Adrian Piper Performing Objects by Rhea Anastas (9 results)

Paperback. Condition: new. Paperback. Adrian Piper: Performing Objects I Have Been, 1972-2018, is a collection of documents from, or potentially relevant to Adrian Piper's performance Some Reflective Surfaces (1975-76) that has been edited by art historian and curator Rhea Anastas. This publication sits within If I Can't Dance, I Don't Want To Be Part Of Your Revolution's Peformance in Residence Series, and its seventh artistic program, Social Movement (2017-18). Adrian Piper, who lives in Berlin, at the age of seventy-two, is one of America's best-known artists. It so happens she is also one of America's best-known female artists. And yet, to use such a qualifier is to make the mistake of . accepting limitations, coerced and containing, for artists and thier work and, to quote Jacqueline Rose, "to dissolve the very possibility for women of any purchase on historical time."This publication focuses on an early performance called Some Reflective Surfaces (1975-76). In it, as Piper dances under spotlights, she stages multiple images and sounds. Over the workt s duration, the audience follows the performer's images, physical performance, and sound, In "Artist's Statement" (1999), Piper descrvibes her 1960s work that led up to this one as "concered with duration, repetition, and meditative conciousness of the indexical present." Some Reflective Surfaces was produced in New York at the Fine Arts Building, New York University, in 1975, and then at the Whitney Museum of American Art in 1976. The performance has not been staged since. A collection of the documents of Some Reflective Surfaces is reissued in this publication for the first time, along with other writings spanning Piper's work from 1972-2018. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2021. pamphlet. . . . . .

Condition: New. 2021. pamphlet. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. Adrian Piper: Performing Objects I Have Been, 1972-2018, is a collection of documents from, or potentially relevant to Adrian Piper's performance Some Reflective Surfaces (1975-76) that has been edited by art historian and curator Rhea Anastas. This publication sits within If I Can't Dance, I Don't Want To Be Part Of Your Revolution's Peformance in Residence Series, and its seventh artistic program, Social Movement (2017-18). Adrian Piper, who lives in Berlin, at the age of seventy-two, is one of America's best-known artists. It so happens she is also one of America's best-known female artists. And yet, to use such a qualifier is to make the mistake of . accepting limitations, coerced and containing, for artists and thier work and, to quote Jacqueline Rose, "to dissolve the very possibility for women of any purchase on historical time."This publication focuses on an early performance called Some Reflective Surfaces (1975-76). In it, as Piper dances under spotlights, she stages multiple images and sounds. Over the workt s duration, the audience follows the performer's images, physical performance, and sound, In "Artist's Statement" (1999), Piper descrvibes her 1960s work that led up to this one as "concered with duration, repetition, and meditative conciousness of the indexical present." Some Reflective Surfaces was produced in New York at the Fine Arts Building, New York University, in 1975, and then at the Whitney Museum of American Art in 1976. The performance has not been staged since. A collection of the documents of Some Reflective Surfaces is reissued in this publication for the first time, along with other writings spanning Piper's work from 1972-2018. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. Adrian Piper: Performing Objects I Have Been, 1972-2018, is a collection of documents from, or potentially relevant to Adrian Piper's performance Some Reflective Surfaces (1975-76) that has been edited by art historian and curator Rhea Anastas. This publication sits within If I Can't Dance, I Don't Want To Be Part Of Your Revolution's Peformance in Residence Series, and its seventh artistic program, Social Movement (2017-18). Adrian Piper, who lives in Berlin, at the age of seventy-two, is one of America's best-known artists. It so happens she is also one of America's best-known female artists. And yet, to use such a qualifier is to make the mistake of . accepting limitations, coerced and containing, for artists and thier work and, to quote Jacqueline Rose, "to dissolve the very possibility for women of any purchase on historical time."This publication focuses on an early performance called Some Reflective Surfaces (1975-76). In it, as Piper dances under spotlights, she stages multiple images and sounds. Over the workt s duration, the audience follows the performer's images, physical performance, and sound, In "Artist's Statement" (1999), Piper descrvibes her 1960s work that led up to this one as "concered with duration, repetition, and meditative conciousness of the indexical present." Some Reflective Surfaces was produced in New York at the Fine Arts Building, New York University, in 1975, and then at the Whitney Museum of American Art in 1976. The performance has not been staged since. A collection of the documents of Some Reflective Surfaces is reissued in this publication for the first time, along with other writings spanning Piper's work from 1972-2018. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Condition: Neu. Neuware.

110 pp.; 26.8 x 21 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the work of Adrian Piper. Includes an introduction by Rhea Anastas, an artist statement, interviews with Adrian Piper by RoseLee Goldberg and Kinshasha Conwill, and an afterword by Fréderique Bergholtz and Susan Gibb. "'Adrian Piper : Performing Objects I Have Been, 1972 - 2018,' is a collection of documents from, or potentially relevant to Adrian Piper's performance 'Some Reflective Surfaces (1975-76) that has been edited by art historian and curator Rhea Anastas. This publication sits within "If I Can't Dance, I Don't Want To Be Part Of Your Revolution's Performance in Residence" series, and its seventh artistic program, Social Movement (2017-18)." -- publisher's statement. Fine. Covers and contents clean and unmarked.