. Bridget Riley has made screenprints throughout her career, extending the principles of her paintings into a new, reproducible medium. Bringing together the complete, updated inventory of this substantial body of work, this volume explores Riley?s development as a printmaker and her relationship to the screenprint medium. Newly revised, updated and designed, this catalogue raisonné richly illustrates Bridget Riley?s graphic work in a larger, enhanced format. Alongside a full-colour inventory of the prints are updated essays by Lynn MacRitchie and Craig Hartley and an additional essay by Robert Kudielka, which provide a greater context for Riley?s work. This revised volume, a co-publication with The Bridget Riley Art Foundation, also benefits from supplemental material including an artist biography and selected solo and group exhibition history. Published by Thames & Hudson and the Bridget Riley Art Foundation.…

London : Thames & Hudson, 2020. Quarto, illustrated boards, pp. 288, illustrated. Foreword by Bridget Riley, text by Craig Hartley, Lynn MacRitchie, and Robert Kudielka, contributions by Alexandra Tommasini and Rosa Gubay. New copy, sealed in shrinkwrap. Bridget Riley has made screenprints throughout her career, extending the principles of her paintings into a new, reproducible medium. Bringing together the complete, updated inventory of this substantial body of work, this volume explores Riley?s development as a printmaker and her relationship to the screenprint medium. Newly revised, updated and designed, this catalogue raisonné richly illustrates Bridget Riley?s graphic work in a larger, enhanced format. Alongside a full-colour inventory of the prints are updated essays by Lynn MacRitchie and Craig Hartley and an additional essay by Robert Kudielka, which provide a greater context for Riley?s work. This revised volume, a co-publication with The Bridget Riley Art Foundation, also benefits from supplemental material including an artist biography and selected solo and group exhibition history. Published by Thames & Hudson and the Bridget Riley Art Foundation.…