note note editions fr (10 results)

Paperback. Condition: New. The work FLOU advances the experiments carried out by twenty photographers from the French and international art scenes during an exhibition held in September 2022, in Agnes Costa's eponymous laboratory. Note Note Éditions offered those photographers the opportunity to publish a selection of images related to the theme of blurriness by reflecting on photography and to venture beyond the aesthetic norms of "the proper image". FLOU presents a total of 40 photographs. Despite the variety of techniques used and subjects treated, the photographs agree on the very materiality of the image. FLOU is also an opportunity to bring together, in a single book, a contemporary photographic scene, concerned with various aesthetics matters and priorities, but united in a common desire to exchange and dialogue with its time.

Hardback. Condition: New. The Daily Weeding, KUBA RYNIEWICZ's first photobook, is a generous reportage: a banal and touching story. The Polish-born British photographer explores his home with a simple palette. Usually cheerful and playing with joyful ambiguity, he captures attitudes, atypical profiles, or grimaces. A work of literary fiction by YELENA MOSKOVICH accompanies images, which are followed by a postscript written by OLIVIA LAING. Published by Note Note Édition.

Paperback. Condition: New. Patterns, Note Note Collection n°4For this fourth opus, in collaboration with Sophie Pinet , Roe Ethridge has chosen the shell. An ideal pretext for inviting us to embark on a journey with him, beyond the clichés of popular culture and art history, to evoke memories of his tender age spent by the Atlantic Ocean. But that's not all. Through this motif, the photographer takes us to the heart of his humorous photographic work, which has never ceased to push back the boundaries between commercial commission and artistic practice, between the intimate and the collective, between a vision anchored in reality and one completely fantasized.

Paperback. Condition: New. "One of my earliest memories is of a Persian rug at my childhood home in Abu Dhabi - I loved looking at it for hours, projecting myself into its maze of vines, trees and peacock feathers. I wanted so badly to teleport to this world that I believed was real and animated inside the carpet. Patterns are repetitions of form and theme, but beyond that, they are universes to fall into -- geographic planes with rules of their own.Patterns, even when clashing, say something about aspiration, self -reflexiveness and belonging. They tell us about time and place, texture, touch, desire, and time. The universe beyond the pattern (and the medium photography, too) is a space where gravity gives way and where we are removed from our physical bodies, floating - a kind of paradise where we can leave the real world behind". Farah Al Qasimi.

Hardback. Condition: New. In Keep Distance, Boris Mikhaïlov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (2020-2024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then - but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhaïlov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographer's long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaurès, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudée, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhaïlov: everyday life, thespectacularization of the banal, and how current events - atonce trivial and tragic - erupt into our online existences.

Hardback. Condition: New. The Daily Weeding, KUBA RYNIEWICZ's first photobook, is a generous reportage: a banal and touching story. The Polish-born British photographer explores his home with a simple palette. Usually cheerful and playing with joyful ambiguity, he captures attitudes, atypical profiles, or grimaces. A work of literary fiction by YELENA MOSKOVICH accompanies images, which are followed by a postscript written by OLIVIA LAING. Published by Note Note Édition.

Hardback. Condition: New. In Keep Distance, Boris Mikhaïlov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (2020-2024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then - but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhaïlov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographer's long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaurès, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudée, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhaïlov: everyday life, thespectacularization of the banal, and how current events - atonce trivial and tragic - erupt into our online existences.

Paperback. Condition: New. The work FLOU advances the experiments carried out by twenty photographers from the French and international art scenes during an exhibition held in September 2022, in Agnes Costa's eponymous laboratory. Note Note Éditions offered those photographers the opportunity to publish a selection of images related to the theme of blurriness by reflecting on photography and to venture beyond the aesthetic norms of "the proper image". FLOU presents a total of 40 photographs. Despite the variety of techniques used and subjects treated, the photographs agree on the very materiality of the image. FLOU is also an opportunity to bring together, in a single book, a contemporary photographic scene, concerned with various aesthetics matters and priorities, but united in a common desire to exchange and dialogue with its time.

Paperback. Condition: New. "One of my earliest memories is of a Persian rug at my childhood home in Abu Dhabi - I loved looking at it for hours, projecting myself into its maze of vines, trees and peacock feathers. I wanted so badly to teleport to this world that I believed was real and animated inside the carpet. Patterns are repetitions of form and theme, but beyond that, they are universes to fall into -- geographic planes with rules of their own.Patterns, even when clashing, say something about aspiration, self -reflexiveness and belonging. They tell us about time and place, texture, touch, desire, and time. The universe beyond the pattern (and the medium photography, too) is a space where gravity gives way and where we are removed from our physical bodies, floating - a kind of paradise where we can leave the real world behind". Farah Al Qasimi.

Paperback. Condition: New. Patterns, Note Note Collection n°4For this fourth opus, in collaboration with Sophie Pinet , Roe Ethridge has chosen the shell. An ideal pretext for inviting us to embark on a journey with him, beyond the clichés of popular culture and art history, to evoke memories of his tender age spent by the Atlantic Ocean. But that's not all. Through this motif, the photographer takes us to the heart of his humorous photographic work, which has never ceased to push back the boundaries between commercial commission and artistic practice, between the intimate and the collective, between a vision anchored in reality and one completely fantasized.