silman james press us (440 results)

Soft cover. Condition: Near Fine. Pages Are Clean And Tight. A Trade Size Paperback With A Display Quality Spine.

Paperback. Condition: Very Good. WHAT A PRODUCER DOES: Art of Moviemaking (Not the Business) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: New. In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: New. A straightforward, often humorous workbook approach to comedy writing as creative problem-solving. In it, veteran Hollywood comedy writer John Vorhaus offers his tools of the trade to writers, comics, and anyone else who wants to be funny. Among these indispensable tools are Clash of Context, Tension and Release, The Law of Comic Opposites, The Wildly Inappropriate Response, and The Myth of the Last Great Idea. Readers will learn that comedy = truth and pain (the essence of the comic situation), that fear is the biggest roadblock to comedy (kill the ferocious editor within and rich, useful comic ideas will flow), and much more.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. As entertaining as it is enlightening, Created by presents a stellar cast of 21 show creators who candidly talk about writing and selling hit television series: J.J. Abrams (Alias, Lost); Alan Ball (Six Feet Under); Yvette Lee Bowser (Living Single, Half & Half); Mark Brazill (That '70s Show); Ilene Chaiken (The L Word); Larry David (Seinfeld, Curb Your Enthusiasm); Tom Fontana (Oz); Tracy Gamble (8 Simple Rules); Dave Hackel (Becker); Barbara Hall (Joan of Arcadia); Brenda Hampton (7th Heaven, Fat Actress); Bill Lawrence (Scrubs); Dennis Leoni (Resurrection Blvd.); Max Mutchnick and David Kohan (Will & Grace); Tracy Newman and Jonathan Stark (According to Jim); Josh Schwartz (The O.C.); Shawn Ryan (The Shield); Amy Sherman-Palladino (Gilmore Girls); Joss Whedon (Buffy the Vampire Slayer, Angel). They discuss influences: writing spec scripts; first jobs in TV; getting an agent; mentors; being staffed as a writer; the pitch; writing a pilot; putting yourself in the characters you create; rewriting; producing a pilot; marketing; hiring a writing staff; making a show last; TV writing vs. film writing; drama vs. sitcom; cable vs. network TV; what show creators look for in a writer; writers block; luck and much more. This is a lively, well-written must-have book for all screenwriters and television writers -- wannabes, novices, and professionals -- as well as all avid TV fans. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. Unlocks the mysteries of commercially successful screen drama. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. Unlocks the mysteries of commercially successful screen drama. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: New. Unlocks the mysteries of commercially successful screen drama.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: new. Paperback. In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication. In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: Very Good. Screenplay: Writing the Picture This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Condition: New. In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.

Paperback. Condition: Very Good. Contracts for the Film and Television Industry This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Soft cover. Condition: Fine. 1st Edition.

Paperback. Condition: new. Paperback. A straightforward, often humorous workbook approach to comedy writing as creative problem-solving. In it, veteran Hollywood comedy writer John Vorhaus offers his tools of the trade to writers, comics, and anyone else who wants to be funny. Among these indispensable tools are Clash of Context, Tension and Release, The Law of Comic Opposites, The Wildly Inappropriate Response, and The Myth of the Last Great Idea. Readers will learn that comedy = truth and pain (the essence of the comic situation), that fear is the biggest roadblock to comedy (kill the ferocious editor within and rich, useful comic ideas will flow), and much more. A workbook approach to comedy writing as creative problem-solving. It offers tools of the trade such as Clash of Context, Tension and Release, The Law of Comic Opposites, The Wildly Inappropriate Response, and The Myth of the Last Great Idea to writers, comics, and anyone else who wants to be funny. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good. Movie Marketing: Opening the Picture and Giving it Legs This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condition: new. Paperback. Unlocks the mysteries of commercially successful screen drama. One of the most respected screenwriting teachers distills his many years of teaching at USC and UCLA into an insightful and witty primer that is both fresh and timeless. Froug does not rehash the time-worn formulas promoted in most other screenwriting books. Instead, he presents a practical approach to following one's own muse. Abundant examples from numerous films, this popular book will take the reader from a first urge to write through the completion of a well-wrought script. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condition: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condition: New. A straightforward, often humorous workbook approach to comedy writing as creative problem-solving. In it, veteran Hollywood comedy writer John Vorhaus offers his tools of the trade to writers, comics, and anyone else who wants to be funny. Among these indispensable tools are Clash of Context, Tension and Release, The Law of Comic Opposites, The Wildly Inappropriate Response, and The Myth of the Last Great Idea. Readers will learn that comedy = truth and pain (the essence of the comic situation), that fear is the biggest roadblock to comedy (kill the ferocious editor within and rich, useful comic ideas will flow), and much more.

Paperback. Condition: New. Making a good script great is more than just a matter of putting a good idea on paper. It requires the working and reworking of that idea. This book takes you through the whole screenwriting process-from initial concept through final rewrite-providing specific methods that will help you craft tighter, stronger, and more saleable scripts. While retaining the invaluable insights that placed its first two editions among the all-time most popular screenwriting books, this expanded, revised, and updated third edition adds rich and important new material on dialogue, cinematic images, and point of view, as well as an interview with screenwriter Paul Haggis. If you are writing your first script, this book will help develop your skills for telling a compelling and dramatic story. If you are a veteran screenwriter, it will help you articulate the skills you know intuitively. And if you are currently stuck on a rewrite, this book will help you analyse and solve your script's problems and get it back on track.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: New. As entertaining as it is enlightening, Created by presents a stellar cast of 21 show creators who candidly talk about writing and selling hit television series: J.J. Abrams (Alias, Lost); Alan Ball (Six Feet Under); Yvette Lee Bowser (Living Single, Half and Half); Mark Brazill (That '70s Show); Ilene Chaiken (The L Word); Larry David (Seinfeld, Curb Your Enthusiasm); Tom Fontana (Oz); Tracy Gamble (8 Simple Rules); Dave Hackel (Becker); Barbara Hall (Joan of Arcadia); Brenda Hampton (7th Heaven, Fat Actress); Bill Lawrence (Scrubs); Dennis Leoni (Resurrection Blvd.); Max Mutchnick and David Kohan (Will and Grace); Tracy Newman and Jonathan Stark (According to Jim); Josh Schwartz (The O.C.); Shawn Ryan (The Shield); Amy Sherman-Palladino (Gilmore Girls); Joss Whedon (Buffy the Vampire Slayer, Angel). They discuss influences: writing spec scripts; first jobs in TV; getting an agent; mentors; being staffed as a writer; the pitch; writing a pilot; putting yourself in the characters you create; rewriting; producing a pilot; marketing; hiring a writing staff; making a show last; TV writing vs. film writing; drama vs. sitcom; cable vs. network TV; what show creators look for in a writer; writers block; luck and much more. This is a lively, well-written must-have book for all screenwriters and television writers -- wannabes, novices, and professionals -- as well as all avid TV fans.