schott music gmbh co kg schott campus sep 2017 (6 results)

Taschenbuch. Condition: Neu. Neuware -This book is written as a dissertation for the degree of PhD at Carl von Ossietzky University 'Oldenburg University'. It is in the field of microtonal and spectral Music. This book presents possible microtonal harmonies in different tuning-systems specially in maqam music.It is written in parallel with compositions that make the tangible proof to the theories. The main themes of these compositions are maqam, microtonal and spectral music.The aim of the book is to give a new perspective to composers, musicians and theorists for possible merge between the traditional or Oriental Music and contemporary Western Music in new Transnational Music. In addition to that, harmony in traditional music and its esthetic is one of the main arguments that the book probes into.Books on Demand GmbH, Überseering 33, 22297 Hamburg 176 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware -During the composition of 'Strophes' (2003), in which the architectonic features of a high-tech factory influenced various parameters of the work such as the production of sounds, Marios Joannou Elia developed the concept of polymediality. This involved two dimensions: the work-immanent compositional dimension and polymediality in the process of staging. The prefix poly denotes a qualitative paradigm shift; not a quantitative much, but a qualitative, polyaesthetic more. Written between 2007 and 2010 as a commentary focused on his opera 'Die Jagd' (2008) and the orchestral piece 'Akanthai' (2009), this book illuminates Elia's concept of polymediality and, by providing a wealth of examples, how literary sources become an inherent polymedial element of his music. At the same time, the commentary elucidates a series of fundamental aspects of the music, including the model of imitative interaction, the concept of permanent fleetingness, the concept of polyaesthestics, and the question of musico-literary intermediality.Books on Demand GmbH, Überseering 33, 22297 Hamburg 116 pp. Englisch.

Buch. Condition: Neu. Neuware -During the composition of 'Strophes' (2003), in which the architectonic features of a high-tech factory influenced various parameters of the work such as the production of sounds, Marios Joannou Elia developed the concept of polymediality. This involved two dimensions: the work-immanent compositional dimension and polymediality in the process of staging. The prefix poly denotes a qualitative paradigm shift; not a quantitative much, but a qualitative, polyaesthetic more. Written between 2007 and 2010 as a commentary focused on his opera 'Die Jagd' (2008) and the orchestral piece 'Akanthai' (2009), this book illuminates Elia's concept of polymediality and, by providing a wealth of examples, how literary sources become an inherent polymedial element of his music. At the same time, the commentary elucidates a series of fundamental aspects of the music, including the model of imitative interaction, the concept of permanent fleetingness, the concept of polyaesthestics, and the question of musico-literary intermediality.Books on Demand GmbH, Überseering 33, 22297 Hamburg 116 pp. Englisch.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -During the composition of 'Strophes' (2003), in which the architectonic features of a high-tech factory influenced various parameters of the work such as the production of sounds, Marios Joannou Elia developed the concept of polymediality. This involved two dimensions: the work-immanent compositional dimension and polymediality in the process of staging. The prefix poly denotes a qualitative paradigm shift; not a quantitative much, but a qualitative, polyaesthetic more. Written between 2007 and 2010 as a commentary focused on his opera 'Die Jagd' (2008) and the orchestral piece 'Akanthai' (2009), this book illuminates Elia's concept of polymediality and, by providing a wealth of examples, how literary sources become an inherent polymedial element of his music. At the same time, the commentary elucidates a series of fundamental aspects of the music, including the model of imitative interaction, the concept of permanent fleetingness, the concept of polyaesthestics, and the question of musico-literary intermediality. 116 pp. Englisch.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is written as a dissertation for the degree of PhD at Carl von Ossietzky University 'Oldenburg University'. It is in the field of microtonal and spectral Music. This book presents possible microtonal harmonies in different tuning-systems specially in maqam music. It is written in parallel with compositions that make the tangible proof to the theories. The main themes of these compositions are maqam, microtonal and spectral music. The aim of the book is to give a new perspective to composers, musicians and theorists for possible merge between the traditional or Oriental Music and contemporary Western Music in new Transnational Music. In addition to that, harmony in traditional music and its esthetic is one of the main arguments that the book probes into. 176 pp. Englisch.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -During the composition of 'Strophes' (2003), in which the architectonic features of a high-tech factory influenced various parameters of the work such as the production of sounds, Marios Joannou Elia developed the concept of polymediality. This involved two dimensions: the work-immanent compositional dimension and polymediality in the process of staging. The prefix poly denotes a qualitative paradigm shift; not a quantitative much, but a qualitative, polyaesthetic more. Written between 2007 and 2010 as a commentary focused on his opera 'Die Jagd' (2008) and the orchestral piece 'Akanthai' (2009), this book illuminates Elia's concept of polymediality and, by providing a wealth of examples, how literary sources become an inherent polymedial element of his music. At the same time, the commentary elucidates a series of fundamental aspects of the music, including the model of imitative interaction, the concept of permanent fleetingness, the concept of polyaesthestics, and the question of musico-literary intermediality. 116 pp. Englisch.