Seller: MODLITBOOKS, San Francisco, CA, U.S.A.
Soft cover. Condition: Fine. fourth printing of this revised edition of the collected writings of Joseph Kosuth. Oversized softcover 289 pages. A fine clean tight unmarked copy.
Seller: Anybook.com, Lincoln, United Kingdom
£ 45.92
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Add to basketCondition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0262111578.
Seller: Widney Manor Books, Solihull, MIDLA, United Kingdom
£ 65
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Add to basketSoft cover. Condition: Very Good. Book is in very good condition. 290pp with b/w photographs.
Seller: ANARTIST, New York, NY, U.S.A.
Signed
Softcover, 290 pages; very good condition; clean and crisp; signed by artist on first page "Printed Matter, Joseph Kosuth" but signature is virtually illegible; no other internal marks. The pen marks have partially rubbed off on the inside front cover. A copy signed for the Printed Matter bookstore in New York City.
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 290 pages; very good condition; clean and crisp; no internal marks.
Published by The MIT Press, Cambridge, MA, 1991
ISBN 10: 0262111578 ISBN 13: 9780262111577
Language: English
Seller: art longwood books, Gloucester, MA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. cloth, hardcover in dust jacket., no flaws or wear. clean. no markings. no bumps, tears, clips. strong binding.; xlii-289pp., 58 illustrations.; edited by gabriele guercio. foreword by jean-francois lyotard.; comprehensive anthology of articles, statements, interviews and other writings by conceptual artist, joseph kosuth. there is a letter written to the prior owner of this book by kosuth, on his letterhead, and signed by him. it refers to their meeting and mentions the materials kosuth sent to the book's owner. it may be a copy of the letter - hard to determine. Size: 8vo - over 7¾" - 9¾" tall.
Seller: Toscana Books, AUSTIN, TX, U.S.A.
Paperback. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.
Seller: ANARTIST, New York, NY, U.S.A.
Signed
Hardcover with dustjacket, 290 pages; very good condition; light rubbing to dj; inscribed and signed by Joseph Kosuth on first blank page (although his signature is virtually illegible); no other internal marks.
Published by The MIT Press, Cambridge, MA, 1991
Language: English
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Octavo. Pp. 289. F/NF.
Published by MIT 1991, 1991
Seller: Peter J. Hadley Bookseller BA, Ludlow, United Kingdom
First Edition
£ 100
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Add to basketBooklabel of Simon Lee, VG bright tight copy in publishers cloth in like slightly rubbed and creased dustjacket. 1st edition. Joseph Kosuth's writings, like his installations, assert that art begins where mere physicality ends. The articles, statements, and interviews collected here, produced over a period of 24 years, range over philosophy of language, anthropology, Marxism, and linguistics to discover the common principles that inform representation while negotiating the complex debates about art. Kosuth was one of the first to record the basic ideas and the role of ideas in the avant-garde of the 1970s and 1980s. Rooted in Freud, Wittgenstein, and French theory, his work investigates the linguistic nature of art propositions and the role of social, institutional, psychological, and ethnological context. His writings, like his visual productions, are radical formulations of the meaning of art itself. As a whole, they present a new definition of an expanded role and responsibility for the artist. Kosuth reevaluates the work of Marcel Duchamp and provides a theoretical agenda for institutional critique. He discusses the role of art in the future and its relationship to philosophy, attacks the return to painting of the late 1970s, and argues for the continued relevance of conceptualist ideas at times when other visual idioms have dominated the art world. Joseph Kosuth first received widespread notice at the Museum of Modern Art's "Information" exhibition and the Kunsthalle Bern's "When Attitudes Become Form" in the late 1960s. Today he is considered, along with Sol LeWitt, Edward Ruscha, Bruce Nauman, Dan Graham, Robert Morris and a handful of other artists, a founder of what has become known as conceptual art. His work appears in the permanent collections of many major museums. ISBN 0262111578.
Published by The MIT Press, 1993
Seller: Scarthin Books ABA, ILAB., Cromford, United Kingdom
£ 100
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Add to basketSoft cover. Condition: Very Good. Cover strengthened in sticky back plastic, small crease at lower front corner. Clean and tight.