Published by The MIT Press, Cambridge, MA, 1991
Language: English
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Octavo. Pp. 289. F/NF.
Published by The MIT Press 1991, 1991
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
£ 29.41
Convert currencyQuantity: 1 available
Add to basketSuper octavo, black cloth boards, silver gilt lettering to spine, xlii + 289pp, illus/photos, VG+ (light fading to board edges, sl tanning & foxing to page edges & eps) in d/w, VG+ (light creasing to edges, sl chafing & soiling).
Published by The MIT Press, Cambridge, Massachusetts, 1993
ISBN 10: 0262111578 ISBN 13: 9780262111577
Language: English
First Edition
Softcover. First paperback edition. Black wraps with color illustration, 289 pp., 58 bw plates. Extensive bibliography, indexed. From the dj: Joseph Kosuth's writings, like his installations, assert that art begins where mere physicality ends. The articles, statements, and interviews collected here, produced over a period of twenty-four years, range over the philosophy of language, anthropology, Marxism, and linguistics to discover the common principles that inform representation while negotiating the endlessly complex debates about art of the last two decades. VG, crease along hinge, lightly creased spine, slight curl to upper cover fore-edge.
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 290 pages; very good condition; clean and crisp; no internal marks.
Seller: ANARTIST, New York, NY, U.S.A.
Signed
Softcover, 290 pages; very good condition; clean and crisp; signed by artist on first page "Printed Matter, Joseph Kosuth" but signature is virtually illegible; no other internal marks. The pen marks have partially rubbed off on the inside front cover. A copy signed for the Printed Matter bookstore in New York City.
Seller: ANARTIST, New York, NY, U.S.A.
Signed
Hardcover with dustjacket, 290 pages; very good condition; light rubbing to dj; inscribed and signed by Joseph Kosuth on first blank page (although his signature is virtually illegible); no other internal marks.