9788763542579 - Installation Art Between Image & Stage by Anne Ring Petersen (21 results)

paperback. Condition: Very Good. Paperback. NOT Ex-library. Very good condition. Slight edgewear and bumping. Clean pages and tight binding. Page edges very lightly soiled. Until further notice, USPS Priority Mail only reliable option for Hawaii. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. N32.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: New.

Condition: New. Brand New.

Paperback. Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. This book explores how installation art developed into an interdisciplinary genre in the 1960s, and how its special intertwinement of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. It investigates how it became one of today's most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where the installations' often spectacular appearances ensure that they fit into contemporary demands for sense-provoking and immersive cultural experiences. Making an important contribution to the development of the critical and theoretical discourse on installation art, Ring Petersen addresses a series of basic questions: What is an installation? What techniques does it employ? How does installation art affect its viewers? How can we explain the rise of installation art in a cultural-historical perspective? Answers to these questions are pursued through analyses of installation art's spatial, temporal and discursive aspects as well as its reception aesthetics and cultural-historical contexts, and through analyses of a large number of works from a variety of sub-genres, including performance installations, video installations, installational exhibitions and recent use of installation in commercial contexts, including by artists such as Bruce Nauman, Olafur Eliasson, Mona Hatoum, Pipilotti Rist, Ilya Kabakov, Superflex, Thomas Hirschhorn, Carsten Höller, Terike Haapoja and ART + COM.

Paperback. Condition: new. Paperback. Despite its large and growing popularity-to say nothing of its near-ubiquity in the world's art scenes and international exhibitions of contemporary art-installation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination. With this book, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. She goes on to address a series of basic questions that get at the heart of what installation art is and how it is defined. Drawing on the work of such well-known artists as Bruce Nauman, Pipilotti Rist, Ilya Kabakov, and many others, Petersen breaks crucial new ground in understanding the conceptual underpinnings of this vibrant form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 430.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. pp. 430.

Condition: New. Num Pages: 507 pages, 44 colour plates & 5 b/w plates. BIC Classification: ACXJ; AFKN. Category: (G) General (US: Trade). Dimension: 179 x 247 x 39. Weight in Grams: 1314. 2015. Paperback. . . . .

Condition: New. &Uumlber den AutorAnne Ring Petersen is associate professor in the Department of Arts and Cultural Studies at the University of Copenhagen, Denmark. Her research focuses on contemporary art often in a cross-cultural perspective. Recent .

Hardback. Condition: New. New Book, Direct from Publisher.

Paperback. Condition: Brand New. illustrated edition. 507 pages. 9.50x7.00x1.50 inches. In Stock.

Condition: New. Num Pages: 507 pages, 44 colour plates & 5 b/w plates. BIC Classification: ACXJ; AFKN. Category: (G) General (US: Trade). Dimension: 179 x 247 x 39. Weight in Grams: 1314. 2015. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. Despite its large and growing popularity-to say nothing of its near-ubiquity in the world's art scenes and international exhibitions of contemporary art-installation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination. With this book, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. She goes on to address a series of basic questions that get at the heart of what installation art is and how it is defined. Drawing on the work of such well-known artists as Bruce Nauman, Pipilotti Rist, Ilya Kabakov, and many others, Petersen breaks crucial new ground in understanding the conceptual underpinnings of this vibrant form. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. This book explores how installation art developed into an interdisciplinary genre in the 1960s, and how its special intertwinement of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. It investigates how it became one of today's most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where the installations' often spectacular appearances ensure that they fit into contemporary demands for sense-provoking and immersive cultural experiences. Making an important contribution to the development of the critical and theoretical discourse on installation art, Ring Petersen addresses a series of basic questions: What is an installation? What techniques does it employ? How does installation art affect its viewers? How can we explain the rise of installation art in a cultural-historical perspective? Answers to these questions are pursued through analyses of installation art's spatial, temporal and discursive aspects as well as its reception aesthetics and cultural-historical contexts, and through analyses of a large number of works from a variety of sub-genres, including performance installations, video installations, installational exhibitions and recent use of installation in commercial contexts, including by artists such as Bruce Nauman, Olafur Eliasson, Mona Hatoum, Pipilotti Rist, Ilya Kabakov, Superflex, Thomas Hirschhorn, Carsten Höller, Terike Haapoja and ART + COM.

Taschenbuch. Condition: Neu. Neuware - This book explores how installation art developed into an interdisciplinary genre in the 1960s, and how its special intertwinement of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. It investigates how it became one of today's most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where the installations' often spectacular appearances ensure that they fit into contemporary demands for sense-provoking and immersive cultural experiences. Making an important contribution to the development of the critical and theoretical discourse on installation art, Ring Petersen addresses a series of basic questions: What is an installation What techniques does it employ How does installation art affect its viewers How can we explain the rise of installation art in a cultural-historical perspective Answers to these questions are pursued through analyses of installation art's spatial, temporal and discursive aspects as well as its reception aesthetics and cultural-historical contexts, and through analyses of a large number of works from a variety of sub-genres, including performance installations, video installations, installational exhibitions and recent use of installation in commercial contexts, including by artists such as Bruce Nauman, Olafur Eliasson, Mona Hatoum, Pipilotti Rist, Ilya Kabakov, Superflex, Thomas Hirschhorn, Carsten Höller, Terike Haapoja and ART + COM.