Adrian Frutiger Typefaces Complete by Osterer Heidrun (18 results)

Condition: Like New. LIGHTNING FAST SHIPPING! Like New Hardcover. Very minor cover scuffing. Ships Fast.

sehr guter Zustand, 462 S., Grossformat ca. 25,5 x 31,5 cm, 430 farbige und 620 schwarz-weiße Abb., Pappband, geb. Edited by the Swiss Foundation Type and Typography. Gramm 3100.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Hardcover. Condition: Brand New. 3rd edition. 462 pages. 12.00x9.75x1.75 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 3rd edition. 462 pages. 12.00x9.75x1.75 inches. In Stock.

Buch. Condition: Neu. Adrian Frutiger - Typefaces | Complete Works | Heidrun Osterer (u. a.) | Buch | 468 S. | Englisch | 2021 | Birkhäuser Berlin | EAN 9783035623628 | Verantwortliche Person für die EU: De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.…

Buch. Condition: Neu. Neuware - The Swiss type designer Adrian Frutiger decisively influenced the international creation of typefaces after 1950. His Univers typeface and the machine-readable font OCR-B are milestones, as is his type for the Paris airports, which evolved into the Frutiger typeface. All set new standards for signage types. In all, he created some fifty types, including Ondine, Méridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research, this publication provides a highly detailed and accurate account of the type designer's artistic development. All of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. ; Adrian Frutiger hat das internationale Schriftschaffen seit 1950 maßgeblich geprägt. Sein Schriftprogramm Univers und die maschinenlesbare Schrift OCR-B sind Meilensteine der Typografie wie auch die Frutiger, die er ursprünglich für die Pariser Flughäfen entworfen hatte und mit der er einen Qualitätsstandard für Signalisationsschriften schuf. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger und auf umfangreichen Recherchen basierend, dokumentiert die Publikation den gestalterischen Werdegang des Schriftkünstlers. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. …

Hardcover. Condition: Good. Dust Jacket Condition: Good. 2008 De Gruyter large format hardcover edition. Light reading wear, small tear to dustjacket else very good condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Privately owned hardcover, unmarked text, tight and sound spine, unclipped jacket with some shelf wear. Oversize heavy volume, ships from Berlin Bookshop Bxn91c.

Condition: Good. Original red cloth, dust jacket, ribbon marker, numerous illustrations/letters, 4to.

Hardcover. Condition: gut. 2009. Adrian Frutiger Typefaces: The Complete Works In deutscher Sprache. pages.

Condition: Good. Binding is unblemished, text block is clean, boards straight, without highlights or markings. Mild rubbing/chipping to dust wrapper edges. Very clean, very nice example. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Hardcover. Condition: As New.

Hardcover. Condition: As New. The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, MÃ?ÃÂ ridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer s artistic development. For the first time, all of his types from the design phase to the marketing stage are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture.…