the museum of contemporary art los angeles moca los angeles (27 results)

Softcover. Condition: Sehr gut. Sauberes Exemplar mit nur sehr geringen Lese-/Lagerspuren. Broschierter Einband mit Fadenbindung als Klappenbroschur. 167 Seiten. 1012 Gramm. 29x24cm. Englisch. Mit zahlreichen zumeist schwarzweißen Abbildungen.

Paperback. Condition: Fine. Qto., 212 pages, illustrated. Unused, a Fine copy.

Softcover with dustjacket, unpaginated; very good condition except dj is yellowed with some rubbing and edgewear; no internal marks. Foreign shipping may be extra.

Erste Auflage. 26 x 21,5 cm. 159 S. Illustrierter OKarton. Einbandkanten mit minimalen Bereibungen, etwas lichtrandig. Sonst gutes bis sehr gutes Exemplar. Katalog zur Ausstellung Los Angeles 12. November 2000 bis 11. Februar 2001. Durchgehend mit Abbildungen versehen, darunter Werke von Alan Sekula, Paul Outerbridge, Rodney Graham u.a. Text in englischer Sprache. Inliegend Errata-Zettel. Sprache: englisch.

Paperback. 64p., 7.75x8.75 inches, essay by Butler, b&w and color plates; two corner-tips are minutely turned, else very good trade paperback catalogue of the exhibition in white pictorial frenchfold wraps. Adler's process involves manipulation of photographs in Photoshop until they look like Naive paintings and then printing them out. Much work involving children and nudes of herself at 19. Lesbian and Gay sensibilities. Find, printed underneath the end-flaps, music and lyrics for the old chestnut "Once in Love With Amy".

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Sculpture and drawings by Mark Lere. Essays by Frances Colpitt and Kerry Brougher. Includes a biography, exhibition history and a bibliography. 80 pp., with black-and-white illustrations throughout. 11 x 8-1/2 inches. Published on the occasion of an exhibition at the Museum of Contemporary Art, Los Angeles. Near Fine (some wear along the spine, else Fine).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing. Hardcover. Textured black paper-covered boards, with photographically illustrated dust jacket. Photographs and video by Douglas Gordon. Essays by Michael Darling, Russell Ferguson, Francis McKee and Nancy Spector. Interview with the artist by David Sylvester. Includes a selected bibliography and a list of works. 184 pp., with four-color plates throughout. 12 x 9-1/4 inches. Published on the occasion of an exhibition organized by Russell Ferguson at the Museum of Contemporary Art, Los Angeles, which traveled to other venues. Fine in Fine dust jacket.

First edition. Softcover. 80 pages. Exhibition catalog for a show that ran February 13 through May 26, 1985. Introduction by Julia Brown. Essays by Frances Colpitt and Kerry Brougher. Includes numerous black and white illustrations. A very near fine copy in wrappers with some very minor wear to the top of the spine.

Hardcover without dustjacket as issued, 312 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. 1st Edition. 293 Pp. Green Wrappers Pronted In Yellow And White. Fine, No Wear. With The Original Purchase Receipt Dated 11/18//83.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Installations and sculpture by Robert Gober. Edited by Paul Schimmel. Essays by Hal Foster and Paul Schimmel. Includes a biography, bibliography and checklist of the exhibition. 104 pp. with 145 four-color plates. 11 x 11-3/4 inches. Published on the occasion of the 1996 exhibition Robert Gober at the Los Angeles Museum of Contemporary Art. New in publisher's shrink-wrap. From the publisher: "In 1993 Robert Gober was invited by the Los Angeles Museum of Contemporary Art to create a site-specific installation. For two years Gober worked exclusively on this project. The installation's central component is a life-size figure of the Virgin Mary. Standing in the middle of the installation on top of a sewer grate, she is pierced by a giant culvert pipe. In the back rushing water cascades down a staircase into another grate. To the left and the right of the Virgin Mary are two suitcases into which two other grates have been built offering viewers glimpses of a pristine subterranean tide pool and the enigmatic legs of a man holding a diapered baby. The installation is a disquieting reflection on Catholicism, gender, birth, and water's metaphorical ambiguity.".

Hardcover. Condition: New. Book: New/, (illustrator). Book: New/, $98.89, Reduced From. 9781933751078 HIGHLIGHTS from the PERMANENT COLLECTION of the MUSEUM of CONTEMPORARY ART, Los Angeles. this is not to be looked at: (New). * SCHIMMEL, Paul; GOLDSTEIN, Ann; MORSE, Rebecca MOCA; The Museum of Contemporary Art, Los Angeles UnKnown Year Of Publication UnKnown Edition Tall, Wide, Thick and Heavy, UnOpened In Publishers Original Shrink Wrap Packaging H/c. Light Grey Spine And Title In Small Black And 0ff~White Letters On Spine, Hard Cover Book: New/, No Wear. Book And Pages UnOpened, In Publishers Original Shrink Wrap Packaging. D/j: None. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Corrugated Mailing B0X. To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.

Hardcover. Condition: New in publisher's shrink wrap. First edition. Quarto (9 3/4 x 7 1/2"). 80pp. Original quarter grey cloth over photo-illustrated paper covered boards with red lettering to front cover. "A crafty master craftsman with the heart of a conceptualist, Roy McMakin makes furniture that pokes fun at itself and renovates historic houses to challenge archetypes. A sculptor, conceptual artist, and furniture maker, his clients have ranged from Lisa Eisner and Tommy Lee Jones to the Getty Museum's Los Angeles offices. Illustrated with 96 color illustrations, this first monograph on the artist, published on the occasion of the first museum exhibition of his work, traces how his creations have evolved over the years, from the nonfunctional yet allusive sculptural works of the early 1980s, moving through the production furniture made for his Los Angeles-based company, Domestic Furniture Co., and culminating in the "hillbilly modernist" sensibility of his present pieces. It considers his approach to materials, which ranges from the art-like, constructivist plywood furniture of his "classic" domestic period to the exotic hardwoods he currently employs. An interesting hybrid of artist and designer, McMakin makes magic, and it's all there behind A Door Meant as Adornment." (From the Publishers) This book is new, and still in publisher's shrink wrap.

Stiff Card Wraps. Condition: Near Fine. First Edition. Haendel is an artist who "makes precise pencil drawings of appropriated source materials, whether New Yorker cartoons, advertisements, news stories, photojournalistic pictures or fine artworks." This particular tome was produced to accompany the exhibition "MOCA Focus: Karl Haendel," which was presented at the Museum of Contemporary Art from January 26 through April 17, 2006. 96 pages. Scuff to fore-edge of front cover, otherwise mild general wear. Size: 8vo - over 7¾ - 9¾" tall. Book.

Pamphlet. Condition: Good. Unmarked. Creases on cover. Guide for 10 December 1986 to 10 January 1988 exhibition. Measures 24x8.5 inches unfolded. 12 panels, 6 on each side. Ten color images. Artists include Lousie Nevelson, Robert Rauschenberg, Richard Diebenkorn, Edward Ruscha, Edward Kienholz and Nancy Reddin Kienholz, Anselm Kiefer, Barnett Newman, Dan Flavin, and Isamu Noguhi.

Soft cover. Condition: Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers with French folds. Photographs by Uta Barth. Edited by Russell Ferguson. Essay by Elizabeth A.T. Smith. Designed by Cindy Estes. Includes a bibliography. 54 pp., with 38 four-color plates. 9 1/4 x 8 1/2 inches. Published on the occasion of the 1995 exhibition Uta Barth, curated by Elizabeth A.T. Smith, at The Museum of Contemporary Art, Los Angeles, as part of the museum's Focus Series. Scarce. Fine (slight rubbing to covers).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing. Hardcover. Paper-covered boards, with photographically illustrated dust jacket. Photographs by Jeff Wall. Edited and with text by Kerry Brougher. Includes a biography, extensive bibliography and checklist of the exhibition. 164 pp., with 52 four-color and 48 black-and-white plates. 11-1/4 x 11-3/4 inches. Published on the occasion of the 1997 exhibition Jeff Wall at the Los Angeles Museum of Contemporary Art. Fine in Fine dust jacket. From the publisher: "First and foremost, Canadian artist Jeff Wall is a storyteller. His large-scale cibachromes, often staged with actors on elaborate, cinematic sets, show intricate, densely layered scenarios investigating the entangled realities of life and culture at the end of the century. His works invite the viewer to examine them in detail, to discern surreal and melodramatic plots, to loose himself in the perplexing vortex of carefully constructed details. Wall draws on the narrative strategies of 19th-century painting, advertising's art of seduction, cinema's dramatic use of props and gestures to tell his own unique, sometimes mysterious stories. this comprehensive monograph [also] contains a new series of black and white photographs. They herald a new development in Wall's work, an ironic and unsettling play with the conventions of documentary photography.".

Softcover. Condition: Very Good +. First Edition. 4to (11?x9.75?). 112pp. Black and white illustrated wrappers. Mild shelfwear more noticeable at extreme edges. Lower front corner lightly bumped. Textblock edge a bit discolored and worn. Slight wave to textblock. Interior unmarked and bright.

Second edition, first printing. Hardcover. Limited edition of only 100 copies. Originally published in 1995 in conjunction with a show at Moca. Features an essay by Elizabeth A.T. Smith. Includes 38 color images by Barth. A fine copy in boards in a fine slipcase. No dust jacket as issued. Signed and numbered by Barth. An as new copy.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. First edition of the stunning and comprehensive exhibition catalog that documents Robert Rauschenberg's revolutionary "Combines" created between 1954 and 1964, works that broke down the boundaries between painting and sculpture and marked a pivotal development in 20th-century art. The book accompanied a traveling exhibition of the same name that originated at MOMA in New York in 2005, bringing together many of Rauschenberg's large-scale works that were rarely shown together due to their size and fragility. 170 plates, most in full color. 318 pages; 12.5" x 10.25." Near fine condition with age toning on page edges. Very good dust jacket. Extra postage required due to book size/weight.

Hardcover. Condition: Fine. 1st Edition. First edition thus (St. Ann's Press reissue). Limited slipcased, hardcover edition of 100 copies, signed, dated 2002 and numbered (this being #67/100) on the title page by Barth. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued; contained in a paper-covered slipcase. Photographs by Uta Barth. Edited by Russell Ferguson. Essay by Elizabeth A.T. Smith. Designed by Cindy Estes. Includes a bibliography. 54 pp., with 38 four-color plates. 9-1/2 x 8-3/4 inches. Originally published on the occasion of the 1995 exhibition Uta Barth, curated by Elizabeth A.T. Smith, at The Museum of Contemporary Art, Los Angeles, as part of the museum's Focus Series. Fine. A mint copy. Signed by Author.

Hardcover. Condition: Near Fine. 1st Edition. First edition, first printing. Signed in pencil on the title page by Baltz. Hardcover. Illustrated paper-covered boards, no dust jacket as issued. Photographs by Lewis Baltz. Essay by Cornelia H. Butler. 60 pp., with numerous four-color and black-and-white reproductions. 11-1/8 x 7-1/8 inches. Near Fine (light shelf wear, else Fine). From the publisher: "Lewis Baltz is an artist whose work has always synthesized broad cultural issues. Breaking from his past serial formats, this striking exhibition catalogue tackles the job of documenting the artists's recent monumental color works created from 1991 through 1995. Baltz moves from the physical landscape into the virtual and even more veiled landscapes of contemporary global culture. Highlighted are the works of 'Ronde de Nuit,' 'Docile Bodies,' and 'The Politics of Bacteria.'" Signed by Author.

Softcover. Condition: Very Good. First Edition. Front cover creased. ; Signed by artists Lari Pittman, Norman M. Klein, Michelle T. Clinton, Dennis Cooper, Victor Estrada, Amy Gerstler, Mike Kelley, Bia Lowe, Paul McCarthy, Manuel Ocampo (with small drawing) , Jim Shaw, Helena Maria Viramontes, Megan Williams, and one other presumed contributor. ; 4to 11" - 13" tall; Signed by Author.

Hardcover. Condition: New. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Signed in black ink on the half-title page by Rauschenberg. Hardcover. Beige cloth-covered boards with title debossed on front cover, stamped in white on rear cover, and stamped in black and red on spine; with photographically illustrated dust jacket. Combines by Robert Rauschenberg. Organized by Paul Schimmel. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel and Charles Stuckey. Afterword by Pontus Hultén. Includes an inventory and exhibition history of Combines, and a selected bibliography of Combine-related works. Designed by Tracey Shiffman with Ari Young and Jenny Yee. 318 pp., with numerous four-color and black-and-white plates beautifully printed in Germany by Steidl. Published on the occasion of an exhibition at The Metropolitan Museum of Art, New York; traveling to The Museum of Contemporary Art, Los Angeles, Musée national d'art moderne, Centre Georges Pompidou, Paris, and Moderna Museet, Stockholm. New in Near Fine dust jacket (1/8-inch closed tear at the top of the front fold, else Fine). From the publisher: "Organized by Chief Curator Paul Schimmel, Robert Rauschenberg: Combines focuses on the Combines created roughly between 1954 and 1964, the most important decade in the artist's 50-year career. The most complete survey of these works ever mounted, the exhibition featured close to eighty key works drawn from major collections. Poetic and lush, the Combines present layers of complex and sometimes conflicting information. This prescient approach has become increasingly relevant in the current age of cascading information, when even the most groundbreaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that is characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterliness of Abstract Expressionism and iconographical, subject-driven qualities of early Pop Art. The book constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance." Signed by Author.

Los Angeles. MOCA/ Museum of Contemporary Art., 2000 GUTES EXEMPLAR ! FINE COPY Erste Auflage. 26 x 21,5 cm. 159 S. Illustrierter OKarton. Gutes bis sehr gutes Exemplar. Katalog zur Ausstellung Los Angeles 12. November 2000 bis 11. Februar 2001 durchgehend mit Abbildungen versehen, darunter Werke von Alan Sekula, Paul Outerbridge, Rodney Graham u.a ORIGINALEINBAND - ORIGINAL PUBLISHERS WRAPPERS Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

232 S. u. 12 Bll. Anhang ('Aachener Strasse 1995' von Augustina von Nagel u. Sigmar Polke), Lex.-Oktav (ca. 25,9 x 28,4 cm), illustr. OPp. (hardcover) - Erstausgabe (First Scalo Edition). "This publication accompanies the exhibition (.) curated by Paul Schimmel". - Excellent condition. / Gutes, frisches Exemplar.