Isbn: 9788415303152 - 1,000 Faces 0 Faces 1 Face (9 results)
- Hardcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
Contact seller5-star sellerCondition: Used - Good
£ 16.46
£ 4.53 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
- Hardcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
Contact seller5-star sellerCondition: Used - Very good
£ 16.46
£ 4.53 shippingShips within U.S.A.Quantity: 3 available
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
More images- Hardcover
- First Edition
Seller: Nightshade Booksellers, IOBA member, Atlanta, GA, U.S.A.Nightshade Booksellers, IOBA member
Contact seller5-star sellerAssociation member: IOBA
Condition: Used - Fine
£ 23.31
£ 3.76 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. 1st Edition. First edition. A fine copy issued without a DJ. Text in Spanish and English. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #141.…
- Hardcover
- First Edition
Seller: Zimnol Arts Books, Middx, United KingdomZimnol Arts Books
Contact seller5-star sellerCondition: Used - As new
£ 20.00
£ 17.15 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: As New. 1st Edition. Hardcover catsalogue for Madrid exhibition. Dual Spanish English text. Profusely illustrated.
- Hardcover
Seller: KALAMO BOOKS, Burriana, CS, SpainKALAMO BOOKS
Contact seller5-star sellerCondition: New
£ 30.46
£ 17.04 shippingShips from Spain to U.S.A.Quantity: 1 available
Condition: New.
- Softcover
Seller: Librería Pérez Galdós, Madrid, M, SpainLibrería Pérez Galdós
Contact seller5-star sellerCondition: Used
£ 39.76
£ 38.61 shippingShips from Spain to U.S.A.Quantity: 1 available
Condition: leido. Cart Ilustr. 140.
More imagesLanguage: Spanish
Published by TF / Fundación Telefónica / La Fábrica, 2011
- Hardcover
Seller: Libros Angulo, Madrid, M, SpainLibros Angulo
Contact seller5-star sellerCondition: Used - Good
£ 22.09
£ 42.90 shippingShips from Spain to U.S.A.Quantity: 1 available
Encuadernación de tapa dura. Condition: Bien. TF / Fundación Telefónica / La Fábrica, 2011. Libro de fotografías. Arte. Fotografía. Texto en español e inglés. 142 pp. 27 x 21. Tela editorial tapa dura con sobrecubierta de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 9788415303152.…
Published by La Fabrica Editorial., Madrid,, 2011
- Hardcover
Seller: Libreria Lopez de Araujo, RIVAS VACIAMADRID, M, SpainLibreria Lopez de Araujo
Contact seller5-star sellerCondition: Used - Very good
£ 22.09
£ 25.74 shippingShips from Spain to U.S.A.Quantity: 1 available
Condition: Very Good. 27 x 20 cm., 139 pag. LEA LAS CONDICIONES DE ENVIO DE LA LIBRERÍA. Tapa dura, buen estado de conservacion.
Cindy Sherman, Thomas Ruff, Frank Montero: 1000 Caras, 0 Caras, 1 Rostro/1000 Faces, 0 Faces, 1 Face
Mosquera, Gerardo & Cindy Sherman & Thomas Ruff & Frank Montero
Language: English
Published by La Fabrica (Fábrica) / Fundacion Telefonica (Fundacià n Telefà nica), 2011
- Hardcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contact seller2-star sellerCondition: New
£ 1,535.58
£ 2.26 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: New. 1000 Faces/0 Faces/One Face unites two great contemporary artists who have interrogated constructions of identity with an entirely unknown late-nineteenth-century photographer named Frank Montero. Its thesis runs as follows: in Cindy Sherman's manipulations of generic casting we encounter a face that produces all faces; in Thomas Ruff's proliferating but depersonalized portraits, we all encounter all faces reduced to a zero degree; and in Montero, we encounter a face that plays the role of itself, throughout the inscriptions wrought upon it by time. Montero's work, seemingly made without artistic intentions or ambitions, and published here for the first time, provides a sort of Rembrandt-like counterpoint to the identity arguments made by Ruff and Sherman's work, and alongside them makes for the most fascinating panorama of the absolute constructedness of the photographic portrait and the eerie artifice of identity itself.…
