Ambrotype Young Man (5 results)
Published by Barnstable County, Mass 1864
Seller: James Cummins Bookseller, ABAA, New York, NY, U.S.A.James Cummins Bookseller, ABAA
Contact seller5-star seller2 7/16 x 2 7/8 inches (image). 2 7/16 x 2 7/8 inches (image). The Ambrotype mounted above the orange printed label for ? J. Bryant, Ambrotype & Photographic Artist. Barnstable County, Mass?? On the verso of the ambrotype are three stamps: one of One Cent U. S. Inter. Rev. Express and the other two for two cents, each dated Aug.…3, 1864.
Seller: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.Ground Zero Books, Ltd.
Contact seller5-star sellerCondition: Fair. The ornamental case is approximately 2.5 inches by 3 inches. The front cover is separated but present. Shows some wear. The interior oval is approximately 1.75 inches in maximum width and 2 inches in maximum height. There is a copper framing around the image, with the oval opening so the image can be seen. There… is an image of a young man, currently unidentified. In 1854, James Ambrose Cutting of Boston took out several patents relating to the process. Although Cutting, the patent holder, had named the process after himself, it appears the term, "ambrotype" itself may have been first coined in the gallery of Marcus Aurelius Root, a well-known daguerreotypist, as documented in the 1864 book The Camera and the Pencil as follows: "After considerable improvements, this process was first introduced, in 1854, into various Daguerrean establishments, in the Eastern and Western States, by Cutting & Rehn. In June of this year, Cutting procured patents for the process, though Langdell had already worked it from the printed formulas. The process has since been introduced, as a legitimate business, into the leading establishments of our country. The positive branch of it; i.e. a solar impression upon one glass-plate, which is covered by a second hermetically sealed thereto, is entitled the "Ambrotype," (or the "imperishable picture"), a name devised in my gallery. Root also states (pp. 373): "Isaac Rehn, formerly a successful daguerreotypist, in company with Cutting, of Boston, perfected and introduced through the United States the "Ambrotype," or the positive on glass." The ambrotype also known as a collodion positive in the UK, is a positive photograph on glass made by a variant of the wet plate collodion process. Like a print on paper, it is viewed by reflected light. Like the daguerreotype, which it replaced, and like the prints produced by a Polaroid camera, each is a unique original that could only be duplicated by using a camera to copy it. The ambrotype was introduced in the 1850s. During the 1860s it was superseded by the tintype, a similar photograph on thin black-lacquered iron, hard to distinguish from an ambrotype if under glass. One side of a clean glass plate was coated with a thin layer of iodized collodion, then dipped in a silver nitrate solution. The plate was exposed in the camera while still wet. Exposure times varied from five to sixty seconds or more depending on the brightness of the lighting and the speed of the camera lens. The plate was then developed and fixed. The resulting negative, when viewed by reflected light against a black background, appears to be a positive image: the clear areas look black, and the exposed, opaque areas appear relatively light. This effect was integrated by backing the plate with black velvet; by taking the picture on a plate made of dark reddish-colored glass (the result was called a ruby ambrotype); or by coating one side of the plate with black varnish. Either the emulsion side or the bare side could be coated: if the bare side was blackened, the thickness of the glass added a sense of depth to the image. In either case, another plate of glass was put over the fragile emulsion side to protect it, and the whole was mounted in a metal frame and kept in a protective case. In some instances the protective glass was cemented directly to the emulsion, generally with a balsam resin. This protected the image well but tended to darken it. Ambrotypes were sometimes hand-tinted; untinted ambrotypes are monochrome, gray or tan in their lightest areas. The ambrotype was based on the wet plate collodion process invented by Frederick Scott Archer. Ambrotypes were deliberately underexposed negatives made by that process and optimized for viewing as positives instead. In the US, ambrotypes first came into use in the early 1850s. Ambrotypes were much less expensive to produce than daguerreotypes, the medium that predominated when they were introduced, and did not have the bright mirror-like metallic.
Published by Pre-1950 1950
- Signed
- Photo
Seller: 21 East Gallery, Villa Park, IL, U.S.A.21 East Gallery
Contact seller4-star sellerFraming: Matted & Framed This is an original 6th plate ambrotype photo measuring approximately 3 1/4 x 2 3/4 inches. Last origin MA. Cover glass loss and cracks with image cracks as pictured. Thanks for looking. On Jun-12-11 at 15:55:25 PDT, seller added the following information: Sellers: Delight buyers. Get your own map of pas…t buyers. Posted with eBay Mobile On Apr-16-13 at 09:02:50 PDT, seller added the following information: FREE! Sellers: Add a FREE map to your listings. FREE! Region of Origin: US Size Type: Small (Up to 7") Color: Black & White Photo Type: Ambrotype.
- Hardcover
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA
Contact seller5-star sellerCondition: Used - Near fine
£ 1,535.51
£ 4.10 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Near Fine. Ninth plate ambrotype. Matted with preserver to approximately 2" x 2½". In molded black thermoplastic Union case with deep purple cut velvet pad. The case and image are near fine. Image shows a seated young Black man, well-dressed, holding one lapel of his jacket, and with the slightest of pink t…inting to his cheeks. The subjects is unidentified, but likely circa 1855. Ambrotypes of Black Americans have become very uncommon.
Seller: James Cummins Bookseller, ABAA, New York, NY, U.S.A.James Cummins Bookseller, ABAA
Contact seller5-star sellerCondition: Used - Near fine
£ 345.49
£ 8.94 shippingShips within U.S.A.Quantity: 1 available
Condition: Near Fine. Cased quarter-plate ambrotype half-length portrait, behind glass. 3 x 2 1/2 in. (sight). In embossed wood and leather case, covers with central image of floral bouquet, original clasps; light scratches with minor loss to image, else near fine Cased quarter-plate ambrotype half-length portrait, behind glass.… 3 x 2 1/2 in. (sight).
